TL;DR – While it is wonderfully acted and beautifully filmed, unfortunately in the attempt to update the source material it loses some of the core parts of the narrative in the attempt to tell a more straightforward narrative.
Score – 2.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene.
Ray Bradbury’s Fahrenheit 451 is one of those titan works of literature that kind of looms over narrative and speculative fiction genre. It was both miles ahead of its time but also very much a product of its time, making it a difficult work to adapt especially as time has gone on. It is one of those books that is weird and at times off-putting but entirely compelling as it sucks you into a world without books. When I heard that they were going to do a remake of it starring Michael B. Jordan I was really excited because it held such promise and now that I have seen it well, I don’t know, but somewhere along the way, it lost something. Today we are going to look at just what that might have been and yes I am writing this from the perspective of someone who has read the source material, and if you have not you might get something completely different from the film and that is completely fine. I am not someone who believes that you have to read the book before seeing it updated, but seeing that I have it shapes the way I experienced the film.
TL;DR – It is the second half of the season and finally the timelines are starting to crash into each other in interesting yet not completely clear ways
Score – 4 out of 5 stars
One of the things Westworld is known for is its many intersecting storylines and timelines, and Season Two has been no exception up until now. We have the story of Dolores’ (Evan Rachel Wood) rebellion as she builds an army to possibly take over the world, also Maeve (Thandie Newton) and her hunt to find her missing daughter as she puts together a ratbag team to help her, we have the Man in Black (Ed Harris) trying to get to the heart of the final narrative Robert (Anthony Hopkins) planned for him, and then we also have Bernard (Jeffrey Wright) whose history database got messed up by the head shot and so we see him jumping across different timelines. Well in today’s episode we not only get all of these stories we get them just as timelines come crashing together … maybe.
TL;DR – It is okay, the story is okay, the acting is okay, the effects, okay well they are more than just okay, but overall it is just okay
Score – 3 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Hmm, okay, well this is an interesting film, it had a dramatic change of directors and tone during production, and it is charting the course for one of the most iconic characters in film history. All of this leads to some pretty big expectations, but also a lot of hesitation because a large course change mid-way through rarely leads to a great end product. However, the same was also said of Rouge One (see review) and that turned out to be really good, by the end. Well, today let’s see if they can capture that magic again, and give justice to the character of Han Solo.
TL;DR – In a return to form we finally get to visit Shogun World though it is a bit more familiar than we thought.
Score – 4 out of 5 stars
One of the things that have changed in the way I look at media since I have been making this site is that over the years I have become more and more adamant about not watching trailers until after seeing a movie or TV show. There is something that has happened in recent years, which we talked about in our end of year awards, where big reveal that could have worked better as surprises get revealed in trailers. Well avoiding the trailers or not, there was no way to get around the fact that at some point in Season Two of Westworld we were going to take a detour into Shogun World after that Easter Egg in the season finale last year. Well at our halfway point today we finally get that moment and it is perfectly fine.
TL;DR – A beautiful, haunting, and often brutal look at what we do for those we love.
Rating: 4.5 out of 5.
Post-Credit Scene – There is no end-credit scene
There was a time not that long ago where zombies were this interesting subset of the horror genre. Now in a world where every second video game has them as an enemy and we have seen nearly every possible permutation of it on the big and small screen, it honestly feels like we have become saturated with the living dead. Now frankly, this is a great pity because out there in the world of media there are still very powerful works of art being made that deals with these issues, like The Last of Us and Train to Busan. Well, today we are looking at a film that is joining these lofty heights with Cargo.
TL;DR – A fun uplifting comedy that I found myself smiling all the way through.
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no Post-Credit Scene
To be perfectly honest I was not actually planning to go see Life of the Party, because of a couple of reasons. It came out during a particularly big work week for me, and also from the trailers, it looked like many, many other comedies I have sat through over the last couple of years. But I had some free time today and it was on so I thought what the hell, and I am actually really glad that I did.
TL;DR – Takes everything that worked in the first film turns it up to 11 and then gives it real emotional stakes.
Score – 4.5 out of 5 stars
Post-Credit Scene – there are two mid-credit scenes
Back in 2016, there was this little film that could that exploded out into the zeitgeist of the film world. The first Deadpool (see review) was a passion project for all involved because it took years to get it greenlit, indeed, it took test footage being leaked to finally convince the studio to start it, and even then they cut the budget drastically before shooting because they had fears about what an American R-rated film would make at the box office. Well as we know it make bank at the box office and now we get to see the fruits of that decision with Deadpool 2, well also it probably helped convince 20th Century Fox to finally let them do Logan (see review) as they really wanted, so thanks for that too. So today we are going to look at the follow up to the merc with the mouth, can they capture that same feeling that exploded out on screen both literally and metaphorically, well let’s dive in and see.
TL;DR – In an interesting turn of events, this is an episode with probably the biggest reveal so far in the series but it also feels like the weakest so far.
Score – 3 out of 5 stars
Well, this is an interesting episode, to say the least, in many respects, it drove the narrative forward in leaps and bounds, something I have been hoping for after the last three episodes just felt like moving people into place. However, while it was great to finally get a look at the Delos’ endgame, somehow I left today’s episode feeling more than a little lacklustre. So in today’s review I will try and reconcile those opposing forces, and as always we will be looking at the episode as a whole so there will be [SPOILERS] ahead.
TL;DR – This is a fascinating look at a world of complete inequality, and how that affects the lives of those within.
Score – 3.5 out of 5 stars
Today after watching The Rain (see review) I wanted to continue to explore more of the different Sci-Fi TV shows from around the world, and it just so happens that with the ending of The Rain I was recommended 3% from Brazil. So today we jump from the Post-Apocalyptic realm, and into the world of dystopia, stark power differences, and a world where the haves and the have-nots could not be further apart. In today’s review, we will be looking at both Season One and Two of 3% so there will be [SPOILERS] ahead for especially Season One but also some of the events that happen further along.
TL;DR – A surreal experience that plays on the power structures of the time, an important retelling of an Australian classic that everyone should watch.
Score – 5 out of 5 stars
“What happened to the girls at the Hanging Rock?” It is one of the most famous questions in Australian mythology. Was there foul play, did they run away, was it something out of this world? The book by Joan Lindsay and the fictional yet presented as the real account is one of the most important works of literature to out of this fair country, and it was turned into a very successful film in 1975. Well, that was over forty years ago and today we have a new take at adapting the classic book into a mini-series format. Today we take a look at the world at the turn of the twentieth century, a world of pomp and ceremony, and a world of oppression and conformity.