Category Archives: 5/5

The Holdovers – Movie Review

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Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A failed exam paper.

The Holdovers Review –

When you are watching a film, there are times when you have an experience where you become completely absorbed into the narrative. Taken back 50 years to a place you have never been before, to a place that you have no connection with, but you are taken there wholly. These cases are where the narrative, the direction, and the acting all come together for a perfect work. Today, we look at just such a film that focuses on three actors who give their all to the proceedings.

So to set the scene, it is coming to the end of the year in 1970 as we come to Barton Academy in New England. The term is coming to an end, and everyone is getting ready to go home to their families for Christmas, well, almost everyone. Every year, there is a handful of students who can’t make it back home for the break and stay over at the school, the titular holdovers. Paul Hunham (Paul Giamatti) teaches ancient civilizations and is hated by most of the students, does not want to be the one stuck with the holdovers but gets out manoeuvred by another staff member. Angus Tully (Dominic Sessa) wants to go home for the holidays, but his mother is spending it with her new husband, and Mary Lamb (Da’Vine Joy Randolph) lives on campus but is facing her first Christmas alone. They make an odd bunch as the snow comes in.     

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Musings on The Leftovers (or did Nora Lie?)

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TL;DR – In which I wax lyrical or ramble about the series The Leftovers and its exploration of faith and truth.

Warning – Contains scenes which may cause distress.

Disclosure – I paid for the Binge service that viewed this series.

Two men on a roof after an apocalypse that didn't happen.

The Leftovers Review –

Today, we will do something a little different than usual in that we will be less of a review and more of a retrospective on a series. Well, it’s not quite a retrospective, but more some musings that have been rumbling around in my head for months and that I better put down on paper somewhere so I can let them go rather than pondering on them all the time. With that in mind, we delve into the world of guilt, trauma, religion, faith, and crisis.

So to set the scene, three years before the start of the series on October 14th, 2011, two per cent of the world’s population vanished instantly. One hundred forty million people were gone in a moment of time, with no rhyme or reason as to why they were chosen. A child was screaming one second, gone the next. A family was eating breakfast one moment and gone the next. The person you were holding hands with during a science experiment, the person you were making love with, all gone. How do you move on after an event like this? Can you? Can society? Can the town of Mapleton and the Garvey family? Now from here, we will be looking at the whole series as a whole, so there will be [SPOILERS] ahead.

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Jurassic Park Review (1993) – Exploring the Past

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TL;DR – A masterpiece in cinema that still moves you thirty years later.    

Rating: 5 out of 5.

Post-Credit Scene – There is no end-credit scene.

Disclosure – I paid to watch this film.

the entry gate to Jurassic Park.

Jurassic Park Review –

Some films captivated you the first time you watched them, getting your claws into you and never letting go. As a kid, one of those films was Jurassic Park. It delighted and terrified in equal measure. But even though it is in my Top 10 Films of All Time, it is a film I never watched on the big screen because I was far too young when it was released. But on the 30th anniversary of its release, it was back in cinemas, and it was time to rectify that.

So to set the scene, on a remote island off the coast of Costa Rica, an animal transfer at a new type of zoo goes terribly wrong. Investors start to panic, so John Hammond (Richard Attenborough) and his lawyer Donald Gennaro (Martin Ferrero) bring in three experts: Dr Alan Grant (Sam Neill), Dr Ellie Sattler (Laura Dern), and Dr Ian Malcolm (Jeff Goldblum) to give the park their stamp of approval. But why would a zoo need palaeontologists? Cue the John Williams soundtrack.   

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Spider-Man: Across the Spider-Verse – Movie Review

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TL;DR – A pure delight from start to finish in an absolutely stunningly realised world.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to watch this film

Gwen and Miles sit upside down looking at the sky line of New York.

Spider-Man: Across the Spider-Verse Review –

If there is ever a tough act to follow, it is Spider-Man: Into the Spider-Verse. A film that shifted an entire film production style that many movies like The Mitchells vs. The Machines and Puss in Boots: The Last Wish have taken onboard since. Indeed, I loved the movie so much that it sits on My Personal Top 10 Animated Films of All Time. There is no way a sequel could like up to that legacy … but hear me out … what if it could.

So to set the scene, It has been one year since the event of the last film, and Gwen (Hailee Steinfeld) has been struggling with being all alone again after finding a kindred spirit with Miles (Shameik Moore). However, when a Vulture (Jorma Taccone) from a Renaissance-style universe trashes the Guggenheim Museum, she discovers that the Spider-verse is not closed off. But also her dad George Stacy (Shea Whigham), finds out she is Spider-Woman, and tries to arrest her. This could have ended badly without the rescue from Miguel O’Hara / Spider-Man 2099 (Oscar Isaac) and Jessica Drew / Spider-Woman (Issa Rae), for a Spider-Society is protecting the Multiverse from all threats, and Gwen is the newest member.

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Ted Lasso: So Long, Farewell and Season 3 – TV Review

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TL;DR – Builds upon everything that made the series great by focussing on the character development of every kind  

Rating: 5 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this episode.

Ted sits alone in the stands

Ted Lasso Review –

If there has been one consistent feature over the last few years of that evert the 2020s has been so far, it has been the joy that has come from Ted Lasso. I know this show is stylised, so it could almost be magical realism like The West Wing. But I don’t care. Every moment, every kick of a football, had me on the edge of my chair, and this final season of the show that maybe/probably/we’ll see was no exception. With today’s review, we will first look at the final episode aptly titled So Long, Farewell, and then we will look at the season as a whole.   

So to set the scene, at the end of Season 2, the Richmond Greyhounds fount back from relegation to make it back into the Premier League. This is a triumph for the coaching staff Ted Lasso (Jason Sudeikis), Coach Beard (Brendan Hunt), and Roy Kent (Brett Goldstein). As well as team owner Rebecca Welton (Hannah Waddingham). As the season went on, there were struggles as “The Wonder Kid” Nathan “Nate” Shelley (Nick Mohammed) and his West Ham United team destroyed the team leading to a massive slump. However, as we come into this final episode, things are looking up, but in Mom City, Ted reveals to Rebecca that it is his time to drop a bombshell, and we open this final episode with Rebecca having breakfast in her house and Ted coming out to join her. Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead. 

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Planet of Lana – Video Game Review

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TL;DR – A stunningly beautiful game that pulls at the heartstrings as it reveals the world one puzzle at a time.

Rating: 5 out of 5.

Disclosure – I paid for the Game Pass service that viewed this game.

Alien mothership in the distance

Planet of Lana Review –

One of the things that you are always looking for when you boot up a new game is to experience something that pulls on your emotions. Does it build upon strong mechanics and art design to bring a world alive? Today we are looking at a game that does just that as it charms and uplifts you.

So to set the scene, on a planet off somewhere in the galaxy, we meet Lana (Bianca Zoe Mantelli), who lives in a small but friendly fishing village on the coast of a giant sea. Running through the town with her big sister Elo (Rossmary Petruzzelli), they climb up the nearby hillside to visit a place of sadness and to reflect on their bond. But when they get there, they see objects falling from the sky, and soon grand machines capture Elo and take her up into the sky. The village is in ruins by the time Lana can get back, everyone has been taken, but nothing will stop Lana from trying to save her family, where she meets a little animal friend who may be the hope of her salvation.

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How Ted Lasso Perfected the Nothing/Everything Episode with Sunflowers – Article

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TL;DR – This article explores how a show can have an episode focused on nothing, yet still be everything.  

Disclosure – I paid for the Apple TV+ service that viewed this show.  

Van Gogh's Sunflowers.

How Ted Lasso Perfected the Nothing/Everything Episode with Sunflowers –

One of the significant shifts in the Television landscape was the move from more episodic episodes to more serialised outings. It started taking steam in the 1990s with shows like Babylon 5 and Deep Space Nine. But this would explode in the streaming era, with nearly every show you watch having some serialised component. Whether the show works with the serialised content does not matter. With the insertion of boilerplate narrative arcs becoming more of the norm, looking at you Wednesday. In this world, can you have a stand-alone, nothing episode anymore?

There was a time when shows like Seinfeld built themselves around being the show about nothing, where there was no character growth. However, today if you have an episode, let alone a series, where nothing happens, you will get a chorus of comments claiming condensation over there being filler. I have seen a claim championed time after time, whether the show was filler. But can you still have an engaging episode of TV that does not move the plot along in the current landscape? Well, you must trust your audience to come along with you if you want to attempt something like this. Trust which is something that is earned, not given.

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Star Trek: Picard – The Last Generation and Season Three – TV Review

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TL;DR – They stuck the landing.   

Rating: 5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

Post-Credit Scene – There is a mid-credit scene

The USS Enterprise-D

Star Trek: Picard Review –

The third and final season of Star Trek: Picard has come to an end, and more like any season so far, this felt almost like Star Trek: The Next Generation season 8. There was a little concern coming into the start of the season as to whether they could make it more than just a nostalgia fest. Now, don’t get me wrong, there is a lot of nostalgia on offer here. But there is also a lot of heart. In today’s review, we will first look at whether they stuck the landing with the final episode and then at the season and maybe the series as a whole.

So to set the scene, in Võx, we discovered the terrible secret that Jack Crusher (Ed Speleers) had been holding so tight that even he did not know, he is The Borg. Or at least he had inherited some of the DNA changes The Borg made to Jean-Luc Picard (Patrick Stewart). This made him reach out to the voice in his head … The Borg Queen (Alice Krige/Jane Edwina Seymour) herself. Which sets in motion The Borg’s final plan to trigger the Borg DNA inserted in all the young officers and remotely assimilate them using Jack’s ability, and it works. The fleet is taken over, most of those not assimilated are killed, and only Spacedock stands between The Borg and the extermination of Earth. Now from here, we will be looking at the episode, and season, as a whole, so there will be some [SPOILERS] ahead.     

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Star Trek: Picard – Võx – TV Review

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TL;DR – This week’s episode was electric, with every reveal, every twist, and every moment landing perfectly  

Rating: 5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

The fleet comes together.

Star Trek: Picard Review –

There have been a lot of beautiful episodes of Star Trek that have been aired in its 57-year history. Indeed, back in the year 2020, I made my own list of My Personal Top 25 Episodes out of the 743 episodes that had aired up to that point. I bring this up because, as of today, I know I have to amend this list because I just watched one of the finest hours of Star Trek so far.

So to set the scene, after securing the USS Titan-A from the Dominion invaders in Surrender. The whole old crew of the USS Enterprise D and E came together for the first time in an age. Picard (Patrick Stewart), Data (Brent Spiner), Riker (Jonathan Frakes), Troi (Marina Sirtis), Crusher (Gates McFadden), Geordi (LeVar Burton), and Worf (Michael Dorn). There are ill omens in the air because while the Dominion elements have been defeated, it is clear that something is set to occur on Frontier Day, and they have still not worked out what that is. But before they can do that, one question that can be answered is what is happening to Jack (Ed Speleers) because Deanna Troi can help him find what is locked away and is causing him such grief. But no one was prepared for what they found. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.  

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Aftersun – Movie Review

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TL;DR – An emotional whirlwind – Stunning, Beautiful, and Heartbreaking.     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Warning – This film contains a lot of flashing lights.

An image of Sophie pixelated by the old camera

Aftersun Review –

If one film has been bubbling away in my subconscious since last October, it was Aftersun. Everyone who had seen it spoke of it almost like a transcendent experience, but it has taken a long time to make it down to my realm and longer for me to make it to the cinema. However, if the saying all good things come to those who wait had a physical manifestation, it would be Aftersun.

So to set the scene, it is sometime in the past [I think the late 1990s before everyone had mobile phones], and Calum (Paul Mescal) goes on a family trip to Turkey with his daughter Sophie (Frankie Corio). Sophie lives with her mother, which is a chance for them to bond, but there is some apparent awkwardness for all. Calum is trying to build a relationship, while Sophie is at the age where she is finding her independence. Is this trip the start of something better or the beginning of the end?

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