Toy Story 5 – Movie Review

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TL;DR – A perfectly adequate addition to the series with the odd tender moment, and a lot of coincidence, so much coincidence.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid- and post-credit scene.

Disclosure – I was invited to a press screening of this film.

Lillypad.

Toy Story 5 Review Introduction

Look, I am just going to make it clear from the get-go that I walked into this film with the strong belief that it was not only unnecessary but profoundly detrimental to the franchise. Toy Story 3 is one of my Top 10 Animated Films of All Time and is the perfect ending to the series. I sort of worked my way through Toy Story 4, which, when you think of it, is more of an epilogue than a standalone film. I didn’t feel there was enough left in the tank to justify a fifth entry, and I think I was right.

So, to set the scene, Bonnie (Scarlett Spears) has been growing up fast, but still loves playing with her toys every day. But Jessie (Joan Cusack) and the gang have been trying to get her out of her shell so she can make some new friends. What Jessie does not know is that there is a storm brewing, and that storm is tech. Across the neighbourhood, toys are being abandoned as kids turn to tech to entertain themselves. But what was a neighbourhood problem is now in their house as a new Lilypad (Greta Lee) device has arrived, and it does not play fair.

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Disclosure Day – Movie Review

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TL;DR – I can see this being a very divisive film, but it completely captured me. hook, line, and sinker.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Camera flashes go off.

Disclosure Day Review Introduction

When someone tells you that Steven Spielberg, David Koepp, John Williams, and the gang are teaming up for what might be the last time, it doesn’t matter what the film is, you know you must see it. I don’t think I have ever said yes to an invitation as quickly as I did here. And it was so worth it.
 
So, to set the scene, we open in a crash of bodies as a wrestling match is in full swing. But we are not here for the clashing brawny men; we are here for a man with a backpack that looks out of place. For Daniel Kellner is not here for sport; he is here to be part of an exchange. All the highly classified information he stole from the Wardex corporation was for his partner Jane (Eve Hewson). But Daniel is not just a helpless analyst; he has seen the information he stole, so he knows exactly what pressure point to use against the head of Wardex, Noah Scanlon (Colin Firth), and soon everyone is on the run.

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Two Years Later: Season 1 – TV Review

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TL;DR – I was surprised just how quickly this series got its claws into me as I watched all the dates pan out.  

Rating: 4.5 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

A bus driving across a bridge.

Two Years Later Review Introduction

Today, we look at a series that hits maybe a touch closer than I was expecting. There is nothing quite like a show that dives into situation that I live each day, set in the city I live in. I mean, not the romance thing, but the same bus each day, on the cusp of COVID in the city of Brisbane. This is a feeling that I found myself in when I loaded up that first date and was transported kilometres rather than continents.  

So, to set the scene, in early 2020, Emily Wright (Phoebe Tonkin) and Ryan Wright (Brenton Thwaites), no relations, are busmates in Brisbane, who take the same bus every day. They are good friends, well as good as you can have in just a bus situation. However, with the growing tide of masks and threats of lockdown, you never know when you will see someone again. Two years later. They find themselves on the same bus again for the first time. Taking a gamble, Ryan asks Emily out on a date or maybe eight, and for the first time, they share something as intimate as a phone number. But did they just destroy their bus-thing, or start something new?  

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Among Us (2026): Season 1 – TV Review

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TL;DR – This is an almost perfect adaptation of the original game, full of tasks, murder, and voting people to their doom.

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

The whole crew around a pizza party table.

Among Us Review Introduction

Back at the heart of COVID in 2020, there were a few things that helped get us through it. One of those was this weird little hidden role game where you set yourself a bunch of tasks to complete on a spaceship while one or more of you are aliens trying to kill you. Now, I played a lot of Among Us during this time, and my self-reports were legendary. Which means I am very interested to see how this animated adaptation turned out.   

So, to set the scene, deep in an asteroid field, a bunch of new employees, Green (Elijah Wood) and White (Patton Oswalt), for the MIRA Corporation, have begun the trip up to their new ship. Fun. Engagement. Fun-Gagement. These are the pillars of MIRA. All they have to do is take this new Ore+ from the asteroid to Industria, a simple trip. As Orange (Yvette Nicole Brown) gives them a tour of the ship and the crew, including the doctor Blue (Dan Stevens), we find a whole bunch of quirky characters for a trip like this. It all looks to be going swimmingly, well, you would hate it if there was a secret imposter on board wanting to take everyone else out one by one. Now, from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.   

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Scary Movie (2026) – Movie Review

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TL;DR – It is a perfectly okay entry into the series, where some of the jokes still land, but it struggles to find its voice

Rating: 3 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Ghostface drinking tea.

Scary Movie Review Introduction

Now, before we jump in, I do have something to confess, and on the off chance one of my parents is reading this, maybe skip to the next paragraph. I kind of have a soft spot for Scary Movie as it was the first MA15+ film I saw in cinemas. In that rebellious phase where you realised you didn’t need parental approval to get into the cinemas. As far as parodies go, it was and still is streets ahead of many of its contemporaries and most of the followers that were spawned in the years after its success. But as time went on, the series had diminishing returns as it devolved into a funhouse mirror clip-show of pop culture. However, not only is this latest instalment coming at a time when Horror films are in ascendance, I mean Obsession and Backrooms just killed a Star Wars at the box office. But also, the original creators are back, and I am interested to see if they can bring the same intensity to the franchise twenty-six years later.

So, to set the scene, it has been many years since Ghostface struck, and many think he is a fable, or just a bad horror movie holdover, that is, until he turns up at Tuesday’s (Savannah Lee Nassif) house, brandishing his knife. Tuesday’s stabbing causes her sister Sara (Olivia Rose Keegan) and her not-at-all-suspicious boyfriend Jack (Cameron Scott Roberts) to return home and visit Sara’s mother, Cindy Campbell (Anna Faris), who has been preparing for this day for years. There is a killer on the loose, so it is time to bring the gang back together, including Brenda Meeks (Regina Hall), Ray Wilkins (Shawn Wayans), and Shorty Meeks (Marlon Wayans), before Ghostface kills them off one by one in elaborate referential deaths.       

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Masters of the Universe (He-Man and the Masters of the Universe) (2026) – Movie Review

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TL;DR – Well, never have I been so happy to be wrong. This film was a blast from beginning to end.

Rating: 4.5 out of 5.

Post-Credit Scene – There are post-credit scenes.

Disclosure – I was invited to a press screening of this film.

He-Man finds his power.

Masters of the Universe Review Introduction

Before we dive into the review proper, I think it is right to be a bit honest up front. I did not have high hopes for this film. It had been in production hell for an age and a half, the casting felt like a mess, it was hitting at a nostalgia that didn’t feel like it really existed, and it had a multitude of writing credits that made anyone concerned. Then there was the Jared Leto-sized elephant in the room. I was expecting a complete and utter disaster. Well, I need to go eat some humble pie, not because I like pie, I do, but because this was the most fun I have had in a cinema in an age.


So, to set the scene, Adam Glenn (Nicholas Galitzine) struggles a lot in Oklahoma City because people can never quite get close to him. Because sooner or later, he needs to tell them that when he was a child (Artie Wilkinson-Hunt), he was the Prince of Eternia, surrounded by magic, wonders, history, and the love of the people. But all of that changed one day when Skeletor (Jared Leto) attacked with his goons and captured his parents, King Randor (James Purefoy) and Queen Marlena (Charlotte Riley). They would have taken the young Adam to, in their search for the Sword of Power. However, the Sorceress (Morena Baccarin) saved him by sending him to Earth to keep the sword safe, but he lost it in transit. As you can imagine, that kind of story does not get you a second date and probably get you an awkward phone call cutting the night short. But things change when one day he gets a message that someone has finally found his sword, and Adam has a chance to return home.

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Obsession – Movie Review

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TL;DR – Ew, ew, ew, ew, my dude, what the actual #$%@

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes which may cause distress.

One Wish Willows.

Obsession Review Introduction

It has been a gangbuster year for the YouTube creative to big screen director, starting with Markiplier in Iron Lung, then Kane Parsons in Backrooms, and now we get to finish off the trifecta with Curry Barker’s Obsession. However, now that I’ve seen it, I’m not sure I would have chosen to, knowing what I know now.

So, to set the scene, Bear (Michael Johnston) is a bit of a nervous person who has worked with Nikki (Inde Navarrette) and has a major crush on her. He has been coached by his friends Ian (Cooper Tomlinson) and Sarah (Megan Lawless), but he can’t bring himself to take the next step. When walking through a crystal store one day, he comes across a One Wish Willows that gives you one wish, and one wish only. After a truly embarrassing exchange, Bear decides to give the stupid wish a chance, because it is not like it really works …….  

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Backrooms (2026) – Movie Review

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TL;DR – This is a film built almost entirely on its vibe, and that is exactly why it works. Every small detail has been crafted to leave the hairs standing up on the back of your neck for the entire runtime.

Rating: 4 out of 5.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Cap’n Clark’s Ottoman Empire.

Backrooms Review Introduction

If you have ever dabbled in the online spaces, then you have probably come across the internet phenomenon that is the Backrooms. A slightly too illuminated or not illuminated enough office block that goes on for eternity, where things are just not quite right. It has the distinct visual style of being both familiar and also profoundly off-putting. Well, this has been bouncing around the World Wide Web for a decade or so, and one of the creators in the space has taken the jump to the big screen, so let’s take a look.   

So, to set the scene, in the 1990s, Clark (Chiwetel Ejiofor) is a generally frustrated seller of tired house furniture. He wanted to be an architect, but for many reasons, he could never make that work. The Cap’n Clark’s Ottoman Empire is bleeding him dry with all these electricity bills, which Clark knows are wrong because he might be currently living in the store after his wife kicked him out. He has been working through this with his therapist, Dr Mary Kline (Renate Reinsve), but nothing seems to stick. But then, one night, when he was sleeping in the store, he heard some odd electric noises from the basement. Going to investigate, nothing seems out of the ordinary until something caught the corner of his eye. An echo, a strip, a remembrance of a door that should not be there. It is an odd office-like space with yellow carpets and inconsistent fluorescent lighting. However, the deeper Clark goes, the weirder it gets.       

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The Mandalorian and Grogu (Star Wars: The Mandalorian and Grogu) – Movie Review

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TL;DR – A generally solid, if only occasionally ambitious Star Wars film, but can’t quite escape the feeling that they took a season of television and smashed it into a film.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Grogu and The Mandalorian look over a sand dune.

The Mandalorian and Grogu Review Introduction

Today, we have an interesting film, as it has so many competing factors needed for it to work as a film. The Mandalorian and Grogu have to be a conclusion to a whole range of Disney+ television series, it has to be a tent-pole production bringing the cinematic glam back to the Star Wars Universe, and it has to be a good film in its own right. That is a lot of different tasks, all with their own baggage being brought to the table. Add to this a rapidly changing cinematic landscape in general, Disney+’s hit-and-miss aspect to its stories, and their profound inability to confront the toxic aspect of their own community. So yes, I’m concerned. But let’s see if they’ve managed to stick the landing.
 
So, to set the scene, since retiring from pulling bounties for more despicable people, The Mandalorian Din Djarin (Pedro Pascal/Brendan Wayne/Lateef Crowder) and his apprentice Grogu (Himself) have begun working bounties for the New Republic. Capturing those of the Imperial Remnant before they can cause more harm. But Colonel Ward gives Din Djarin a new mission deep in the territory of the Hutts. He needs to rescue Rotta the Hutt (Jeremy Allen White), but that might mean making deals with the exact people he has tried to stop working for.

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Finding Emily – Movie Review

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TL;DR – An oddly charming film that transcends some of the potential limitations by grounding the characters in a clear sense of time and place.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

A poster with "Missing, A Digit of Emily's Number!, you gave me 10/11th's of your number on MONDAY you were a FAIRY I was the guy with no bottle opener who'd really like to see you again Meet ME Where you found me ANY NIGHT 7pm"

Finding Emily Review Introduction

When you have been writing reviews for a while, one of the issues that comes up is that you tend to have seen everything under the sun already. It is like that friend who always knows who the murderer is five minutes into a murder mystery. However, every now and again, a film will catch you off guard, and that is what we are looking at today.   

So, to set the scene, Owen (Spike Fearn) is a caring guy trying to make a life as a sound engineer when one night at a club he is working in, he runs into Emily (Sadie Soverall). They immediately hit it off with an almost electric chemistry. To the point he almost loses his job from having a good time. But late at night, before the clock struck 12, Emily had to run off with her friends to another party, but since they were having such fun, she put her number in Owen’s phone. The next morning, Owen’s brother, Matt (Jack Riddiford) and his partner, Freya (Isabella Laughland), did find a bit of glee when Owen discovered Emily had only given her 10 of the 11 digits of her phone number. But Owen was determined, and Manchester is a university town, so someone must know who she is, right? His first attempt was a failure, but Emily Raine (Angourie Rice) was nice enough to help him on his mission, but her motives might not be all that altruistic.

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