TL;DR – It honestly feels like this movie was a waste of everyone’s time, including mine
Score – 1.5 out of 5 stars
Sigh, what a disappointment, this movie had an interesting premise, the cast all had such potential, but what we got was a confused mess that does not know what kind of film it wanted to be. Now of course this first sentence probably would not fill you with confidence, and you’d be right, but when you have Goldie Hawn someone who can light up the screen no matter what film she is in and in her first movie since 2002 and you can’t make it work, well you have problems. So in today’s review we are going to break down the film and talk about what things did work and what didn’t, and one of those sections is probably going to be bigger than the other.
Ok to set the scene, Emily Middleton (Amy Schumer) is a 20 something year old who has no real direction in life who just got fired from her job and whose boyfriend (Randall Park) has just dumped her all before she was meant to go with him on a non-refundable holiday to Ecuador. So after all her friends bail on her she asks her mother Linda (Goldie Hawn) who was cool back in the day but now lives with her cats and son Jeffrey (Ike Barinholtz) who suffers from agoraphobia. So to cut a long story short, they go to Ecuador, meet ‘plutonic friends’ Ruth (Wanda Sykes) and Barb (Joan Cusack), Emily hooks up with totally not at all dodgy James (Tom Bateman) and then shock horror they get kidnaped and then stuff happens.
Ok I know a lot of people are not fans of Amy Schumer and her style of comedy, but she’s not the big problem here. In fact I think the whole cast is doing their best in their roles it’s just they are given nothing to work with. Seriously you have Goldie Hawn, Joan Cusack and Wanda Sykes in your film, you need to be aggressively mediocre to make them feel dull. The same can be said for the cinematography and editing, it is clear that they had talented people behind the camera, there are some really well constructed shots, some great framing, but the story gives them very little to work with. When it comes to the sets and locations, I will say they are all really well done but it’s clear they are in Hawai’i and not South America and that would be clear even if they didn’t use a lot of the same locations from Mike and Dave need Wedding Dates.
Ok well we have already starting to touch on some of the issues but let’s dig down to the big issues plaguing Snatched. The first big thing is that it does not know what film it wants to be, this is an American PG-13 in tone/story/structure that it feels like a week out from shooting the studio told everyone that no, actually you’re going to be R instead. Seriously it has the structure of a classic PG-13 movie, you have a couple of characters that are complete opposites from each other but have a pre-existing relationship, then something happens that forces them to work together, at some point they’ll air all their dirty laundry, run into some ‘quirky’ characters, and then they’ll work past their differences to escape. It could have easily been edited down to a PG13 film and not been great but it would have probably been better. Nothing is added by the film going to R, they don’t use it to add to the narrative like Deadpool, it’s just there so they can make that nip-slip gag.
As well as this, the movie opens with this narration card, ‘the two women caused chaos across South America’, and oh ‘and the kidnappers did some bad stuff to’. So when the first act of the film is really boring, you go to yourself, its ok, they are just setting this up for the juxtaposition so when they get captured and escape and things go off the chain you have something to compare it too. But no, they don’t ‘go of the chain’ they whine and winge from Ecuador to Columbia, with maybe only the very last part of act three being at least partly interesting. There are some moments of action here but it all really tame, like X-men 1 compared with Logan kind of tame. Seriously this is a good ‘fish out of water’ premise for the film, but they do nothing with it. Indeed they can’t even commit to what kind of film they want it to be as the tone varies widely across the film, from slapstick to this serious commentary on the role of tourism in developing countries which could have been interesting if it was not a throwaway line of dialogue.
Another big issue is the characters themselves, who are mostly awful people, but who are all playing broad and often unpleasant stereotypes. We have Emily, the stereotypical millennial with no direction in life, Linda, the stereotypical divorcee who lives alone with her cats, Jeffery the stereotypical nerd, I mean come on Snatched it’s not the 80’s, Morgado (Óscar Jaenada) the stereotypical Latino mobster, Ruth and Barb who are, well actually I don’t know what they are doing but it’s odd to say the least. Frankly they were so awful that I didn’t care at all if they learned to work together or not at the end.
In the end, I don’t know what I was expecting of Snatched, but I did not expect to spend most of the film being board. It is a film who can’t commit to what it wants to be, full of stereotypes and clichéd set ups, and honestly I think I only laughed once in the 1 ½ hours I sat through this in the cinemas, I’d give it a big miss, and don’t subject your mothers to it on Mother’s Day.
By Brian MacNamara: You can follow Brian on Twitter Here, when he’s not chatting about Movies and TV, he’ll be talking about International Relations, or the Solar System.
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Directed by – Jonathan Levine
Written by – Katie Dippold
Music by – Theodore Shapiro & Chris Bacon
Cinematography by – Florian Ballhaus
Edited by – Melissa Bretherton & Zene Baker
Starring – Amy Schumer, Goldie Hawn, Ike Barinholtz, Joan Cusack, Wanda Sykes, Christopher Meloni, Óscar Jaenada, Tom Bateman & Randall Park
Rating – Australia: MA15+; Canada: 14A; NZ: R; UK: 15; USA: R