TL;DR – A film that is haunting, captivating, terrifying, but also a bit frustrating.
Rating: 3.5 out of 5.
Post-Credit Scene – There is a mid-credit scene/sequence.
Disclosure – I was invited to a press screening of this film
Candyman Review –
When the first Candyman arrived on screens, I was a bit too young to watch horror films, with my introduction coming a little later with movies like Scream. But when I talk to people a bit older than me, they speak in almost hushed tones about the film. That it made them fear reflections, indeed one friend suggested that I pre-emptively leave a couple of lights on for when I got home after seeing it. I thought it was all a bit silly, but now I am kind of glad that I did.
So to set the scene, we open in the 1970s in the Cabrini Green neighbourhood of Chicago, Illinois. Billy (Rodney L Jones III) is taking his family’s washing to the laundry room in the basement while cops ask everyone if they have seen a man with a hook for a hand. Ignoring them, Billy goes down into the basement, where a piece of candy comes from nowhere and lands on the floor. Within moments a figure appears from a hole in the wall, candy in one hand, a hook in the other. The boy’s screams could be heard for miles around. In the present, the Cabrini Green neighbourhood has been gentrified, and Anthony (Yahya Abdul-Mateen II), an artist, lives with his girlfriend Brianna (Teyonah Parris) in a new apartment. Anthony is trying to find inspiration for his next artwork when Brianna’s brother Troy (Nathan Stewart-Jarrett) lets slip about the Candyman urban legend, and Anthony goes off to explore if it was true.
TL;DR – Bombastic, silly, overly long, but still by far some of the best fun DC has made so far.
Score – 3.5 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
To say that the DC Expanded Universe has had a rough launch up to this point would be a bit of an understatement. Indeed, of all the past films, only Wonder Woman (see review) felt like a coherent film in any great sense. So, more than ever, the first film after Justice League had to hit the ground running, even more so after background conversations that the expanded universe was losing a lot of its big-name talent. Now while Aquaman is not a perfect film, it is a film with a lot of style, and more than most of the films that have come before it was just fun.
TL;DR – They are clearly going for heart-warming, and they mostly succeed, however, the predictable story and character arcs leave a lot to be desired.
Score – 3 out of 5 stars
Post-Credit Scene – No
So this one sort of snuck up on me at the end of the year. I didn’t really have much of an intention to go see it, but it was cheap Tuesday and I was there, so what the hell, and I am mostly glad I did … maybe. For one, this is a musical, a genre that you don’t see on the big screen that often anymore, so that’s refreshing. It also has a cast that is giving their all to this movie and it shows, but you can’t help having some issues with it as you walked out of the cinemas.
TL;DR – It tries to tread a familiar path with tone and execution, but lacks the charm with its story and Dwayne Johnson’s charisma can only get you so far.
Score – 2.5 out of 5 stars
So to be fair, where ever possible I try to read nothing about a film before I go see it, because I want my first viewing to be through my own eyes and not the through the lens of other people’s views, it’s why I avoid trailers wherever possible. However, for Baywatch that simply was not possible as it released a week later here in Australia and the mixed reviews were everywhere. So when I walked into the cinema I was not really expecting anything of great quality, possibly even a dumpster fire of a film. However, I do have to say it’s not that bad, I mean it is not great, or even good, more borderline, but if anything it is just a real missed opportunity. Now throughout this review, I am going to be referring to 21 Jump Street (2012) and its sequel 22 Jump Street (2014) a bit. Now, on the one hand, I do think generally films should stand or fall on their own merit, however in the case of sequels or here when they were clearly trying to replicate the success of a previous movie, well then you can’t help but invite comparisons.