Scary Movie (2026) – Movie Review

TL;DR – It is a perfectly okay entry into the series, where some of the jokes still land, but it struggles to find its voice

Rating: 3 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Ghostface drinking tea.

Scary Movie Review Introduction

Now, before we jump in, I do have something to confess, and on the off chance one of my parents is reading this, maybe skip to the next paragraph. I kind of have a soft spot for Scary Movie as it was the first MA15+ film I saw in cinemas. In that rebellious phase where you realised you didn’t need parental approval to get into the cinemas. As far as parodies go, it was and still is streets ahead of many of its contemporaries and most of the followers that were spawned in the years after its success. But as time went on, the series had diminishing returns as it devolved into a funhouse mirror clip-show of pop culture. However, not only is this latest instalment coming at a time when Horror films are in ascendance, I mean Obsession and Backrooms just killed a Star Wars at the box office. But also, the original creators are back, and I am interested to see if they can bring the same intensity to the franchise twenty-six years later.

So, to set the scene, it has been many years since Ghostface struck, and many think he is a fable, or just a bad horror movie holdover, that is, until he turns up at Tuesday’s (Savannah Lee Nassif) house, brandishing his knife. Tuesday’s stabbing causes her sister Sara (Olivia Rose Keegan) and her not-at-all-suspicious boyfriend Jack (Cameron Scott Roberts) to return home and visit Sara’s mother, Cindy Campbell (Anna Faris), who has been preparing for this day for years. There is a killer on the loose, so it is time to bring the gang back together, including Brenda Meeks (Regina Hall), Ray Wilkins (Shawn Wayans), and Shorty Meeks (Marlon Wayans), before Ghostface kills them off one by one in elaborate referential deaths.       

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Masters of the Universe (He-Man and the Masters of the Universe) (2026) – Movie Review

TL;DR – Well, never have I been so happy to be wrong. This film was a blast from beginning to end.

Rating: 4.5 out of 5.

Post-Credit Scene – There are post-credit scenes.

Disclosure – I was invited to a press screening of this film.

He-Man finds his power.

Masters of the Universe Review Introduction

Before we dive into the review proper, I think it is right to be a bit honest up front. I did not have high hopes for this film. It had been in production hell for an age and a half, the casting felt like a mess, it was hitting at a nostalgia that didn’t feel like it really existed, and it had a multitude of writing credits that made anyone concerned. Then there was the Jared Leto-sized elephant in the room. I was expecting a complete and utter disaster. Well, I need to go eat some humble pie, not because I like pie, I do, but because this was the most fun I have had in a cinema in an age.


So, to set the scene, Adam Glenn (Nicholas Galitzine) struggles a lot in Oklahoma City because people can never quite get close to him. Because sooner or later, he needs to tell them that when he was a child (Artie Wilkinson-Hunt), he was the Prince of Eternia, surrounded by magic, wonders, history, and the love of the people. But all of that changed one day when Skeletor (Jared Leto) attacked with his goons and captured his parents, King Randor (James Purefoy) and Queen Marlena (Charlotte Riley). They would have taken the young Adam to, in their search for the Sword of Power. However, the Sorceress (Morena Baccarin) saved him by sending him to Earth to keep the sword safe, but he lost it in transit. As you can imagine, that kind of story does not get you a second date and probably get you an awkward phone call cutting the night short. But things change when one day he gets a message that someone has finally found his sword, and Adam has a chance to return home.

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Obsession – Movie Review

TL;DR – Ew, ew, ew, ew, my dude, what the actual #$%@

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes which may cause distress.

One Wish Willows.

Obsession Review Introduction

It has been a gangbuster year for the YouTube creative to big screen director, starting with Markiplier in Iron Lung, then Kane Parsons in Backrooms, and now we get to finish off the trifecta with Curry Barker’s Obsession. However, now that I’ve seen it, I’m not sure I would have chosen to, knowing what I know now.

So, to set the scene, Bear (Michael Johnston) is a bit of a nervous person who has worked with Nikki (Inde Navarrette) and has a major crush on her. He has been coached by his friends Ian (Cooper Tomlinson) and Sarah (Megan Lawless), but he can’t bring himself to take the next step. When walking through a crystal store one day, he comes across a One Wish Willows that gives you one wish, and one wish only. After a truly embarrassing exchange, Bear decides to give the stupid wish a chance, because it is not like it really works …….  

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Backrooms (2026) – Movie Review

TL;DR – This is a film built almost entirely on its vibe, and that is exactly why it works. Every small detail has been crafted to leave the hairs standing up on the back of your neck for the entire runtime.

Rating: 4 out of 5.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Cap’n Clark’s Ottoman Empire.

Backrooms Review Introduction

If you have ever dabbled in the online spaces, then you have probably come across the internet phenomenon that is the Backrooms. A slightly too illuminated or not illuminated enough office block that goes on for eternity, where things are just not quite right. It has the distinct visual style of being both familiar and also profoundly off-putting. Well, this has been bouncing around the World Wide Web for a decade or so, and one of the creators in the space has taken the jump to the big screen, so let’s take a look.   

So, to set the scene, in the 1990s, Clark (Chiwetel Ejiofor) is a generally frustrated seller of tired house furniture. He wanted to be an architect, but for many reasons, he could never make that work. The Cap’n Clark’s Ottoman Empire is bleeding him dry with all these electricity bills, which Clark knows are wrong because he might be currently living in the store after his wife kicked him out. He has been working through this with his therapist, Dr Mary Kline (Renate Reinsve), but nothing seems to stick. But then, one night, when he was sleeping in the store, he heard some odd electric noises from the basement. Going to investigate, nothing seems out of the ordinary until something caught the corner of his eye. An echo, a strip, a remembrance of a door that should not be there. It is an odd office-like space with yellow carpets and inconsistent fluorescent lighting. However, the deeper Clark goes, the weirder it gets.       

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The Mandalorian and Grogu (Star Wars: The Mandalorian and Grogu) – Movie Review

TL;DR – A generally solid, if only occasionally ambitious Star Wars film, but can’t quite escape the feeling that they took a season of television and smashed it into a film.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Grogu and The Mandalorian look over a sand dune.

The Mandalorian and Grogu Review Introduction

Today, we have an interesting film, as it has so many competing factors needed for it to work as a film. The Mandalorian and Grogu have to be a conclusion to a whole range of Disney+ television series, it has to be a tent-pole production bringing the cinematic glam back to the Star Wars Universe, and it has to be a good film in its own right. That is a lot of different tasks, all with their own baggage being brought to the table. Add to this a rapidly changing cinematic landscape in general, Disney+’s hit-and-miss aspect to its stories, and their profound inability to confront the toxic aspect of their own community. So yes, I’m concerned. But let’s see if they’ve managed to stick the landing.
 
So, to set the scene, since retiring from pulling bounties for more despicable people, The Mandalorian Din Djarin (Pedro Pascal/Brendan Wayne/Lateef Crowder) and his apprentice Grogu (Himself) have begun working bounties for the New Republic. Capturing those of the Imperial Remnant before they can cause more harm. But Colonel Ward gives Din Djarin a new mission deep in the territory of the Hutts. He needs to rescue Rotta the Hutt (Jeremy Allen White), but that might mean making deals with the exact people he has tried to stop working for.

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Finding Emily – Movie Review

TL;DR – An oddly charming film that transcends some of the potential limitations by grounding the characters in a clear sense of time and place.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

A poster with "Missing, 

A Digit of Emily's Number!,

you gave me 10/11th's of your number on MONDAY

you were a FAIRY

I was the guy with no bottle opener who'd really like to see you again

Meet ME Where you found me ANY NIGHT 7pm"

Finding Emily Review Introduction

When you have been writing reviews for a while, one of the issues that comes up is that you tend to have seen everything under the sun already. It is like that friend who always knows who the murderer is five minutes into a murder mystery. However, every now and again, a film will catch you off guard, and that is what we are looking at today.   

So, to set the scene, Owen (Spike Fearn) is a caring guy trying to make a life as a sound engineer when one night at a club he is working in, he runs into Emily (Sadie Soverall). They immediately hit it off with an almost electric chemistry. To the point he almost loses his job from having a good time. But late at night, before the clock struck 12, Emily had to run off with her friends to another party, but since they were having such fun, she put her number in Owen’s phone. The next morning, Owen’s brother, Matt (Jack Riddiford) and his partner, Freya (Isabella Laughland), did find a bit of glee when Owen discovered Emily had only given her 10 of the 11 digits of her phone number. But Owen was determined, and Manchester is a university town, so someone must know who she is, right? His first attempt was a failure, but Emily Raine (Angourie Rice) was nice enough to help him on his mission, but her motives might not be all that altruistic.

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Mixtape – Video Game Review

TL;DR – A joyous exploration of that cliff in time when you transition from one stage of life to the next, full of its promises, dangers, and the desire to look back while you are hurtling forward.

Rating: 4.5 out of 5.

Disclosure – I paid for this game.

The characters flying through the air.
It is the details that matter. Image Credit: Annapurna Interactive.

Mixtape Review Introduction

Every form of art throughout history has explored that threshold on which a child becomes an adult. That moment when you become a complete being, more than just the sum of your family circumstances. In cinema, we are served a plethora of powerful examples: 10 Things I Hate About You, The Breakfast Club, Ferris Bueller’s Day Off, The Edge of Seventeen, Booksmart, The Princess Diaries, & Clueless, to name just a few. But until today, I have not seen a video game really get into the weeds of that genre; well, this changes now.  

So, to set the scene, Stacey Rockford (Bella DeLong), Van Slater (Max Korman), and Cassandra Morino (Jessica Ma) are three best friends living in the mountainous north of California in the early 1990s. They are cruising through the streets of their town on skateboards, celebrating the end of High School. But this is also a crossroads; some are leaving their claustrophobic town, some are staying, with all three being pulled to different parts of the country. Stacey’s life revolves around music, and she has created the perfect playlist for their last full day together, but fate might have different ideas.    

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Sydney Trip Day 1 – Explore-It

TL;DR – Arrival, Opera House, Taronga Zoo via ferry, Sealife Aquarium, and fried chicken to end a long first day in Sydney.

Disclosure – I paid for my entry and everything you see purchased in this article.

Exploring Sydney  –

Well, it has been a while since I jumped into the world of an Explore-It, and now is as good a time as any to explore a trip I took a bit ago to the most populous city in Australia [for the time being] Sydney

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Citadel: Baked Alaskas [S2:E1] – TV Review

TL;DR – A stronger start, but the jury is still out if it can rebound from a very mixed first outing.  

Rating: 3.5 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this series.

A computer screen with information on Frank Sharpe.

Citadel Review Introduction

Back in 2023, one of the few ambitious projects in the streaming era started. I mean, what is the point of having a global streaming conglomerate if you are not going to do something with it? Citadel and its Spyverse were going to be a worldwide streaming universe where different countries would add to the growing lore. Conceptionally fascinating, practically quite a mess, with Season One devolving into massive expensive reshoots, which didn’t help the promotion of the spin-offs Diana & Honey Bunny. But the series has been improving with each iteration, so it is time to see if the original series can continue the charge, or if this is the last hurrah.

So, to set the scene, everyone has gone into hiding after the events of Season One. But the reach of Manticore is large, and soon, nowhere is safe to hide. In England, a smuggler is enjoying a party only to have his entire security taken out by Hutch (Jack Reynor), for he is hunting for Paolo Braga (Gabriel Leone), who didn’t suspect that the item that was being smuggled was none other than Bernard (Stanley Tucci). Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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Nirvanna the Band the Show the Movie – Movie Review

TL;DR – A wild, chaotic, Canadian ride from start to finish, where you will not know where the film will pivot to next.

Rating: 4 out of 5.

Post-Credit Scene – There is a post-credit scene.

Disclosure – I paid to watch this film.

Bird erupt as two men push a wheelbarrow through the city.

Nirvanna the Band the Show the Movie Review Introduction

There is one film this year that has been recommended by every single person who has watched it. I tried to catch it in cinemas, but the times never lined up. However, it is finally out on digital I have a roast cooking in the oven, and winter has hit so you want to be inside watching something wild. It is the perfect combination to see if my friends were right about this film or not.
  
So, to set the scene, 17 years after trying to play a gig by their band Nirvanna the Band at the Rivoli, Matt Johnson (Matt Johnson) and Jay McCarrol (Jay McCarrol) have finally come up with a plan to get the gig. It might involve jumping off the CN Tower to advertise their band to a baseball stadium, and they might not have told anyone about it, and no one at the CN Tower knows what is about to happen, or that they are filming a movie.

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