TL;DR – A generally solid, if only occasionally ambitious Star Wars film, but can’t quite escape the feeling that they took a season of television and smashed it into a film.
Post-Credit Scene – There is no post-credit scene.
Disclosure – I was invited to a press screening of this film.

The Mandalorian and Grogu Review Introduction
Today, we have an interesting film, as it has so many competing factors needed for it to work as a film. The Mandalorian and Grogu have to be a conclusion to a whole range of Disney+ television series, it has to be a tent-pole production bringing the cinematic glam back to the Star Wars Universe, and it has to be a good film in its own right. That is a lot of different tasks, all with their own baggage being brought to the table. Add to this a rapidly changing cinematic landscape in general, Disney+’s hit-and-miss aspect to its stories, and their profound inability to confront the toxic aspect of their own community. So yes, I’m concerned. But let’s see if they’ve managed to stick the landing.
So, to set the scene, since retiring from pulling bounties for more despicable people, The Mandalorian Din Djarin (Pedro Pascal/Brendan Wayne/Lateef Crowder) and his apprentice Grogu (Himself) have begun working bounties for the New Republic. Capturing those of the Imperial Remnant before they can cause more harm. But Colonel Ward gives Din Djarin a new mission deep in the territory of the Hutts. He needs to rescue Rotta the Hutt (Jeremy Allen White), but that might mean making deals with the exact people he has tried to stop working for.








