TL;DR – It captures a snapshot of a life so perfectly that it is almost difficult to watch sometimes because you feel like a voyeur eavesdropping on someone else’s life.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Stan subscription that viewed this movie.

Minari Review –

Some films you can tell are works of personal nature because of the breath intimacy at every turn. You feel it in the story, the world, and the characters. This makes it a more intimate film, but it also can be more challenging to watch. Today we look at a movie that might be the most personal film I have ever seen that wasn’t a direct autobiography.

So to set the scene, in the 1980s, the Yi family make the trek inland from California to Arkansas. Jacob (Steven Yeun) picked the house because of the land, but his wife Monica (Han Ye-ri) is less than impressed that Jacob bought a trailer and not a house. Jacob wants the land to be a farmer to grow Korean crops for the diaspora, while Monica is fearful that they are too far away from the cities as their son David (Alan Kim) has a heart problem. Things get better/worse when Monica’s mum Soon-ja (Youn Yuh-jung) arrives to watch David and his sister Anne (Noel Kate Cho) as Monica and Jacob spend their days sexing chickens in a local factory.