TL;DR – We dabble in some dinosaurs and music as we take a trip down to Brisbane
Disclosure – I paid for my entry and everything you see purchased in this article.
As we slowly get back to a newish normal, I have been trying to get out of the house a little bit more, not that I did it a lot before. But it is time to get out and explore some more, and where best to start is always with a map.
Continue readingTL;DR – A stunningly beautiful game that pulls at the heartstrings as it reveals the world one puzzle at a time.
Disclosure – I paid for the Game Pass service that viewed this game.
One of the things that you are always looking for when you boot up a new game is to experience something that pulls on your emotions. Does it build upon strong mechanics and art design to bring a world alive? Today we are looking at a game that does just that as it charms and uplifts you.
So to set the scene, on a planet off somewhere in the galaxy, we meet Lana (Bianca Zoe Mantelli), who lives in a small but friendly fishing village on the coast of a giant sea. Running through the town with her big sister Elo (Rossmary Petruzzelli), they climb up the nearby hillside to visit a place of sadness and to reflect on their bond. But when they get there, they see objects falling from the sky, and soon grand machines capture Elo and take her up into the sky. The village is in ruins by the time Lana can get back, everyone has been taken, but nothing will stop Lana from trying to save her family, where she meets a little animal friend who may be the hope of her salvation.
TL;DR – While it sort of sticks the landing, it is a season where the issues greatly outnumbered the positives.
Disclosure – I paid for the Amazon Prime service that viewed this series.
I am unsure what I expected when I sat down to watch the groundwork for a new multi-series spy universe. Maybe I was hoping for some good spy shenanigans, boundless chemistry, or even the odd action scene. However, while it started strong with The Human Enigma, it soon fell apart as the seams became apparent. Today we are looking at the finale and this season as a whole to see if they stuck the landing or floundered like a ship on the rocks.
So to set the scene, at the end of Tell Her Everything, we discover what Nadia (Priyanka Chopra Jonas) has been hiding from Mason (Richard Madden). She has a daughter she did not tell Mason about, and Dahlia Archer (Lesley Manville) has now captured her. They must land on a Russian automatic submarine and then steal all their nuclear cores to see her alive again. Oh, and only Mason can do the jump, and he still can’t remember his time as a spy. Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – A beautiful penultimate episode, full of touching moments and set up towards the end.
Disclosure – I paid for the Apple TV+ service that viewed this episode.
If there has been one show that has constantly broken my heart while being ultimately uplifting, it has been Ted Lasso. After a triumphant First and Second season, the Third and probably/possibly/maybe final season has still been hitting it out of the park. But as we draw to the penultimate episode, there is a fear not of what has come but of whether it could stick the landing after everything that has happened so far.
So to set the scene, Ted (Jason Sudeikis) and the team are on a 15-match winning streak, so his morning walk through the neighbourhood had a certain bounce in his step. That is until he comes to a bus stop and suddenly discovers his mum (Becky Ann Baker) sitting there. She comes with her stories which is a blast to everyone else, but also memories of the past for Ted. While the team gets ready for their big match against Manchester United, there is a feeling of excitement, but for Jamie Tartt (Phil Dunster), there is a collapse of confidence on the eve of his most significant match. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – At times, it is a delightful bloody mess, but it does struggle in places
Post-Credit Scene – There is no post-credit scene
Disclosure – I was invited to a press screening of this film
Some genres in cinema are almost timeless and resurge from time to time. The last time vampires surged to the front, they were sparkly and problematic for various reasons. But with the recent strengths of What We Do in the Shadows, it was only time until someone took that energy into the cinema space, and that is what we are looking at today.
So to set the scene, we open with Renfield (Nicholas Hoult) giving a little back history of his life since he rocked up to Count Dracula’s (Nicolas Cage) castle at the start of the 20th century. When Dracula gets injured by sunshine when hunters attack, Renfield moves the two to New Orleans to set up in the dilapidated Charity Hospital. Renfield needs to find victims to help Dracula heal, so he attends a co-dependent relationships self-help group where he hunts for abusers. However, one day while protecting Rebecca (Awkwafina) from Tedward Lobo (Ben Schwartz) and his henchmen, he saves many innocent lives, sending him on a crash course with his master.
TL;DR – We map the carnage over four days of July in 1996 on Independence Day.
Well, I had been feeling off, and when that happens, one of the best remedies is to go back to one of your comfort films. While everyone has their own list of comfort films, mine include Ever After, 10 Things I Hate About You, and today’s focus Independence Day.
As I was watching the film, I wondered what the global extent of the attack would be because the film’s focus is America, but it was an international event, given what we can see in snippets throughout the film. I went through the original movie with a fine-toothed comb and any references in Independence Day Resurgence to get the locations here. However, this only painted part of the picture, and the novel of the first film differs from the movie in places, so that is an issue.
TL;DR – Not the biggest or most bombastic action film I have seen, but it knows precisely what it wants to be and makes it work because of that.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid for the Amazon Prime service that viewed this film.
For a long time, if you went to watch a Gerard Butler action film, you knew entirely what you would get. Some fun moments but no real substance. However, Greenland changed all that, and suddenly things became interesting again. But the question is, can that interest last?
So to set the scene, Brodie Torrance (Gerard Butler) is running through security, which is important because he is the plane’s pilot. It feels like a relativity typical run on New-Years Day, bar for some weather and for a surprise passenger Louis Gaspare (Mike Colter), who is being extradited for a murder. But then a lighting strike takes out all the avionics and radio, giving them only 10 minutes to land the plane before they drop out of the sky. They make a miraculous landing, but getting the plane down might be the easy part.
TL;DR – Murder, politics, and conspiracies, oh my.
Disclosure – I paid for the Apple TV+ service that viewed this series.
Murder, political intrigue, and conspiracy, well, now you are speaking my language. I have enjoyed my time down in the depths of the Silo, but so far, we have been given whispers as to what will be the primary drive as we advance. Well, today, we get more than whispers because someone just murdered the mayor, and that tends to be a catalysing event.
So to set the scene, in Machines, we learned that Holston Becker’s (David Oyelowo) last act as sheriff was to appoint Juliette Nichols (Rebecca Ferguson) as his successor. However, on her first day, she is presented with the most significant challenge the Silo has ever faced. Someone has murdered Mayor Ruth Jahns (Geraldine James). Deputy Marnes (Will Patton) is distraught, Robert Sims (Common) from judicial and Bernard Holland (Tim Robbins) from IT are trying to manage the political fallout. But everyone knows that the Silo is about to change. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – While it captures the vibe of the original comics, some choices kept ripping me out of the film.
Post-Credit Scene – There are many mid-credit scenes
Disclosure – I paid for the Netflix service that viewed this film
Growing up, one of my joys was going to the library and finding a new Asterix comic I had never read before. Then I got old enough to understand that all the names were puns, and a new world opened up. I know they have done a couple of live-action movies before, but now was a chance to see if they could capture that joy from the original comic.
So to set the scene, it is 50 BC, and all of Gaul has been concurred by the Roman Empire … well, not all of Gaul because on the coast, one village holds out. Four Roman camps at Totorum, Aquarium, Laudanum, and Compendium surround the village but still cannot concur. Out in the forest hunting for boar are the titular Asterix (Guillaume Canet) and Obelix (Gilles Lellouche), who show why the village can not be concurred thanks to the magic potion brewed by the druid Getafix (Pierre Richard). But one day, a surprise chariot arrives in the village carrying Princess Fu Yi (Julie Chen) from China escaping a forced marriage with Deng Tsin Qin (Bun Hay Mean), and our pair have to go off on a new adventure.
TL;DR – A better episode, but you can still feel the foundations shaking as they barrel towards the end of the season.
Disclosure – I paid for the Amazon Prime service that viewed this series.
We are starting to barrel towards the end of the season, which usually fills me with wonder or dread about how they will finish it all. However, all Citadel has provoked from me so far is mild indifference, with frustration in seeing hints of something better in a sea of poor choices. I wondered if we would continue this free fall into oblivion, but thankfully, we started stabilising this week.
So to set the scene, we start where it ended in Tell Her Everything with Mason (Richard Madden) & Nadia (Priyanka Chopra Jonas) in a black site in Morocco trying to rescue Carter Spence (Osy Ikhile), only for Carter to finger Nadia as the mole that took Citadel down. Nine years earlier, the pair were in Athens, where Mason did the unthinkable, he popped the question. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong
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freelance film critic with an interest in multilingualism, feminist perspectives in cinema and crime dramas.
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TL;DR Movie Reviews and Analysis 