TL;DR – It tries to tread a familiar path with tone and execution, but lacks the charm with its story and Dwayne Johnson’s charisma can only get you so far.
Score – 2.5 out of 5 stars
So to be fair, where ever possible I try to read nothing about a film before I go see it, because I want my first viewing to be through my own eyes and not the through the lens of other people’s views, it’s why I avoid trailers wherever possible. However, for Baywatch that simply was not possible as it released a week later here in Australia and the mixed reviews were everywhere. So when I walked into the cinema I was not really expecting anything of great quality, possibly even a dumpster fire of a film. However, I do have to say it’s not that bad, I mean it is not great, or even good, more borderline, but if anything it is just a real missed opportunity. Now throughout this review, I am going to be referring to 21 Jump Street (2012) and its sequel 22 Jump Street (2014) a bit. Now, on the one hand, I do think generally films should stand or fall on their own merit, however in the case of sequels or here when they were clearly trying to replicate the success of a previous movie, well then you can’t help but invite comparisons.
Now before we start I should make it clear that this is a very R film with drugs, swearing and nudity, so not quite in line with the source material, but something you should know before someone inevitably takes their kids to go see it.
So to set the scene, we are here in lovely Emerald Bay Florida, on the first day of try-outs for new lifeguards for the summer season. Overseeing the try-out is Lt. Mitch Buchannon (Dwayne Johnson), his second in command Stephanie Holden (Ilfenesh Hadera) and long-time lifeguard CJ Parker (Kelly Rohrbach). Now they usually only accept one new recruit a season but this time they can accept three new recruits which is lucky for the plot since there are three name brand characters running for the position. Of course there is Matt Brody (Zac Efron) the I don’t want to be here but they are making me but I’ll probably learn a lesson and come to like it at some point recruit, then there is Ronnie (Jon Bass) who has a lot of heart which is code for him not having the same physique as the rest of the lifeguards and who is mostly reserved for a slapstick comedy role, and you have Summer Quinn (Alexandra Daddario) who is positioned as the no-nonsense recruit who immediately calls Matt out on his inappropriate flirting which means they will have a will they/ won’t they flirt off for the rest of the film. All is calm on the bay … that the lifeguards watch… until mysterious businesswoman Victoria Leeds (Priyanka Chopra) comes to town and drugs start washing up on the beach. Ok as far as a set up goes there are some interesting characters, you have a good setting, and you have hired a cast that can really pull of these roles. But on the other hand, you have created a set-up that is so stock standard it feels like I have seen components of this film reproduced over and over again in different and often better films.
So firstly the good parts of the film and the first good point is the acting because I do think everyone here is giving their best even with the story not working all that well. Honestly, I think this is a perfect role for Dwayne Johnson because he gets to show a lot of his strengths, from his charisma to his ability, to motivate others, and he has the physicality that the role needed. Zac Efron plays the cocky overly ripped guy that needed to learn a lesson, basically a role he has played many times in the past like Bad Neighbours and a host of others. The rest of the supporting cast all have their moments but bar the subplot of Ronnie and CJ the story leaves them all feeling a little one-note.
When it comes to the technical side of things there were also interesting features, first, it really helps that a lot of this was filmed on location it helps give you that sense of reality that the film needed. Most of the action scenes were competently put together, there was a flow to the editing that made the sequences clear and not the hacky jump cut edits of some movies. For me I think the standout moment was the opening sequence with Mitch rescuing a kite-surfer that hit the rocks, there was a great flow to the sequence and it had a more surreal style that would have worked a lot better had the film employed it throughout, but alas. The music worked well with a mix of orchestral and licenced works which do a good job of setting the scene. One area that they do need to work on is the sound mixing, you could tell the difference between some of the dialogue recorded on site and those recorded later in ADR.
So we’ve talked about some of the things that did work we need to now talk about the big thing that did not work and that is the story, pretty much all the story. Because we are talking about the story there will be [SPOILERS]. Ok, where to begin because there is a lot to unpack, so for starters let’s look at how they adapted this movie from the source material. There has been a big vogue in Hollywood to adapt old TV shows and turn them into movies, to tap into that nostalgia market that has been powering juggernauts like Nintendo for years. We’ve had such gems as the before mentioned 21 Jump Street, or The A-Team, The Man from U.N.C.L.E. and this year’s Power Rangers, but also a whole ton of films that just did not adapt all that well to the big screen because of creative decisions like Avatar: The Last Airbender or Ghost in the Shell. What has been happening recently is that to stand out of the crowd movies spice these adaptations up by making them (USA) R-rated comedies to tap into that mindset of what if, imagine Baywatch but what if they were allowed to curse and actually show the things that we always saw in slow motion. It’s a good idea and one that works for about five minutes before the novelty wears off. Part of this is because the writing is just not as clever as it needs to be to pull this off, like there is a scene where they basically riff of some weird scenarios and clearly these were all plot points from old Baywatch episodes but it feels so forced, unlike say the similar thing that was done in The Lego Batman Movie which tipped its hat to the audience to let them know they were in on the joke. Or for example it is quite common to get the old stars to appear in the new film as cameos, it happened in The Brady Bunch Film, in Ghostbusters, in 21 Jump Street, in Get Smart etc. It is one of those things that is there for the fans of the original but one of the reasons that they work is that they are a surprise. But here there is no surprise because you know David Hasselhoff & Pamela Anderson are going to show up at some point because there are in the opening credits and not in a tongue and cheek Deadpool kind of way. Also, the R rating just does not provide anything new to the film like it does in say Logan, it all felt more than a little unnecessary, and took away from the charm the film could have had. For example, save for the unnecessary prison scene, in 22 Jump Street, they used their R rating as a way of highlighting the absurdity of the story not as a crutch to try to prop up the story
This, of course, leads us to the next problem, while the adaptation is one issue, the bigger problem is the threadbare story that is full of inconstancies. Look sure there are some funny moments in Baywatch but it all wears off really quickly once they start repeating the same gags, and everything else becomes really predictable. You have the film hitting stereotypes early and it does not let up throughout, like Ronnie and his often changing body hair. You have sloppy writing like at the start where Mitch points out a sea urchin and goes this will make you super strong and then kill you, and sure Chekhov’s Gun and all that, but it might as well have been labelled ‘This will be important to the final battle’. If it had just been these clunky foreshadowing’s then it might not have been that bad but the lazy writing leads to characters acting out of character just because the plot needed them to. For example Mitch is shown to put the people’s lives above everything, and he gets understandably angry at Matt when his actions led to people’s lives being put in jeopardy, but half way through the movie he abandons his post, and leaves no one watching the beach to run down a lead at the morgue. Also, there is Dave (Hannibal Buress) who is shown at the start to be friends with Ronnie, only just to pop up later in the film as one of Victoria’s henchmen. Finally, also there are those moments where characters just act stupidly with no regards to their lives. While it might not be at Alien: Covenant levels, but in the end, Victoria went to almost the worst place she could have gone to get helicoptered out. Seeing such lazy writing which amounts to nothing is annoying when there are really good examples out there like 22 Jump Street’s meta-commentary on sequels, or Man from U.N.C.L.E.’s exploration of Cold War politics, is just disappointing. [End of SPOLERS]
In the end, look it is not the train wreck I was expecting, but it wasn’t all that good either, so as much as a couple of things made me laugh I can’t really recommend Baywatch. Honestly, it has such a good cast that I really did wish that they had gotten a better story to play around in. So my recommendation is to spend your money elsewhere.
By Brian MacNamara: You can follow Brian on Twitter Here, when he’s not chatting about Movies and TV, he’ll be talking about International Relations, or the Solar System.
Have you watched Baywatch?, let us know what you thought in the comments below, feel free to share this review on any of the social medias and you can follow us Here. Check out all our past reviews and articles Here, and have a happy day.
Directed by – Seth Gordon
Screenplay by – Damian Shannon & Mark Swift
Story By – Jay Scherick, David Ronn, Thomas Lennon & Robert Ben Garant
Based on – Baywatch by Michael Berk, Douglas Schwartz & Gregory J. Bonann
Music by – Christopher Lennertz
Cinematography by – Eric Steelberg
Edited by – Peter S. Elliot
Starring – Dwayne Johnson, Zac Efron, Priyanka Chopra, Alexandra Daddario, Kelly Rohrbach, Jon Bass, Ilfenesh Hadera, Hannibal Buress, Yahya Abdul-Mateen II & Rob Huebel with David Hasselhoff & Pamela Anderson
Rating – Australia: MA15+; Canada: 14A; NZ: R; UK: 15; USA: R