The Falcon and The Winter Soldier: Truth – TV Review

TL;DR – It takes what could have been a boilerplate story, and elevates it with emotion and strength.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a Mid-Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: Truth. Image Credit: Disney+.

The Falcon and The Winter Soldier Review

If there is one running theme that we have been seeing so far in The Falcon and the Winter Soldier, actions have consequences that can ripple out. We have seen that pop up time and time again, but this week it reveals itself in sharp contrast after the events of The Whole World is Watching and the desecration of a symbol in a moment of anger.

So to set the scene, we pick up right after the closing frames of last week’s episode with John Walker (Wyatt Russell) running from the scene covered in blood and still brandishing the murder weapon. He is trying to justify the unjustifiable when Bucky (Sebastian Stan) and Sam (Anthony Mackie) catch up to him in a warehouse. They both know that after what happened and that John’s best case scenario at this point is that he is not court marshalled, but his tenure as Captain America is over. As they try to talk John down from the cliff and disarm him of his shield, John sees what they are doing and attacks without abandon. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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The United States vs. Billie Holiday – Movie Review

TL;DR – A film with one of the best individual performances I have seen in a long time, bolstered by an amazing supporting cast but ultimately held back by some odd stylistic choices.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Warning – Depicts scenes of abuse.

Disclosure – I was invited to a screening of this film.

The United States vs. Billie Holiday. Image Credit: Universal Pictures.

The United States vs. Billie Holiday Review

Billie Holiday has one of those voices that you can instantly pick out. It has this uncanny ability to be soft and harsh all at once. When writing this review, I wondered when the first time was I had heard a recording of her performing? And it could have been off one of my grandfather’s records as he always had Jazz and Big Band playing. Or at the very least, it was on one of the radio stations in Fallout. But knowing about her voice, I realised before watching this film that I did not know much about her life at all. Well, today, I help fix that with a movie that charts some of the struggles she faced.

So to set the scene, we open with an older Billie (Andra Day) as she and her manager Miss Freddy (Miss Lawrence), sits down with interviewer Reginald Lord Devine (Leslie Jordan) to chart her life and explore why the government is so opposed to her. Well, we flashback in time to 1947, as a young soldier Jimmy Fletcher (Trevante Rhodes) makes his way to a jazz club in New York City where Billie is about to perform a complete set, including the one song no one but the audience wants her to sing Strange Fruit. Someone who especially wants her to stop the song is Agent Harry J. Anslinger (Garrett Hedlund) from the Federal Bureau of Narcotics.

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Love and Monsters – Movie Review

TL;DR – While it never quite gets to the heights it aims for, it is still a delightful ride with some stunning effects.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this film.

Love and Monsters. Image Credit: Netflix..

Love and Monsters Review

There are times when people can be stringent around how films can be categorised. Then films can come along and blow those strict delineations apart. You see it in movies like Zombieland or Warm Bodies, and we see it again today in the film we are about to look at.   

So to set the scene, in the near future, there was an asteroid Agatha 6-1-6 hurtling towards Earth. The governments grouped together to shoot it out of the sky, which they did. Unfortunately, the chemicals they used in all those rockets fell back down to Earth. They contaminated and mutated all the cold-blooded animals, from ants to crocodiles and everything in-between. While the militaries and the giant mutants wiped each other out, 95% of the world’s population died, leaving only those who were able to find security in bunkers. One of the survivors was Joel Dawson (Dylan O’Brien) from Fairfield, California. He made it to safety, but he has a habit of freezing in front of the monsters, not a good long-term survival trait. After an incursion into their bunker, Joel makes up his mind to go out into the world make the trek 90 odd miles to where his old girlfriend Amiee (Jessica Henwick) now lives. Ninety miles of infested territory that is trying to kill everything.

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The Falcon and The Winter Soldier: The Whole World is Watching – TV Review

TL;DR – This episode is like a storm approaching over the horizon. You see it coming, you feel the wind, you know something bad is about to strike, but you are not prepared even then.

Rating: 5 out of 5.

Post-Credit Scene – There is no End Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: The Whole World is Watching. Image Credit: Disney+.

The Falcon and The Winter Soldier Review

Many people feel that comic book films are nothing but popcorn trash, just there to fill in time with some pretty colours and then send you on your way. However, when we look at just the Marvel Cinematic Universe [and there is a whole lot more than that], then that statement simply does not hold water. We just watched an entire season of WandaVision exploring the legacy of trauma and what that does to a person. I mean, Thor: Ragnarok is all about post-colonial societies and how they whitewash and inevitably have to rectify with the darkness of their pasts. Sometimes, that means tearing the state down completely. Then it should be no surprise that The Falcon and The Winter Soldier set in a world trying to recover from a great cataclysm would have something of relevance to say, and this week they were most explicit about it.    

So to set the scene, at the end of Power Broker, Bucky (Sebastian Stan), Sam (Anthony Mackie), and Zemo (Daniel Brühl) had arrived in Latvia in the hopes of tracking Karli Morgenthau (Erin Kellyman) down. However, they were not the only ones on the hunt because as they arrive at their safe house, Bucky spots Wakandan tech lying around and traces it back to Ayo (Florence Kasumba), one of the Dora Milaje. As she is one of the people that helped Bucky get rid of his programming, she is most upset that he was the one that broke Zemo out of jail. However, as Zemo is just ‘a means to an ends’ Ayo will give Bucky eight hours, and then she is taking Zemo for herself. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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The Falcon and The Winter Soldier: Power Broker – TV Review

TL;DR – The episode where we got on a fun Road-trip with Zemo [A sentence I never thought I would write]

Rating: 4 out of 5.

Post-Credit Scene – There is no End Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: Power Broker. Image Credit: Disney+.

The Falcon and The Winter Soldier Review

One of the strengths of the MCU is that that it can fit its films and shows into several different genres and tones. The Captain America films have always felt like they fit into this more grounded spy world, and this week we get to see it spin off soar in the same territory.  

So to set the scene, at the end of last week’s episode, The Star-Spangled Banner, Bucky (Sebastian Stan) and Sam (Anthony Mackie) had reached a dead end. They have tried to track down the new terrorist organisation, but with no luck. Well, when you reach rock bottom, it is time to scrape that barrel and visit an old antagonist, Zemo (Daniel Brühl). He knows all about Hydra and its hidden places, so this would be a good idea … right? Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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Voyagers – Movie Review

TL;DR – While it is clearly treading across old ground, I still found the narrative and the cast to be compelling throughout.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Voyagers. Image Credit: Universal Pictures.

Voyagers Review

When you are talking about scenarios that immediately capture your attention, humans escaping Earth to try and colonise another planet to make sure humanity survives is one of those that immediately catches my attention. When it is done well, you are drawn into this world of desperation and struggles of leaving behind what you love for the unknown, but you lose the humanity for spectacle when it is done poorly. Today we look at a film that kind of swings between these poles in parts, but never the less left an impact on me.

So to set the scene, in 2063, the climate on Earth is steadily worsening as the planet warms, leading to the genuine suggestion that humanity might not survive as a species. However, in this moment of darkness, scientists find what they believe to be a habitable planet. The only problem is that it will take over 80 years to reach it with the current technology. This means that those who leave on the trip will likely not be alive when it arrives, and indeed it will probably be their grandchildren, the third generation, that will survive. Given the danger and pressure to get a scouting ship out as soon as possible, they decide to grow a purpose crew that has never seen the big open world so they won’t miss it during the long ride. However, that means they are just children, so Richard Alling (Colin Farrell), their teacher decides to join them on the one way trip into the dark to help prepare them for those moments when it all goes wrong.     

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Nobody – Movie Review

TL;DR – An incredible violent romp through the suburbs after the Russian mob picked the wrong man to come after.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was sent a screener of this film.

Nobody. Image Credit: Universal Pictures.

Nobody Review

When John Wick first blasted onto the scene, it was this dramatic shift in how action movies could be presented. Instead of a disjointed mess, there was flow. Instead of shying away from the realities, you saw it all up close and personal. Many films have tried to copy that style with mixed success, but today we look at a movie that nails it, and all it took was the same writer and producer to make it happen.

So to set the scene, the film opens with Hutch Mansell (Bob Odenkirk), a man who goes through the same dull routine each week (which makes it surprising that he can’t remember to put out the rubbish). There is a growing distance between him and his wife Becca (Connie Nielsen) that is exacerbated when the house is robbed, and Hutch lets his son Blake (Gage Munroe) get punched rather than take someone out with a golf club. But while the world sees Hutch as mild-mannered, or more clearly a wimp, he is actually a former CIA wet work expert known as an Auditor, which local Russian Mafia boss Yulian Kuznetsov (Aleksei Serebryakov) discovers the hard way when he comes after Hutch and his family.

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The Falcon and The Winter Soldier: The Star-Spangled Man – TV Review

TL;DR – It deepens the world and brings on the banter.

Rating: 4 out of 5.

Post-Credit Scene – There is no End Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: The Star-Spangled Man. Image Credit: Disney+.

The Falcon and The Winter Soldier Review

There are few times that I have seen the internet come together and agree on something. Well, at the end of last week’s episode New World Order, we had such a moment when the world united and went, “That is not my Cap!”. This week we start unpacking that thought (because some of the cast have the same feelings) and look at a world on the precipice.

So to set the scene, at the end of last week’s episode, the world was introduced to a new Captain America, John Walker (Wyatt Russell). This week we open with a homecoming of sorts as John returns to his old high school with all the pomp one can circumstance. The sight of him wearing Cap’s shield finally forces Sam (Anthony Mackie) and Bucky (Sebastian Stan) back together, if only to bicker all the way to Munich. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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DOTA: Dragon’s Blood: Season One – TV Review

TL;DR –A little convoluted yet strangely compelling ride through the expanded lore of one of the most popular video games out there.

Rating: 3.5 out of 5.

Disclosure – I paid for the Netflix subscription that viewed this series.

DOTA: Dragon’s Blood. Image Credit: Netflix.

DOTA: Dragon’s Blood Review

DOTA is one of those video games that I know, but I have never been able to get into, and that is not from a lack of trying. It is this phenomenon that I have watched from a distance with this odd curiosity. While the game itself feels like an impenetrable mess, there is a lot of style and intrigue going on, and I know that there is a whole lot of lore built into the game that could be good to explore.    

So to set the scene, we open with a huge info lore dump that you probably don’t need to understand fully. We then cut to the middle of a battle as many militiamen get ripped apart by a dragon that dives in and out of the ground. It is a losing conflict until Davion (Yuri Lowenthal), the Dragon Knight, enters the fray as his squire Bram (Josh Keaton) watches on. It is a glorious battle that dives in and out of the ground, and eventually, it is killed. It a moment of rejoicing. However, Frühling (Matthew Waterson), the captain of the guard, is less than pleased because an elder dragon still sleeps nearby, waiting to attack. But when he goes down into the lair of the best, he finds there is more terror there than he expected. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead. 

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Godzilla vs. Kong – Movie Review

TL;DR – A bombastic visual spectacle that explodes on the screen and never lets up.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a Press Screening of this film.

Godzilla vs. Kong. Image Credit: Warner Bros Pictures.

Godzilla vs. Kong Review

There have been several attempts to create Cinematic Universes across modern cinema, but most of them have fallen flat. However, one of the few rays of light in this space has been the visual delight that has been the MonsterVerse. It has been bombast on the big screen, as giant monsters battle each other for supremacy as we watch on. Today, we look at the next film in that franchise that pits our two heroes from the previous movies against each other.     

So to set the scene, it has been several years since Godzilla became the alpha at the end of Godzilla: King of the Monsters. In that time, Godzilla has kept the other titans in their home areas, much to the joy of the humans living in the world. However, one day, Godzilla surges out of the water near Pensacola, Florida. The titan makes a beeline for the Apex factory tearing apart everything in its way. In the factory, a whistleblower Bernie Hayes (Brian Tyree Henry), is trying to find what Apex is up to because they are up to something shady. Meanwhile, on Skull Island, King Kong is taking his daily walk when he comes across a little girl, Jia (Kaylee Hottle), in the forest. However, as they bond, Kong feels a threat coming and sharpens a tree javelin, ready to take it down.

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