The Comeback Trail – Movie Review

TL;DR – A film full of everything I should love in cinema, but it felt hollow and more than a bit mean.   

Rating: 2 out of 5.

Post-Credit Scene – There is a mid-credit scene

The Comeback Trail. Image Credit: Madman Films.

The Comeback Trail Review

There are times when you watch a film, there are certain aspects of cinema that start to stand out, and one of them is that Hollywood loves stories about Hollywood. They love films about films being made like in Dolemite Is My Name, films about washed-up actors like in Once Upon a Time in… Hollywood, even better films about Hollywood coming into rescue everyone like in Argo. Today we get a film that falls into this category but unfortunately fails at nearly every point.  

So to set the scene, uncle Max Barber (Robert De Niro) and nephew Walter Creason (Zach Braff) are movie producers … and not very good ones at that. With their latest film about sexy mob Nuns being protested by the Catholic Church. The issue is that Walter borrowed $350,000 from local mobster Reggie Fontaine (Morgan Freeman) who is now VERY concerned that he is not going to see his money back. On a short timeframe to get all the money back, Walter gets the idea for a scam after tragedy strikes the production of fellow producer James ‘Jimmy’ Moore (Emile Hirsch). He hires a washed-up Western actor Duke Montana (Tommy Lee Jones) in his next film, dumps a lot of insurance on him, and then waits for the money to come rolling in.    

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Freaky – Movie Review

TL;DR –  A film that finds that balance between horror and comedy, till maybe the last 10 minutes.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Freaky. Image Credit: Universal Pictures.

Freaky Review

You have probably watched more than a few films where two people running into each other, or a wish, or just the universe deciding to be a dick, cause the people to swap bodies. It is usually a parent and a child, and by the end of the film, they have both learnt the lesson that both of them have complicated lives and everyone should cut everyone else a lot of slack. I have seen a number of these films, and variations upon, however, I have never seen a horror/comedy version of this … well that is until now.

So to set the scene, Millie Kessler (Kathryn Newton) is your usual high school student that is not one of the popular kids, so thus is fodder for the popular kids that make her life hell. Adding to that, the Blissfield Butcher (Vince Vaughn) a notorious serial killer is still at large with no one being able to catch him. Well, one night as Millie is trying to walk home after her mother forgot her, the Butcher attacks. But instead of killing her, the knife he used swaps their bodies. So now Millie has a day to fix this before it becomes permanent and she takes the fall for all those murders … which are still going on but in a different body. 

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Baby Done – Movie Review

TL;DR –  One of the funniest films I have seen in a while that also has a real heart to it.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit scene

Baby Done. image Credit Piki Films.

Baby Done Review

I’ve not been able to get to cinemas for a while due to a large work commitment over the last two months. So I have not been able to catch many of the new releases as I would have liked. However, I have finally gotten a chance to get back into the movies, and wow, what a film to come back to.

So to set the scene, Zoe (Rose Matafeo) and Tim (Matthew Lewis) are a couple who work together as arborists. Zoe spends most of her days climbing trees and she is good at it, as in she qualified for internationals for climbing trees. They are the last of their group of friends to have a baby, which is fine for them because they have a lot of work and internationals to look forward to … which of course means that it is the perfect time for Zoe to discover that she is expecting.

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Marital Problems – Movie Review

TL;DR – A film full of awful people being awful to each other   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Marital Problems. Image Credit: Reel Merit Films.

Marital Problems Review

Some films have a very grand scope darting from place to place, or even planet to planet. Then there is those film that are more intimate, sometimes staying in the same location for the entire runtime. Both of these approaches can work for your narrative if you structure them well. Today we look at a film that follows the later, in a world that may not be what it first seems.

So to set the scene, we open in on Ian (Callum Gault) as he lies in bed nursing one hell of a hangover when a bang on the front door wakes him from his stupor. At the front door, is McManus (Neil Goldsmith) a handyman who is here to fix the place up for the landlord Devon (Jonathan Hearns). Why is the home being fixed up, well, Ian has not been playing the rent, and he is about to get kicked out. It is at this moment of despair when an agent of chaos appears in the form of Clarke (Nick Capper).

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Irresistible – Movie Review

TL;DR – Based on some strong character work, Irresistible is a riot of laughs from start to finish, but it still has something important it wants to say.     

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid and end-credit scene

Irresistible. Image Credit: Universal Pictures.

Irresistible Review

It is rare for a film to catch me completely off guard these days. In the era of trailers giving most of the game away and the pretty standard plot structure that most films follow, you tend to know what you are getting yourself into before you sit down in the theatre. Well, today, I look at a movie that surprised me from the start and never let up.

So to set the scene, we open on the night before the 2016 Presidential elections where Democratic party representative Gary Zimmer (Steve Carell) and his Republican counterpart Faith Brewster (Rose Byrne) are giving their final pitches to the nation in the ‘spin room’. Well, we all know how that election turned out, and much like the literal depiction of a cannonball to the gut Gary is in a state of despair. However, a couple of years later as mid-terms approach he is trying to find a way to reconnect with heartland voters when he stumbles across a viral video of Colonel Jack Hastings (Chris Cooper) in Deerlaken, Minnesota. Jack is standing up to the local Mayor Braun (Brent Sexton) over his stance on immigration. Gary has found his gateway to the heartland and flies to Minnesota and agrees to run Jack’s campaign for Mayor.

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Lowdown Dirty Criminals – Movie Review

TL;DR – A film of two halves, some interesting characters in a story that fails to deliver

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Lowdown Dirty Criminals. Image Credit: Monster Films.

Review

Today we are looking at a film of two halves, which makes it a difficult movie to review. This is because there are aspects where the film shines, and then there are moments where it all falls apart. These two halves create a disconnect that you can’t help but see throughout the entire runtime.

So to set the scene, we open in on Freddy (James Rolleston) and Marvin (Samuel Austin) in a room that is about to explode in gunfire. We then jump back a night where we see Freddy and Marvin in a car as they completely botch up robbing an ATM, severely damaging their boss’ car. From here they are up a certain creek without a paddle. Their boss Spiggs (Scott Wills) gives them one opportunity, they have to kill the guy sleeping with his wife, and it all goes wrong from here.

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The Gentlemen – Movie Review

TL;DR – A fascinating and engaging story filled with great performances and many yikes moments     

Rating: 3.5 out of 5.

TL;DR – A fascinating and engaging story filled with great performances and many yikes moments     

The Gentlemen. Image Credit: STXfilms.

Review

When you sign up to watch a Guy Ritchie film, you sort of know what you are going to get yourself into as he has a very specific style. It is one that is a very flash in the pan, but with a lot more substance than similar filmmakers. On the whole, I do tend to enjoy his style of filmmaking and the stories he focuses on because at the very least they will be entertaining. Well let’s dive into his latest that I was not able to catch in cinemas given ‘waves hands around’, but I am looking forward to now.     

So to set the scene, we open with Michael ‘Mickey’ Pearson (Matthew McConaughey) walking into a pub he owns ordering a pint and a pickled egg and phoning his wife Rosalind ‘Ros’ Pearson (Michelle Dockery). Only to find out there is someone unknown in the house with her which is just the moment that someone puts a bullet in the back of his head. Jump to Raymond ‘Ray’ Smith (Charlie Hunnam) arriving at his home only to find general sleazeball and private instigator Fletcher (Hugh Grant) waiting for him with a story and a demand for 20 million dollars. A tale of a bad man who wants to get into the world of legitimacy from a world of danger and it goes about as well as you can expect.      

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Movie Review – MILF

TL;DR – It lives up to its title in interesting ways    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

MILF. Image Credit: Netflix.

Review

In my time reviewing films I have seen a lot of movies about older men trying to recapture their youth by chasing after young women, and those few moments that the reverse is true they always seem to be directed by men. Well, today we review a film directed by a woman with that perspective clearly intact. Though before I dive in, I should preface this with this is a film that very much lives up to its title, and I am pretty sure everyone knows what MILF is, if you don’t then this is probably not the film for you and also maybe don’t google that.

So to set the scene, three friends are on their way to the coast to have a holiday of sorts from their jobs in Paris. Cécile (Virginie Ledoyen) is there to get her holiday house ready for sale after the death of her husband and her friends Sonia (Marie-Josée Croze) and Elise (Axelle Laffont) have come for support. Well while out on the bay going for a sail they come across several young men like Julian (Matthias Dandois) and Paul (Waël Sersoub) out on the water, and things take a turn when an unintended butt dial leaves everyone single and guilt-free.

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Movie Review – The King of Staten Island

TL;DR – This is a deeply messy, often dysfunctional film, however despite this, or because of this, it sucks you into its world and makes you care for every single character.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The King of Staten Island. Image Credit: Universal.

Review

Today we review a film that fits in an odd space. It is both a fictional film in many respects but also semi-autobiographical. The leading cast member Pete Davidson is quite famous in the US for Saturday Night Live, but we don’t really get that here in Australia. All of this led to me walking into that cinema not knowing what to expect, and if I had expected anything, it would not have been what we got.

So to set the scene, Scott Carlin (Pete Davidson) is a high school drop out that spends all day smoking weed with his friends and tattooing them … well not great .. Obama … He suffers from several medical problems, as well as the weight of pain that comes from his father, who died saving people from a fire when Scott was just a kid. His world starts to fall apart after his sister Claire (Maude Apatow) moves away for college and his mother Margie (Marisa Tomei) finally begins to move on with her life.

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Movie Review – Eurovision Song Contest: The Story of Fire Saga

TL;DR – It tries to aim for that Eurovision absurdity, but Fire Sage mostly missed the target.     

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Eurovision Song Contest: The Story of Fire Saga. Image Credit: Netflix.

Review

I bloody love Eurovision, the songs, the silliness, the absurdity, you know that moment when you are looking and wondering what the heck you are watching. It is a sceptical from start to finish, but it has been made clear on multiple occasions that America just doesn’t get Eurovision, looking at you JT. So when I heard they were making a Eurovision move … I was concerned, to say the least, and now that I have seen it that was not an entirely unfounded position.    

So to set the scene, we open in Husavik, Iceland on April 6th, 1974, a boy is sitting down missing his mother, with nothing cutting through his sadness until he heard ABBA’s entry into Eurovision. It was a moment of revelation, and at that moment, he knew what he wanted to do with his life. In the present day, Lars (Will Ferrell) and Sigrid (Rachel McAdams) have not let go of that dream even if his father Erik (Pierce Brosnan) thinks Lars is an abject disappointment. Well, their dream comes true when their song is picked for the Icelandic song contest, the winner will represent Iceland in Eurovision. The only problem is they were chosen by random to pad out the twelve places because everyone assumes that Katiana (Demi Lovato) will win. I mean, it would take all the contestants dying in a fiery conflagration to change that.                              

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