TL;DR – An animated marvel that unfortunately comes off as a disjointed mess at times
Score – 3 out of 5 stars
Post-Credit Scene – There is no post-credit scene

Review –
I’m going to be honest right from the start here, I had some real trepidation
on walking into The Lion King today. I consider the original animated film to
be one of my all-time top
animated films. In the 25 years since I first watched it, it still holds a special
place in my heart, even though those 25 years were filled with hot takes about authoritarianism
and plagiarism accusations. However, something about this remake just was not
jiving with me. Well now that I have seen the full film I am happy to say that
it was not the disaster I thought it would be, but wow does it have issues.
So to set the scene, and if you have seen the original film you can probably
skip this section. We open with dawn breaking on a very special day in Pride
Rock. Because this is the day that the new prince Simba (JD McCrary) is being
presented to the animal kingdom. As Rafiki (John Kani) raised the young cub up
in front of all the animals that have gathered Mufasa (James Earl Jones) and
Sarabi (Alfre Woodard) watch on with pride, but someone is missing. Scar (Chiwetel
Ejiofor) the brother of the king is absent and his absence is notable. He wants
the throne for himself and he will stop at nothing to make that happen. Well,
one day when young Simba and Nala (Shahadi Wright Joseph) escape their watcher
Zazu (John Oliver) and take a trip to the elephant’s graveyard an opportunity
lands in Scar’s lap.

To
begin with, I do want to take a moment to congratulate the many, many animators
and other artists that worked on this film. There are some moments that just
took my breath away with the wash of beauty on the screen. A good example of
this is the entire first sequence leading up to Simba’s introduction. I particularly
want to point to the work of the environmental artists. There were some
backgrounds that were just stunning, like so stunning you want to see them on
the largest screen possible. As well as this, I think this is the most photo-realistic
dirt that I have ever seen put to screen. This technical brilliance also
extends to all of the animals on screen.
With the story, it mostly hit all the same beats as the original film, indeed
some scenes are almost shot-for-shot remakes. Which of course grates a little
when you realise that the original writers of the 1994 animated film likely received
no compensation as the Writers Guild of America considers animated films to be
a second class work without the same protections (the same is true for all the
Disney remakes like Aladdin).
The only main change is how Rafiki finds out that Simba (Donald Glover) is
still alive, which is now through a fur- Rube Goldberg scenario than just some generic
sent on the wind. Other changes come from the stylistic shift to get as far
away from the tone of the cartoon as possible. Which means removing as many of
the anthropomorphisations and 4th wall breaks as possible, but then
adding others in, which is an interesting choice, to say the least.

When
it comes to the voice cast, it is a bit of a mixed bag, with some standouts and
some real disappointments. I instantly loved the rapport because Timon (Billy
Eichner) and Pumbaa (Seth Rogen) and I liked that they gave them a little gang
to riff off in the movie. To add to all that, I really enjoyed John Olive as
Zazu, his somewhat neurotic energy really matched the redesign of his
character. Also while not every person in the cast can really hit those notes
in the song (look for the moment that some of the cast are drowned out with
music), props to Billy Eichner for smashing out some of those classic songs. However,
some things about the cast did not work as well. I’m sorry but Chiwetel Ejiofor
just does not work as well as Scar, like it feels like he is being held back in
his performance. In fact, this is a common problem across the film with a lot
of the cast being really reserved with their performances to the point that it
sounds like they are bored in places.
Well I mentioned that the animation was great, the story holds up, and the
voice cast had some highlights for me, so why then does this film get the score
that it did. Well, while there are individual parts filled with brilliance,
when you put it all together it just does not work. They have gone for a
super-realistic art style, but that art style just does not gel with animals
talking English which is a completely unrealistic story choice. This means that
throughout the film you are constantly entering the uncanny valley. To add to
this, the reason why most of the performances are really subdued is that I
think that they were really trying to cut down on the amount of and the
extension of lips that they had to animate. All of this leads to the film
really losing impact in those scenes and moments when it is trying to make an
emotional statement, also a lot of the songs. If they were going for a
super-realistic art style then they should have approached the film differently
rather than a shot-for-shot remake. Indeed, maybe going the Up route could have helped, something
other than what we got.

In the end, do we recommend The Lion King? Well look that is a hard maybe. Firstly, if you are a parent and need to keep the kids entertained for an hour and a half, well you can do a lot worse. However, if you are going to see this out of the nostalgia for the original film then save yourself the disappointment. As I walked out of the cinema the big feeling I was having was that if you are just going to go through the same motions again, what it the point honestly. I really hope future films are better, here’s hoping Mulan can learn from this mistake.
By Brian MacNamara: You can follow
Brian on Twitter Here, when he’s not chatting about Movies and TV,
he’ll be talking about International Relations,
or the Solar System.
Have you watched The Lion King?, let us know what you thought in the comments
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our past reviews and articles Here, and have a happy
day.
Credits – All images were created by the cast, crew, and
production companies of The Lion King
Directed by – Jon Favreau
Screenplay by – Jeff Nathanson
Based on –The Lion King by Irene
Mecchi, Jonathan Roberts & Linda Woolverton
Music/Songs by – Hans Zimmer, Elton
John, Tim Rice & Lebo M.
Cinematography by – Caleb Deschanel
Edited by –Mark Livolsi & Adam
Gerstel
Production/Distribution Companies – Disney & Fairview Entertainment
Starring –JD McCrary, Shahadi Wright Joseph, Donald Glover, Beyoncé
Knowles-Carter, James Earl Jones, Alfre Woodard, Chiwetel Ejiofor, Seth Rogen, Billy
Eichner, John Kani, John Oliver, Florence Kasumba, Keegan-Michael Key, Eric
Andre, Penny Johnson Jerald, Amy Sedaris, Chance Bennett, Josh McCrary, Phil LaMarr
& J. Lee
Rating – Australia: PG; Canada: PG;
Germany: 6; New Zealand: PG; United Kingdom: PG; United States: PG
Good review. I’m glad there are those who are calling out Disney for their remakes not being as great as their originals.
I used to love The Lion King during my childhood, but that movie is beyond tainted for me as an adult. When I discovered Kimba the White Lion, my jaw-dropped with how much Disney ripped it off and how they tried sabotaging the sequel Jungle Emperor Leo ’97 during it’s North American debut. I’m also furious with Disney with trademarking “Hakuna Matata” and stealing “Mbube” by South African singer Solomon Linda which the plagiarized version is known as “The Lion Sleeps Tonight”. Check out the Netflix documentary The Lion’s Share about that issue. I also couldn’t stand the racist implications of the hyenas and just because James Earl Jones plays Mufasa doesn’t give them a free pass to do that.
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