Those Who Wish Me Dead – Movie Review

TL;DR – While it starts a bit muddled, it soon picks up, and the third act had me on the edge of the seat.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of the film.

Those Who Wish Me Dead. Image Credit: Warner Brothers.

Those Who Wish Me Dead Review

I am not sure what you feel when you hear the word ‘firestorm’, but for me and I think many Australians, there is a visceral terror as we have all seen that all-consuming force. We know that destruction, year after year, so when you set a film in this world, there is a kind of instant buy-in as to the danger from the moment that first spark gets set off. But for a movie to work, it needs to be more than that, which is what we get this week. 

Set the scene, we open with a group of firelighters jumping out of a plane and parachuting down into the oncoming storm. They’re smokejumpers, and they are trying to make a firebreak and shore up the defences when the wind turns the fire directly at them. A year later, two men walk into the house of a district attorney in Fort Lauderdale, and minutes later, the house explodes, killing the whole family. Back in Jacksonville, Owen Casserly (Jake Weber), a forensic accountant, is getting his son Connor (Finn Little) ready for the day when he sees the news and immediately knows he is next. The two flee to Montana, where Owen’s brother-in-law Ethan Sawyer (Jon Bernthal) works as a sheriff, but just as they get close, the two men Jack (Aidan Gillen) and Patrick (Nicholas Hoult), attack.  

Continue reading

Fatale – Movie Review

TL;DR – A film with a solid concept that hits hard early and then gives diminishing returns after that.    

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Fatale. Image Credit: Universal Pictures.

Fatale Review

When writing a movie, I would take it that one of the more difficult parts of any screenplay is to know when that wow moment will be and how that moment affects the whole film. I think we have all watched that movie where that wow moment has fallen flat, or when it came at the wrong part of the film. Well, today, we have an interesting case of a movie making a big statement with its wow moment that had me on the edge of my seat and then did very little with it from that point onwards.

So to set the scene, Derrick Tyler (Michael Ealy) is a basketball agent who has worked to build his company from a small operation to one of the big players in the industry. But while his professional life is reaching for the heights, his marriage with Tracie (Damaris Lewis) is on autopilot. All of this is made worse when Derrick, enabled by his business partner Rafe Grimes (Mike Colter), has an affair with a woman in Las Vegas. This was a turning point for Derrick, but he has to look in horror when the women Val Quinlan (Hilary Swank) turns out to be Detective Val Quinlan.

Continue reading

The Mitchells vs. The Machines – Movie Review

TL;DR – A blast from start to finish

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene, but like a lot of work went into the credits, and there are some snippets of stuff here and there.

Disclosure – I paid for the Netflix subscription that viewed this movie info here

The Mitchells vs. The Machines. Image Credit: Netflix.

The Mitchells vs. The Machines Review

For the longest time, Sony Animation was this studio that shows immense potential, but they always seemed to be chasing trends, which never led them to make anything that stood out. The Cloudy with a Chance of Meatballs showed they had potential, but then Spider-Man: Into the Spider-Verse came out of nowhere and exploded onto the screen. Now, Sony Animation was setting the trends, and it made me wonder where can they go next. Well, today, we get to see that with the charmingly odd The Mitchells vs. The Machines.

So to set the scene, the Mitchells are your standard quirky/dysfunctional family heading towards their first major crisis. As time has gone on, father Rick (Danny McBride) and daughter Katie (Abbi Jacobson) have become equally frustrated with each other, and no amount of work from mum Linda (Maya Rudolph) and brother Aaron (Mike Rianda) can fix this divide. However, Katie is about to go across the country to college, and if she leaves while the relationship is still broken, well, that could be irreparable damage. Well then, the family decides to make one last-ditch effort to fix the unfixable by going on a long road trip to drop Katie off at college, on the same week that techbro Mark Browman (Eric Andre) of PAL Labs inadvertently starts a robot invasion after upsetting his AI PAL (Olivia Colman).   

Continue reading