TL;DR – This is a strong entry into the Jurassic franchise leaning both into joy and terror of dinosaurs
Rating: 4 out of 5.
Jurassic World Camp Cretaceous Review –
It should go without saying, I love Dinosaurs. I have loved them since I was a kid, and I still love them today. So I take whatever chance to watch, which unfortunately is few and far between. Well, today is one of those few times when I get to sit back and enjoy the world where Brachiosaurus loom over treetops, and you need to be careful at what goes bump in the night. [Insert T-Rex Roar sound here]
So to set the scene, we open with two people running through the jungle trying to reach an extraction before Raptors take one of them out. The other person who we see their point of view tries to escape before being cornered by a T-Rex. That is the point where the VR goggles come of, and we are introduced to Darius (Paul-Mikél Williams). He is trying to beat this apparently unbeatable game to win a ticket to Jurassic World’s new Camp Cretaceous because it was always his and his late dad’s dream to go. Well while tossing and turning in bed, he is woken from a dream and finally it all clicks, and he becomes the first person in the world to beat the game. With this, he books his ticket to Camp Cretaceous where absolutely nothing will go wrong … right …?
TL;DR – This is an episode of getting all our ducks in a row, but a good version of that.
Rating: 3.5 out of 5.
The Boys: We Gotta Go Now Review –
In a world where superheroes have the power to do anything they want … what is to stop them from just doing it? This is the question that The Boys has been asking for a while, and this week we get to see that the answer to that is not a whole lot.
So to set the scene, in last week’s Nothing Like it in the World everyone’s world got turned on their heads. A-Train (Jessie T. Usher) got kicked out of the Seven, Homelander (Antony Starr) is continuing to lose his position on top, and Butcher (Karl Urban) lost everything because of his blind hatred of Supes. With everyone spiralling out of control, it is the perfect time for people like Stormfront (Aya Cash) to spill in and upset everything, which is precisely what happens. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is the episode where we get to see the direction of the season
Rating: 4 out of 5.
The Boys: Nothing Like it in the World Review –
Well, The Boys came back with a whale splatted gore explosion, but unlike last season, we are getting weekly episodes to space out the carnage. Given the places this show goes, this is very much for the best to give us some moments to breathe given what we just watched. With that in mind, let’s dive into an episode that gets ew in 4 minutes.
So to set the scene, New York is still reeling from the supposed super-terrorist attack on an apartment building. However, we know it was not the terrorist but Stormfront (Aya Cash) the newest member of The Seven with clear Nazi undertones. With the way Vought is manipulating the media not even the revelation that supers are made not born has shaken them from the prime position they are in. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is a beautiful look at the many factors that make up the world of BBQ.
Rating: 4 out of 5.
There are few series on Netflix that have captured my attention more than Chef’s Table. The exploration of food and the journey of those who make it always captures me and brings me into this world. Today we are looking at the next sort of spin-off of the series since Chef’s Table France with a look at the joy that is Barbeque.
One of the exciting things about BBQ is that it means very different things depending on what country you are in. So for this series, their interpretation of BBQ is food cooked under, above, around a fire. As will be mentioned in the series as an Australian, I grew up cooking food over an open flame, and I still try to when I get the chance. This means a series about food cooked on fire is an instant sell for me.
TL;DR – Besides one or two interesting moments, it never makes use of its formula
Rating: 2.5 out of 5.
Post-Credit Scene – There is no post-credit scene
Back in 2017 the was this odd animated film that landed in the world. Some despised it, and I found The Boss Baby to be well just fine. Since then, I have seen it pop up occasionally on Netflix where it has done well enough for a follow-up series. Today they take another step as they take on Netflix’s newest format the interactive episode.
So to set the scene, we open in on Staci (Alex Cazares) and Jimbo (Kevin Michael Richardson) as they introduce the audience to the employer training VR simulator. You are a baby, and they are trying to find which of the 16 jobs on offer you are the best fit for. You could work out in the field, in middle management, or be the titular Boss Baby (JP Karliak) themself.
TL;DR – Confronting, uncomfortable, but entirely compelling.
Rating: 4 out of 5.
Warning – Depicts scenes of abuse
When I first heard of The Boys, the concept of ‘what if superheroes were assholes?’ I’ll be honest it didn’t grab me. Maybe it was the Suicide Squad fatigue that had set in; perhaps it was the general feel of the time. However, given this is 2020, and what’s the worst that can happen? Well, I am glad I did because a lot is going on here, some unsettling, some subversive, but all fascinating.
So to set the scene, we open with bank robbers driving recklessly through the streets of New York. The truck carriers off the side of the road heading to some innocent bystanders when Queen Maeve (Dominique McElligott) of The Seven steps in front and takes all the damage herself while Homelander (Antony Starr) flies in and laser eyes the bandits while stopping to take a selfie or two. Meanwhile, Hughie (Jack Quaid) is walking down the street with his girlfriend Robin (Jess Salgueiro) after finally deciding to move in with each other when one second she is standing there talking. The next she is red mist as A-Train (Jessie T. Usher) runs into her at super-speed after being too preoccupied to see what was coming. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – It tells birth the history and the human stories behind the rise, fall, and rise again of video games
Rating: 4 out of 5.
Video Games might be considered the newest form of mass media, but they rake in billions of dollars a year outgrossing all in their wake. Since the 1970s, they splashed into this world and raked in first quarters and then dollars and then more and I should say that I been known to pass on much my hard-earned coins to the industry. However, it is old enough that those who started have started to retire and pass on. I have seen a couple of attempts at documenting this history, and they had skewed to being too dry, to being too focused on entertaining, or even built with an agenda in mind. So to see a documentary to walks that line and succeeds is a joy to watch.
So to set the scene, we start back with the first big wave of video games with the rise of the arcade machine in the 1970s beginning in Japan and exploding across the world. We get introduced to this world through Tomohiro Nishikado, the creator of Space Invaders. It shows how quickly the industry can rise, shift, and fall. From here we cart the history of video game up to the Nintendo’s N64 with hints of where it would go in the future.
TL;DR – Super charming and a fun new direction for the franchise.
Rating: 4 out of 5.
We are currently living in the middle of a new golden age of Science Fiction on TV, and one of the significant drivers of that has been Star Trek. With Discovery and then Picard, you feel that they are starting to get their groove back. However, when I heard there was going to be a more light-hearted animated series coming out, I felt a bit of trepidation. However, after watching the first episode, I can see I had nothing to worry about.
To set the scene, we open in on the USS Cerritos in 2380 (which for those playing at home is two years after the return of the USS Voyager and twenty years before the start of Picard). The Cerritos is a Federation Vessel that specialises in second contact, which is the follow-up mission after first contact, not as much glory but still significant. Ensign D’Vana Tendi (Noël Wells) has just come on board from Outpost 79, and this is her first placement on a starship. Her orientation guide is Brad Boimler (Jack Quaid) a very straight-laced command track-captain seat hopeful Ensign. However, orientation is soon side-tracked as Ensign Beckett Mariner (Tawny Newsome) decides to take D’Vana on a more personalised tour. This gets put aside when they go down to the planet to help the Galardonian High Council with a subspace receiver while things down quite go to plan back on the ship.
TL;DR – While presenting some new ideas and context for this Transformers world, I couldn’t help but walk away feeling hollow by the experience.
Score – 3 out of 5 stars
When it comes to the little franchise that could, Transformers has always been the one ready to well transform itself and come back as something new. From the original Gen 1 to the hit and miss movies, and all the many animated shows in-between. No matter the case, it always has ready to put on a new coat of paint, or fathers and scales that one time, and now is no different. Today we will be looking at a show that takes us right back to the beginning with the War for Cybertron.
So to set the scene, we open amid a millennia-long civil war between the Decepticons led by Megatron (Jason Marnocha) and the Autobots led by Optimus Prime (Jake Foushee). Cybertron, once an ecumenopolis of shining lights is now rubble pocketed with the damage of the conflict. The Autobots however, have been on the losing side of this war, and now are struggling to survive. They need energon to escape on their Arc, but Megatron is planning something worse that may destroy them where they stand, and no one will be able to hide from it. Now we will be looking at the series as a whole, and as such there will be some [SPOILERS] ahead.
TL;DR – A fascinating look into Latin American food and culture.
Score – 4 out of 5 stars
A couple of years ago, we got the next evolution in David Gleb’s food documentaries with Street Food Asia. It explored a side of the different countries that you don’t usually see. It delved into everything from food, culture, history, governmental practices and more through the lenses of these street vendors. Today we dive back into this series with a look at its next destination Latin America.
So to set the scene, we jump across Latin America from Las Chicas de la Tres in Buenos Aires, Argintina, Ré Restaurante, in Salvador, Brazil, Memelas Doña Vale in Oaxaca, Mexico, Al Toke Pez in Lima, Peru, Tolú in Bogotá, Columbia & Rellenos de Doña Emi in La Paz, Bolivia. Every episode takes a glimpse into the cities and the food that drives them.