Tag Archives: American Cinema

The Odyssey (2026) – Movie Review

Posted on by
Reply

TL;DR – The Odyssey is a rare blockbuster that combines spectacle, emotion, and myth in equal measure. It left me awestruck, unsettled, and completely engrossed from beginning to end.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes which may cause distress.

Warning – Contains scenes with flashing lights.

Ships on the ocean at sunset.

The Odyssey Review Introduction

There are many foundational myths across the world, such as the Epic of Gilgamesh, Kebra Nagast, and Beowulf, to name a few. Each is written in a style of myth and history in a way that evokes the human condition. Today we look at Christopher Nolan’s dive into this world, taking on the unenviable task of bringing The Odyssey to the big screen.  

So, to set the scene, it has been twenty years since Odysseus (Matt Damon) left on the command of Agamemnon (Benny Safdie) to siege Troy and return the ‘kidnapped’ Helen (Lupita Nyong’o) to Menelaus (Jon Bernthal). However, it has been eight years since the city fell to the Trojan Horse gambit, and Odysseus has still not returned home to his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland). This has been enough time for new suitors to start sniffing around, trying to gain the kingship of Ithaca via marrying Penelope. She has held them off for years, even as they use Zeus’ Sacred law to bleed her dry with banquet after banquet. Penelope holds on, partly because she knows they will kill her son as soon as a new heir is born, but also because deep down in her heart, she knows that Odysseus is alive out there somewhere.

Continue reading →

Moana (2026) – Movie Review

Posted on by
1

TL;DR – For better or worse, it is almost beat-for-beat the same film as 2016.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Moana and Tala walk along the beach.

Moana Review Introduction

Well, here we are with a live-action remake of an animated film that was only released ten years ago. Disney’s track record with live-action remakes is not great, and that is before we even consider the ones they quietly dumped onto Disney+ like straight-to-DVD sequels. Which puts me in a kind of odd situation, as I am on record with how much I like the original Moana; indeed, it is still one of My Personal Top 10 Animated Films of All Time, and I even kind of liked the flawed sequel. However, last year’s How to Train Your Dragon showed that you can make that transition work, so I am here to see if You’re Welcome lands as well in 2026 as it did in 2016.  

So, to set the scene, deep in the Pacific Ocean, the demi-god Maui (Dwayne Johnson) attempted to harness the power of life from the goddess Te Fiti. He steals her heart, but instead of having the power over life, Maui is instantly defeated by the lava demon Te Kā and the heart and his magical fishing hook are flung into the ocean, separating Maui from his power and releasing death into the ocean. Or at least that’s the story that Tala (Rena Owen) tells to scare the children of the village, but it has been so many years since then, and surely these are just stories. But it is these stories that drive Moana (Catherine Laga’aia) to see what exists outside the reef that rings her island; however, her father Tui (John Tui), the chief, has banned people from leaving the island and the protection of the reef because of the dangers that lurk in the open ocean. But when death and disease come to her island, Moana will have to make a journey past what she knows and into the great abyss that surrounds every island.  

Continue reading →

Supergirl – Movie Review

Posted on by
Reply

TL;DR – Not a bad film, but still a completely forgettable outing, saved by its lead, who is doing all of the heavy lifting.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A chunk of Kypton protects itself.

Supergirl Review Introduction

Today, we begin our next instalment in the very interesting DCU, not a full-reboot, but definitely more than a soft-reboot. An odd feeling all around, without the hard cut of a proper break-up. However, we have gotten some good out of it already with Superman, so let’s see if they can land another goal.

So, to set the scene, it is coming up to Kara Zor-El / Supergirl’s (Milly Alcock) birthday, a sensitive time for her, given she has no place that feels like home. To help her deal with this, she has taken herself off to a system with a red sun so that she can get absolutely wasted. However, on this planet, the brigand Krem of the Yellow Hills (Matthias Schoenaerts) has just made Ruthye Marye Knoll (Eve Ridley) an orphan, and she is after revenge, but also completely in over her head, which drags Kara into a whole world that she is not ready for.

Continue reading →

Minions & Monsters – Movie Review

Posted on by
2

TL;DR – Whether you like this film or not will depend on whether you think the Minions are charming or the death rattle of the end of Western Civilisation.

Rating: 3.5 out of 5.

Post-Credit Scene – There are several mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Minions & Monsters Review Introduction

Over the years, I have been a strong proponent of how much I do enjoy the Despicable Me universe, even if Despicable Me 4 did start to show its age. Part of that is the chaotic energy that is infectious, the bright colours, and a heavy helping of quality slapstick comedy. It doesn’t hurt that I don’t have kids, so I only have to watch them once. But can a spin-off of a spin-off have the power to work? This is what we will look at today.

So, to set the scene, we open as a new museum is opening in Hollywood, looking back at some of the greats of cinema history, for example George Lucas (George Lucas). But the tour group was perplexed to see a statue of two Minions sitting in the exhibition. Well, the tour guide (Allison Janney) said, it is time to get an education about the history of Hollywood. The Minions have one goal: to find a big bad to work for, but one of the Minions, James (Pierre Coffin), had more of a creative side. When they end up in Hollywood, James finds his moment working with Max (Christoph Waltz), a noted film director. But to make James’ magnum opus, they needed a monster, and well, the Minions might have the evil spell book to pull that off.

Continue reading →

Toy Story 5 – Movie Review

Posted on by
2

TL;DR – A perfectly adequate addition to the series with the odd tender moment, and a lot of coincidence, so much coincidence.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid- and post-credit scene.

Disclosure – I was invited to a press screening of this film.

Lillypad.

Toy Story 5 Review Introduction

Look, I am just going to make it clear from the get-go that I walked into this film with the strong belief that it was not only unnecessary but profoundly detrimental to the franchise. Toy Story 3 is one of my Top 10 Animated Films of All Time and is the perfect ending to the series. I sort of worked my way through Toy Story 4, which, when you think of it, is more of an epilogue than a standalone film. I didn’t feel there was enough left in the tank to justify a fifth entry, and I think I was right.

So, to set the scene, Bonnie (Scarlett Spears) has been growing up fast, but still loves playing with her toys every day. But Jessie (Joan Cusack) and the gang have been trying to get her out of her shell so she can make some new friends. What Jessie does not know is that there is a storm brewing, and that storm is tech. Across the neighbourhood, toys are being abandoned as kids turn to tech to entertain themselves. But what was a neighbourhood problem is now in their house as a new Lilypad (Greta Lee) device has arrived, and it does not play fair.

Continue reading →

Disclosure Day – Movie Review

Posted on by
Reply

TL;DR – I can see this being a very divisive film, but it completely captured me. Hook, line, and sinker.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Camera flashes go off.

Disclosure Day Review Introduction

When someone tells you that Steven Spielberg, David Koepp, John Williams, and the gang are teaming up for what might be the last time, it doesn’t matter what the film is, you know you must see it. I don’t think I have ever said yes to an invitation as quickly as I did here. And it was so worth it.
 
So, to set the scene, we open in a crash of bodies as a wrestling match is in full swing. But we are not here for the clashing brawny men; we are here for a man with a backpack that looks out of place. For Daniel Kellner is not here for sport; he is here to be part of an exchange. All the highly classified information he stole from the Wardex corporation was for his partner Jane (Eve Hewson). But Daniel is not just a helpless analyst; he has seen the information he stole, so he knows exactly what pressure point to use against the head of Wardex, Noah Scanlon (Colin Firth), and soon everyone is on the run.

Continue reading →

Scary Movie (2026) – Movie Review

Posted on by
1

TL;DR – It is a perfectly okay entry into the series, where some of the jokes still land, but it struggles to find its voice

Rating: 3 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Ghostface drinking tea.

Scary Movie Review Introduction

Now, before we jump in, I do have something to confess, and on the off chance one of my parents is reading this, maybe skip to the next paragraph. I kind of have a soft spot for Scary Movie as it was the first MA15+ film I saw in cinemas. In that rebellious phase where you realised you didn’t need parental approval to get into the cinemas. As far as parodies go, it was and still is streets ahead of many of its contemporaries and most of the followers that were spawned in the years after its success. But as time went on, the series had diminishing returns as it devolved into a funhouse mirror clip-show of pop culture. However, not only is this latest instalment coming at a time when Horror films are in ascendance, I mean Obsession and Backrooms just killed a Star Wars at the box office. But also, the original creators are back, and I am interested to see if they can bring the same intensity to the franchise twenty-six years later.

So, to set the scene, it has been many years since Ghostface struck, and many think he is a fable, or just a bad horror movie holdover, that is, until he turns up at Tuesday’s (Savannah Lee Nassif) house, brandishing his knife. Tuesday’s stabbing causes her sister Sara (Olivia Rose Keegan) and her not-at-all-suspicious boyfriend Jack (Cameron Scott Roberts) to return home and visit Sara’s mother, Cindy Campbell (Anna Faris), who has been preparing for this day for years. There is a killer on the loose, so it is time to bring the gang back together, including Brenda Meeks (Regina Hall), Ray Wilkins (Shawn Wayans), and Shorty Meeks (Marlon Wayans), before Ghostface kills them off one by one in elaborate referential deaths.       

Continue reading →

Masters of the Universe (He-Man and the Masters of the Universe) (2026) – Movie Review

Posted on by
2

TL;DR – Well, never have I been so happy to be wrong. This film was a blast from beginning to end.

Rating: 4.5 out of 5.

Post-Credit Scene – There are post-credit scenes.

Disclosure – I was invited to a press screening of this film.

He-Man finds his power.

Masters of the Universe Review Introduction

Before we dive into the review proper, I think it is right to be a bit honest up front. I did not have high hopes for this film. It had been in production hell for an age and a half, the casting felt like a mess, it was hitting at a nostalgia that didn’t feel like it really existed, and it had a multitude of writing credits that made anyone concerned. Then there was the Jared Leto-sized elephant in the room. I was expecting a complete and utter disaster. Well, I need to go eat some humble pie, not because I like pie, I do, but because this was the most fun I have had in a cinema in an age.


So, to set the scene, Adam Glenn (Nicholas Galitzine) struggles a lot in Oklahoma City because people can never quite get close to him. Because sooner or later, he needs to tell them that when he was a child (Artie Wilkinson-Hunt), he was the Prince of Eternia, surrounded by magic, wonders, history, and the love of the people. But all of that changed one day when Skeletor (Jared Leto) attacked with his goons and captured his parents, King Randor (James Purefoy) and Queen Marlena (Charlotte Riley). They would have taken the young Adam to, in their search for the Sword of Power. However, the Sorceress (Morena Baccarin) saved him by sending him to Earth to keep the sword safe, but he lost it in transit. As you can imagine, that kind of story does not get you a second date and probably get you an awkward phone call cutting the night short. But things change when one day he gets a message that someone has finally found his sword, and Adam has a chance to return home.

Continue reading →

Obsession – Movie Review

Posted on by
1

TL;DR – Ew, ew, ew, ew, my dude, what the actual #$%@

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes which may cause distress.

One Wish Willows.

Obsession Review Introduction

It has been a gangbuster year for the YouTube creative to big screen director, starting with Markiplier in Iron Lung, then Kane Parsons in Backrooms, and now we get to finish off the trifecta with Curry Barker’s Obsession. However, now that I’ve seen it, I’m not sure I would have chosen to, knowing what I know now.

So, to set the scene, Bear (Michael Johnston) is a bit of a nervous person who has worked with Nikki (Inde Navarrette) and has a major crush on her. He has been coached by his friends Ian (Cooper Tomlinson) and Sarah (Megan Lawless), but he can’t bring himself to take the next step. When walking through a crystal store one day, he comes across a One Wish Willows that gives you one wish, and one wish only. After a truly embarrassing exchange, Bear decides to give the stupid wish a chance, because it is not like it really works …….  

Continue reading →

Backrooms (2026) – Movie Review

Posted on by
2

TL;DR – This is a film built almost entirely on its vibe, and that is exactly why it works. Every small detail has been crafted to leave the hairs standing up on the back of your neck for the entire runtime.

Rating: 4 out of 5.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Cap’n Clark’s Ottoman Empire.

Backrooms Review Introduction

If you have ever dabbled in the online spaces, then you have probably come across the internet phenomenon that is the Backrooms. A slightly too illuminated or not illuminated enough office block that goes on for eternity, where things are just not quite right. It has the distinct visual style of being both familiar and also profoundly off-putting. Well, this has been bouncing around the World Wide Web for a decade or so, and one of the creators in the space has taken the jump to the big screen, so let’s take a look.   

So, to set the scene, in the 1990s, Clark (Chiwetel Ejiofor) is a generally frustrated seller of tired house furniture. He wanted to be an architect, but for many reasons, he could never make that work. The Cap’n Clark’s Ottoman Empire is bleeding him dry with all these electricity bills, which Clark knows are wrong because he might be currently living in the store after his wife kicked him out. He has been working through this with his therapist, Dr Mary Kline (Renate Reinsve), but nothing seems to stick. But then, one night, when he was sleeping in the store, he heard some odd electric noises from the basement. Going to investigate, nothing seems out of the ordinary until something caught the corner of his eye. An echo, a strip, a remembrance of a door that should not be there. It is an odd office-like space with yellow carpets and inconsistent fluorescent lighting. However, the deeper Clark goes, the weirder it gets.       

Continue reading →