TL;DR – The Disaster Artist is … Well, it is certainly … Well um … what did I just watch?
Score – I have no right idea out of 5 stars
P.S. – There is a very odd post-credit scene
Ok let’s get this out of the way right from the start, I have never watched The Room the film by Tommy Wiseau on which The Disaster Artist based on. Have I heard about it? Yes of course, whenever there is a discussion of worst films or scenes or actors or scripts or well you name it The Room is there. So while I have not watched it, I am familiar with it, but I have never felt the need to watch it all the way through. Look I know it has become a bit of a cult classic, but unlike films that have become cult classics like the Rocky Horror Picture Show or Tron, it always felt that people were more than a little mean-spirited watching something just to make fun of how bad it is. But here we are 20 odd years later and so let’s take a dive into the production of what is considered the worst film ever made by some.
TL;DR – A brilliant relaunch of a much-loved character, which tells an origin story without telling an origin story
Score – 4.5 out of 5 stars
P.S. – There is a Mid and Post Credit scene.
So here we are with our first big standalone Spider-Man feature now that he is in the Marvel Cinematic Universe. Before we go on, we should probably take a moment and talk about how amazing it is that we actually got Homecoming at all. Indeed a lot had to fall into place to make this work. I’ve not seen companies work like this, and as well as this since, well maybe since Who Framed Roger Rabbit. Props have to be given to both Sony and Marvel to being able to put aside their differences and making this work, because that would not have been an easy set of negotiations, but they have made the integration almost seamless. So let us begin as we swing into the world of high school proms, alien weapons, explosions, and award conversations about life changes when you become a teenager.
TL;DR – It tries to tread a familiar path with tone and execution, but lacks the charm with its story and Dwayne Johnson’s charisma can only get you so far.
Score – 2.5 out of 5 stars
So to be fair, where ever possible I try to read nothing about a film before I go see it, because I want my first viewing to be through my own eyes and not the through the lens of other people’s views, it’s why I avoid trailers wherever possible. However, for Baywatch that simply was not possible as it released a week later here in Australia and the mixed reviews were everywhere. So when I walked into the cinema I was not really expecting anything of great quality, possibly even a dumpster fire of a film. However, I do have to say it’s not that bad, I mean it is not great, or even good, more borderline, but if anything it is just a real missed opportunity. Now throughout this review, I am going to be referring to 21 Jump Street (2012) and its sequel 22 Jump Street (2014) a bit. Now, on the one hand, I do think generally films should stand or fall on their own merit, however in the case of sequels or here when they were clearly trying to replicate the success of a previous movie, well then you can’t help but invite comparisons.