TL;DR – This is a film that starts of in this weird tonally mismatched place and then as we delve deep it reveals the strength on which it is developing.
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Review –
There are times when a surprise is really good and then there are times when
you unknowingly walk into a situation that you never expected. Today we have a
bit of the latter as we look at the Korean film Svaha. I had absolutely no idea what to expect, nor even what genre
of film I was about to watch, I just thought it would be a good idea to catch
up on some world cinema before I went to bed. Well, there are many things
forthcoming in the world, but after this film, a good night’s sleep is not one
of them. With that in mind, to put off going to sleep, even though it is 6 degrees
in Brisbane tonight, and hold off the nightmares for an hour or two, I’m instead
going to write this review.
So to set the scene, we open in a small farming town in 1999 where a woman has
given birth to twin girls. However, one of them is a monster, and the doctor
doesn’t think it will last the night. Soon both Geum-hwa’s (Lee Jae-in) parents
are dead but her sister did not die, she lives on hidden by the family not even
taught how to speak. In the present day, Pastor Park (Lee Jung-jae) is given a
lecture at a local theological college. Park is an expert on new religious
movements and cults in particular. He is looking to make sure that they don’t
become a danger as they have been in other countries. However, it feels like he
is more drawn to scandal to make a quick buck than by any real spiritual
connection. One of the many groups he is monitoring is a small Buddhist-adjacent
organisation who has a symbol of a deer on their buildings. But his convictions
are tested when he starts digging deeper and the bodies start piling up.