TL;DR – A fascinating if a little blunt film about love in India
Score – 4 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
In my endeavour to watch more non-English language films, I had been spending a lot of time with those coming out of Europe, but this week I want to shift things by focusing on India. With that in mind, today we look at the first of two Indian films out this week that really intrigued me and this is a film is all about finding love even in the face of your family.
So to set the scene, we open in on two guys making a last-minute rush to get to a train that is about to depart as we hear about just how much weddings cost in India. We then go back a bit in time to meet Kartik (Ayushmann Khurrana) and his partner Aman (Jitendra Kumar) who hide who they are from their families by living away in Delhi. One day as they are helping a good friend elope they get caught by her family and need to get out of town for a bit. Well, that’s good timing because Aman’s cousin Goggle (Maanvi Gagroo) is about to be married back in Ahmedabad. The only problem is that Aman’s family does not know he is gay and it goes about as well as you imagine it does.
TL;DR – A film filled with amazing acting, and technical brilliance, however it was one of the most difficult films I have reviewed due to the issues of abuse that it explores.
Score – I am honestly not sure what to score to give this film
Post-Credit Scene – There is no post-credit scene that I saw
Warning – Depicts scenes of abuse
A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. However, while watching the film, I found myself feeling very conflicted with the subject material. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not.
So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing. The moment she grabs her hidden go bag you immediately understand why she is leaving. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.
In a world full of dower grittiness, it is nice sometimes to sit back, crack a cold one, and just enjoy some fun, and God knows in 2019we needed it. So today, I take a moment to champion those films that brought the fun, whether through upbeat action, one laugh after another, or that silliness that brings a smile to your face.
So without further ado, these are films that brought the fun in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also, you can click on the banners for the full review.
As I have gotten older I am not afraid of having a good old fashioned ugly cry in the cinemas when the time calls for it, and hell I probably got emotional just writing this list (Spoiler: I did). Sometimes they are tears of grief, sometimes they are tears of joy, and even still sometimes they are tears of anger.
Emotion is a core part of the cinema experience, and if you can’t get us to emotionally respond to your characters and/or the situation, well then I am sorry you have failed in making a good film.
So without further ado, these are the films of 2019 that emotionally wrecked us. Be warned that there will be some big spoilers ahead for the films in question. Also, you can click on the banners to go to the full review.
TL;DR – This episode starts with a deeply emotional moment, then goes into high farce, and then back again without missing a beat.
Score – 5 out of 5 stars
There are moments in TV that you never knew you want right up until the moment they air and then you wonder why it is that you had not wished for that before. In today’s episode, we get that but also we get something I never wished to pass and it still pains me to think of it.
So to set the scene, we open in on the Seven Domes on the planet Vergessen in the Hypatia system … and well that is all I can really say without hitting spoilers so far it would make your head twist. Now we will be looking at the episode as a whole so you better believe that there will be [SPOILERS] ahead.
TL;DR – A return from the blast of the past shows how far the show has grown
Score – 4 out of 5 stars
Way back in at the start of the show, Brooklyn Nine-Nine was still finding its feet. It was an experimental time, with this show exploring several different plot threads to see if they worked. Some of them worked like, Halloween, some of them did not, like Charles (Joe Lo Truglio) trying to date Rosa (Stephanie Beatriz), and some still were just lost to time. However, every now and again, one of those threads from the past gets born again, and this is just one such episode.
So to set the scene, Terry (Terry Crews) and Santiago (Melissa Fumero) have to leave the 99 for the day to do some departmental training. Thus they leave Peralta (Andy Samberg) in charge … but with no speech about being responsible because time has changed him. Now he is the guy that will buy the safe car and is trying to start a family. Well, no one gets to tell Jake he can’t be reckless, so it is now time for him to resurrect an even from the deep past the Jimmy Jab Games. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead.
TL;DR – Unfortunately this is a film that mostly falls flat in-between shout outs to Olive Garden. Score – 3 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
For a long time, there has been a drive to find a great adaptation of a video game, and on the whole, the best we have gotten is mediocre. Well, today we look at a film that is trying to break through that history and alas it does not quite get there even though it is clear that all the cast is giving their all.
So to set the scene, in a magical kingdom far away, there was a young blur bouncing across the green world with in-built loop-d-loops. His power is almost limitless, but that comes with danger and one day that danger comes home to roost. As they are attacked, Sonic’s (Ben Schwartz) adopted mother Longclaw (Donna Jay Fulks) helps him flee by giving him rings that allow him to jump from world to world keeping ahead of the kidnappers. Well, many years later, one of those jumps leads him landing on Earth where he watched the residents of Green Hills, Montana like the local sheriff Thomas Michael “Tom” Wachowski (James Marsden) go about their lives. All is good, until one day when he accidentally sets off an EMP, drawing danger in the form of Dr Robotnik (Jim Carrey) right to his door.