Monthly Archives: September 2023

Poison – Movie Review

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TL;DR – Tense, engaging, and captivating.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

the bungalow.

Poison Review –

After watching The Rat Catcher last night, I discovered it was not just a one-off, with Wes Anderson producing several of Roald Dahl’s short stories. With that in mind, I needed to see if they were all as absurdly compelling as the first, and I jumped into Poison.  
                          
It was midnight when Timber Woods (Dev Patel) drove home, trying not to wake his roommate. He should not have bothered because Harry (Benedict Cumberbatch) was still awake. Perplexed, Woods stuck his head in to see how he was when a barely audible whisper sang out ‘Help!‘.  

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The Rat Catcher – Movie Review

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TL;DR – An uncomfortable tale that draws you in, holds you captive, and then leaves you thinking.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Richard Ayoade

The Rat Catcher Review –

As I sat down to wonder what I would watch as the weather wandered by and the well-lit day wound to a weary – what the word for end is that starts with a w would be that I can’t think of at the moment even though I scoured my mind looking for one. I looked at Netflix to discover that there is a Wes Anderson production of a Roald Dahl short story, and that is a combination you don’t say no to.

So to set the scene, one morning, an editor (Richard Ayoade) tells us of the life of a Rat Man (Ralph Fiennes) who has come on behalf of the town to a local garage run by Claud (Rupert Friend). He is a peculiar man who looks much like the prey he hunts. But then you see, rats are clever prey, as they are watching you as you pursue them.    

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The Equalizer 3 – Movie Review

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TL;DR – A solid conclusion to the trilogy that does not chart a new course but knows the waters it wants to stay in and revels in it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

fireworks explode behind a religious statue.

The Equalizer 3 Review –

As I arrived a couple of hours early for the first The Creator session, I realised there was enough time to see another movie while I waited and scratch one of the current releases off my pile of shame. There were a couple of options until I saw The Equalizer 3. From memory, I liked The Equalizer 2, and I have often dreamed of living on the Italian coastline. But then I realised who the leading cast member was for this film and who it was for The Creator, and I knew that was a double bill that sold itself.

So to set the scene, a while after the events of 2, we find ourselves away from America and on the island of Sicily, Italy. An older man arrives with his grandson at a winery to discover all his henchmen are dead outside. Walking through the carnage down into the heart of it, we find one personal under guard. But that one person is Robert McCall (Denzel Washington), and a couple of guns will not stop him. Okay, a rifle to the back might. But when he is found by a kind a local carabiniere, Gio Bonucci (Eugenio Mastrandrea), after falling unconscious behind the wheel and saved from bleeding out by local doctor Enzo Arisio (Remo Girone). Robert takes a liking to the town and thinks this is where he could find some peace, and that was the wrong time for the mafia to try and muscle their way into the town.

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C*A*U*G*H*T: Season 1 – TV Review

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TL;DR – While it never truly commits to its absurdist premise, there are moments when it shines.

Rating: 3 out of 5.

Disclosure – I paid for the Stan service that viewed this film.

The Hostages.

C*A*U*G*H*T Review –

There is a version of Australian comedy that takes a very irreverential look at power structures. Where no one is immune from the castigation, it is within this space that we find ourselves today, delving into a geo-political quagmire that only Australia could do.   

So to set the scene, we open on a hostage video in progress as four captured Australian soldiers, Rowdy Gaines (Ben O’Toole), Albhanis Mouawad (Lincon Younes), Phil Choi (Alexander England), and Dylan Fox (Kick Gurry), on the island nation of Behati-Prinsloo plead for their lives. It is heartbreaking as the prisoners are attacked on camera when they don’t follow the script, even more so for the Australian government, which officially states that it has no armed forces in the region. It is a simple call for help … help to survive … help not to be murdered … until the cameras cut, and the four celebrate how good the take was. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.    

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Star Wars: Ahsoka – Part Seven: Dreams and Madness – TV Review

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TL;DR – It is time to get our battle on as the many different elements of this show come crashing together.

Rating: 4 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

the nightsisters

Ahsoka Review –

When I came into this show, my only connection to any of the characters was Ahsoka’s (Rosario Dawson) time in Book of Boba Fett and The Mandalorian, and that probably was not a ringing endorsement. Add to that some more time with Mon Mothma (Genevieve O’Reilly) on Andor, and hey, is that the cool space dad, Captain Carson Teva (Paul Sun-Hyung Lee), who is in everything. I didn’t come in with the passion for these characters that many people did, but I am starting to understand the appeal.

So to set the scene, Ezra (Eman Esfandi) and Sabine (Natasha Liu Bordizzo) get reunited down on the surface, not knowing that this is part of a trap set by Thrawn (Lars Mikkelsen) and Lord Baylan (Ray Stevenson) and Shin Hati (Ivanna Sakhno) are chasing at their heels. Up on a space whale, Ahsoka and Huyang (David Tennant) are ready to re-enter this new galaxy, not knowing that the Nightsisters (Jeryl Prescott Gallien, Claudia Black & Jane Edina Seymour) warned of their coming and they have prepared a trap waiting for them. But back in the republic, Hera (Mary Elizabeth Winstead) has to answer for her wilful ignoring of the Council. A court-martial is in her future until she receives aid from an unlikely source. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.   

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The Creator – Movie Review

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TL;DR – A phenomenal work of art that touches on all the emotions.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A smiling synth.

The Creator Review –

There are many ways you can get me into a cinema, and chief among them is bringing a new Science Fiction film into the world. A new movie not attached to any existing IP. Do you know how rare that is today? But then also have it be the first significant follow-up of Gareth Edwards after Rogue One. Well, you have already sold me, but sure, add a cherry on the top. However, even then, I was unprepared for the beauty and ugliness I was about to watch.

So to set the scene, in the near future, AI, robotics, and synths will be a part of every facet of society. That is until that same AI launched a nuclear missile attack on Los Angeles in 2055. Millions died, and much of the world banned AI, but not New Asia. Ten years after LA and the war across New Asia rages, America tries to destroy the robotic resistance. Amongst all of this, Joshua (John David Washington) and Maya (Gemma Chan) live in a house on the beach and are expecting their first child when an American raid reveals Joshua to be a double agent. It is a disaster for Joshua, but five years later, as the last threat to the looming spaceship USS Nomad is identified, he is given a choice: Help a team find this weapon and maybe save his love. But no one was expecting what they found in that lab.

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We’re Back! – A Dinosaur’s Story (1994) – Exploring the Past

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TL;DR – A fascinating time capsule to the early 1990s, which might feel as far in the past as the dinosaurs featured. 

Rating: 3 out of 5.

Post-Credit Scene – There is no Post-Credit Scene.

Disclosure – I paid to watch this film.

Looking at a past Earth.

We’re Back! – A Dinosaur’s Story Review –

I always like plugging in gaps in my knowledge when it comes to cinema, especially when it hits one of those topics that I am deeply passionate about. Well, if you have dived into our site before, you will know that I love dinosaurs, and as someone who grew up in the 1990s, I thought I had watched all the tentpole dinosaur films from that era. Well, this week, I was reminded that this was not the case, and that was something that I had to fix pronto.

So to set the scene, Captain Neweyes (Walter Cronkite) and his assistant Vorb (Jay Leno) have a plan to bring dinosaurs from the past to the present and make them sentient. Thus Rex (John Goodman), Woog (René Le Vant), Dweeb (Charles Fleischer), and Elsa (Felicity Kendal) are ripped from their time and brought to the future. So many children wish to meet a dinosaur, and Neweyes has chosen to grant that wish, which is when he kicks the dinos out of his spaceship to parachute to New York City below.     

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The Continental (The Continental: From the World of John Wick): Brothers in Arms – TV Review

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TL;DR – This is a perfectly okay introduction, but by attaching itself to this world, it wrote checks that it has so far been unable to cash.  

Rating: 3 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this series.

Standing alone in a crowded subway platform.

The Continental Review –

If there has been one world that has delighted me over the last decade, it has been John Wick and its universe. Indeed, I wrote a whole article on how it was a Masterclass in Visual Storytelling and Worldbuilding. The more we heard about this world, the more fascinated I was with it. However, prequels are always dicey propositions, as we see today.

So to set the scene, it is 1955 in New York City, and a young Winston is learning the hard life that can come from the world he is in. Years later, we find a world of sex, drugs, and club techno as the world sings in a new year. But that is not just any New Year’s Eve party. It is one held in The Continental, and as they countdown to ‘Happy New Year, ’ something goes boom. But there are some rules that you just don’t break. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Humankind: Cultures of Oceania – Map-It

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TL;DR – We map all of the eras of Humankind all in one map … okay many maps

Indian Subcontinent.

Humankind Map

One of the joys I get is mapping out universes, while I have charted out movie universes like the MCU and Grand Designs. However, one of my favourite things has been charting how 4X video games explore the world and its history. Today, I get to update one of the most complicated maps I have ever made for this channel, charting all of Humankind up to the Cultures of Oceania DLC from Amplitude Studios and Sega.

We started this mapping process last year, and it took many different attempts before we found a mapping system that worked. Chaos mode is fun, but it is not always revealing. The First Map covered everything from the base game and up to the Cultures of Latin America DLC. This update includes everything since then, including the Para Bellum Wonders Pack, the Together We Rule Expansion Pack, and the titular Cultures of Oceania DLC.

As a reminder, we have split all the content into eras, and if you want to look at the chaos of what we get when all of them are together, then wait until the end. As always, a big thanks to the Humankind Wiki for collating all the cities for me so I did not have to dive into the code. Also, if you want to find out more about all the locations indicated on the map, check out our Humankind Cartographic Educational Database.

While all attempts have been made to ensure that everything is accurately placed, putting this together meant working from multiple sources, map projections, and sometimes not firm locations. As such, no matter how much you try, there might be slight discrepancies. With that in mind, let us dive into the maps. Also, please note that the map files are pretty big, so there may be loading issues if you are looking on Mobile.  

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Spy Kids: Armageddon – Movie Review

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TL;DR – While it does not quite hit the heights of the original, it was still a fun time.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Map Room over lava.

Spy Kids: Armageddon Review –

All the way back in 2001, there was this oddly delightful film full of delight and odd clay hand monster abominations. Spy Kids was this strange series that was always on the cutting edge. I think I remember a smell scratch and sniff one time, and 3D before 3D, 3D’d. But it is also one of those series you don’t feel need a reboot. With that in mind, can they bring this franchise into the 21st century, or will it feel like a relic of a time past?

So to set the scene, the Torrez-Tango’s are a perfectly normal family bar for some overly dramatic tech lockdowns. Tony Torrez-Tango (Connor Esterson) likes to play the scoundrel using his tricks and cheats, while Patty Torrez-Tango (Everly Carganilla) likes to play fair with integrity. But little do they know that their parents, Nora (Gina Rodriguez) and Terrence (Zachary Levi), are spies. But when some malicious code is hidden in the video game, Hyskor steals the secret Armageddon Code. Well, it just might be the kids that come to the rescue.    

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