Movie Review – Black is King

TL;DR – A visual masterwork and required viewing if you have Disney+    

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography & Stunning Costumes
Winner: Stunning Costumes

Black is King. Image Credit: Disney+.

Review

Today we review a film that might be the oddest film I have watched from a conceptional perspective. It is a reinterpretation of the story of the Lion King remake, a movie I thought was okay but not much more. But this reframing is the barest framework the film uses throughout to explore everything from religion to music to race and more. This should not work, but it does.      

Black is King. Image Credit: Disney+.
It explores many themes during its runtime and gives each and every one of them the justice they deserve. Image Credit: Disney+.
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Movie Review – The Lion King (2019)

TL;DR – An animated marvel that unfortunately comes off as a disjointed mess at times   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lion King. Image Credit: Disney.

Review

I’m going to be honest right from the start here, I had some real trepidation on walking into The Lion King today. I consider the original animated film to be one of my all-time top animated films. In the 25 years since I first watched it, it still holds a special place in my heart, even though those 25 years were filled with hot takes about authoritarianism and plagiarism accusations. However, something about this remake just was not jiving with me. Well now that I have seen the full film I am happy to say that it was not the disaster I thought it would be, but wow does it have issues.

So to set the scene, and if you have seen the original film you can probably skip this section. We open with dawn breaking on a very special day in Pride Rock. Because this is the day that the new prince Simba (JD McCrary) is being presented to the animal kingdom. As Rafiki (John Kani) raised the young cub up in front of all the animals that have gathered Mufasa (James Earl Jones) and Sarabi (Alfre Woodard) watch on with pride, but someone is missing. Scar (Chiwetel Ejiofor) the brother of the king is absent and his absence is notable. He wants the throne for himself and he will stop at nothing to make that happen. Well, one day when young Simba and Nala (Shahadi Wright Joseph) escape their watcher Zazu (John Oliver) and take a trip to the elephant’s graveyard an opportunity lands in Scar’s lap.

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Movie Review – Homecoming: A Film by Beyoncé (HΘMΣCΘMING)

TL;DR – A work of art for all to see.    

Score – 4.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Homecoming: A Film by Beyoncé (HΘMΣCΘMING). Image Credit: Netflix.

Review


One of the issues living in Australia is that the likelihood of me being able to go to some of these big tent pole events across the world is quite low. However, in this age of digital connection that is not the problem that it used to be, as connections become stronger around the world. Today we take a look at a film that takes this to heart as it explores not only a concert and how it was made but also the philosophy that went that underpinned it all.

So to set the scene, last year at Coachella Valley Music and Arts Festival or as it more commonly called Coachella, history was made. For the first time, the festival was being headlined by an African-American woman (and only the 3rd women in their history at that point) when Beyoncé stepped onto the stage to perform. These performances rocked the music world for their choreography, their musical strength, their surprise guests, and because they were full of power.

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