Monthly Archives: April 2021

The Falcon and The Winter Soldier (Captain America and The Winter Soldier): One World, One People – TV Review

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TL;DR – What a stunning end to a remarkable story.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is a Mid-Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier (Captain America and The Winter Soldier): One World, One People. Image Credit: Disney+.

The Falcon and The Winter Soldier Review –

And so it has come to an end. I was unsure what The Falcon and The Winter Soldier would explore rather than let Anthony Mack and Sebastian Stan banter with each other for six episodes. However, as we have gone through this first(?) season, it is clear that the show was, of course, ready for the banter, but it wanted more. Well, today, we take a look to see, after all that promise, if the show sticks the landing.  

So to set the scene, we open in one the end of Truth, as the Flag Smashers make a move and attack the central GRC meeting in New York. Karli (Erin Kellyman) holds off until Sam (Anthony Mackie), Bucky (Sebastian Stan), and a surprise Sharon (Emily VanCamp) arrive on the scene. But Sam understands the plan. Karli wants them to evacuate because that is where she is going to attack. The question is that in the chaos, can Sam stop things before they go too far. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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Stowaway – Movie Review

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TL;DR – A film that understands the weight of the question it asks and the damage that would do to people.     

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this movie

Stowaway. Image Credit: Netflix.

Stowaway Review –

It should come as no surprise to long or short term readers that I love Science Fiction. While the fantastical location of space is an excellent place to set your film, and I enjoy them no matter how they come. What can make a film special is when they use that setting to ponder important questions about the human condition. Today we have a look at a film that delves into crucial Kobayashi Maru territory.   

So to set the scene, we open in as the Hyperion mission on MTS42 is about to launch. Mission commander Marina Barnett (Toni Collette) is setting the ship on a course for a two-year mission out to Mars and back. Along for the mission is Zoe Levenson (Anna Kendrick), a medical researcher and David Kim (Daniel Dae Kim), the ship’s biologist. You feel the rumble of engines, the shake that makes you think the very ship will through itself apart, but then you break free into the void. Once connected with the main module, they begin the long trip to Mars. However, this is a mission with supplies for three people, but as the title implies, someone else made the journey into orbit.

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Mortal Kombat (2021) – Movie Review

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TL;DR – Gory, gruesome, and yet also just a ton of fun.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Mortal Kombat. Image Credit: Warner Bros. Pictures.

Mortal Kombat Review –

When I was growing up, Mortal Kombat was this illicit thing that everyone knew about because the adults kept trying to get it banned. A baby Brian’s first experience with the Streisand Effect. So when you got to play it, well, it was almost an act of defiance, which of course, added to its appeal. As time when on, it mostly faded from my radar, and the two past films did not help, well more the second, the first still had the banging soundtrack if nothing else. But when you hear that they are doing a remake holding nothing back … well, this is something you need to check out.

So to set the scene, we open in on 1617, Japan, at the house of Hanzo Hasashi (Hiroyuki Sanada) and his family. Hanzo is the Shirai Ryu ninja clan leader, and as such, his home is well protected from threats. However, one fateful day while he was out fetching water, Bi-Han (Joe Taslim) of the Lin Kuei assassins arrived and killed all the guards and Hanzo’s family. They fight, but Bi-Han uses his ice to win the day and stop the prophecy of Hanzo’s bloodline being Earth’s salvation. Well, almost, as Lord Raiden (Tadanobu Asano) arrives, he hears a cry call out from the house, for a baby had been hidden away and was saved from the slaughter. Today, Cole Young (Lewis Tan) is just going about his life as an MMA fighter when that birthmark shaped like a dragon turns out to be a bigger deal than he ever thought.

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Land – Movie Review

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TL;DR – A film where profound sadness and haunting beauty intersects on the mountains of rural Wyoming.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of the film.

Land. Image Credit: Universal Pictures.

Land Review –

There is a genre of cinema that is sometimes derogatory referred to as a vanity project. This when a star gets enough clout to be able to direct their first film and then casts themselves in the lead role. These are usually overly dramatic works hoping to buy into that Oscar love. However, every now and again, you get a film that cuts through that noise and shows a real talent both behind and in front of the camera. With Land, we get just such a film and a phenomenal directorial debut from Robin Wright.  

So to set the scene, we open in Chicago with Edee (Robin Wright) in a therapy session, trying to talk about why she is alone with her pain and why she refuses to share it with anyone. She is there out of her sister Emma (Kim Dickens) insistence, who is scared that her sister might self-harm. Edee instead decides to sell everything she owns, rents a car and drives all the way to rural Quincy, Wyoming. Here she buys a cabin off the beaten track that was already off another beaten path to be alone from everyone. But living with no running water, electricity, or phone has more challenges than first encounters, especially when winter starts.

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The Falcon and The Winter Soldier: Truth – TV Review

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TL;DR – It takes what could have been a boilerplate story, and elevates it with emotion and strength.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a Mid-Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: Truth. Image Credit: Disney+.

The Falcon and The Winter Soldier Review –

If there is one running theme that we have been seeing so far in The Falcon and the Winter Soldier, actions have consequences that can ripple out. We have seen that pop up time and time again, but this week it reveals itself in sharp contrast after the events of The Whole World is Watching and the desecration of a symbol in a moment of anger.

So to set the scene, we pick up right after the closing frames of last week’s episode with John Walker (Wyatt Russell) running from the scene covered in blood and still brandishing the murder weapon. He is trying to justify the unjustifiable when Bucky (Sebastian Stan) and Sam (Anthony Mackie) catch up to him in a warehouse. They both know that after what happened and that John’s best case scenario at this point is that he is not court marshalled, but his tenure as Captain America is over. As they try to talk John down from the cliff and disarm him of his shield, John sees what they are doing and attacks without abandon. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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The United States vs. Billie Holiday – Movie Review

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TL;DR – A film with one of the best individual performances I have seen in a long time, bolstered by an amazing supporting cast but ultimately held back by some odd stylistic choices.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Warning – Depicts scenes of abuse.

Disclosure – I was invited to a screening of this film.

The United States vs. Billie Holiday. Image Credit: Universal Pictures.

The United States vs. Billie Holiday Review –

Billie Holiday has one of those voices that you can instantly pick out. It has this uncanny ability to be soft and harsh all at once. When writing this review, I wondered when the first time was I had heard a recording of her performing? And it could have been off one of my grandfather’s records as he always had Jazz and Big Band playing. Or at the very least, it was on one of the radio stations in Fallout. But knowing about her voice, I realised before watching this film that I did not know much about her life at all. Well, today, I help fix that with a movie that charts some of the struggles she faced.

So to set the scene, we open with an older Billie (Andra Day) as she and her manager Miss Freddy (Miss Lawrence), sits down with interviewer Reginald Lord Devine (Leslie Jordan) to chart her life and explore why the government is so opposed to her. Well, we flashback in time to 1947, as a young soldier Jimmy Fletcher (Trevante Rhodes) makes his way to a jazz club in New York City where Billie is about to perform a complete set, including the one song no one but the audience wants her to sing Strange Fruit. Someone who especially wants her to stop the song is Agent Harry J. Anslinger (Garrett Hedlund) from the Federal Bureau of Narcotics.

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Love and Monsters – Movie Review

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TL;DR – While it never quite gets to the heights it aims for, it is still a delightful ride with some stunning effects.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this film.

Love and Monsters. Image Credit: Netflix..

Love and Monsters Review –

There are times when people can be stringent around how films can be categorised. Then films can come along and blow those strict delineations apart. You see it in movies like Zombieland or Warm Bodies, and we see it again today in the film we are about to look at.   

So to set the scene, in the near future, there was an asteroid Agatha 6-1-6 hurtling towards Earth. The governments grouped together to shoot it out of the sky, which they did. Unfortunately, the chemicals they used in all those rockets fell back down to Earth. They contaminated and mutated all the cold-blooded animals, from ants to crocodiles and everything in-between. While the militaries and the giant mutants wiped each other out, 95% of the world’s population died, leaving only those who were able to find security in bunkers. One of the survivors was Joel Dawson (Dylan O’Brien) from Fairfield, California. He made it to safety, but he has a habit of freezing in front of the monsters, not a good long-term survival trait. After an incursion into their bunker, Joel makes up his mind to go out into the world make the trek 90 odd miles to where his old girlfriend Amiee (Jessica Henwick) now lives. Ninety miles of infested territory that is trying to kill everything.

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The Falcon and The Winter Soldier: The Whole World is Watching – TV Review

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TL;DR – This episode is like a storm approaching over the horizon. You see it coming, you feel the wind, you know something bad is about to strike, but you are not prepared even then.

Rating: 5 out of 5.

Post-Credit Scene – There is no End Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: The Whole World is Watching. Image Credit: Disney+.

The Falcon and The Winter Soldier Review –

Many people feel that comic book films are nothing but popcorn trash, just there to fill in time with some pretty colours and then send you on your way. However, when we look at just the Marvel Cinematic Universe [and there is a whole lot more than that], then that statement simply does not hold water. We just watched an entire season of WandaVision exploring the legacy of trauma and what that does to a person. I mean, Thor: Ragnarok is all about post-colonial societies and how they whitewash and inevitably have to rectify with the darkness of their pasts. Sometimes, that means tearing the state down completely. Then it should be no surprise that The Falcon and The Winter Soldier set in a world trying to recover from a great cataclysm would have something of relevance to say, and this week they were most explicit about it.    

So to set the scene, at the end of Power Broker, Bucky (Sebastian Stan), Sam (Anthony Mackie), and Zemo (Daniel Brühl) had arrived in Latvia in the hopes of tracking Karli Morgenthau (Erin Kellyman) down. However, they were not the only ones on the hunt because as they arrive at their safe house, Bucky spots Wakandan tech lying around and traces it back to Ayo (Florence Kasumba), one of the Dora Milaje. As she is one of the people that helped Bucky get rid of his programming, she is most upset that he was the one that broke Zemo out of jail. However, as Zemo is just ‘a means to an ends’ Ayo will give Bucky eight hours, and then she is taking Zemo for herself. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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The Falcon and The Winter Soldier: Power Broker – TV Review

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TL;DR – The episode where we got on a fun Road-trip with Zemo [A sentence I never thought I would write]

Rating: 4 out of 5.

Post-Credit Scene – There is no End Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: Power Broker. Image Credit: Disney+.

The Falcon and The Winter Soldier Review –

One of the strengths of the MCU is that that it can fit its films and shows into several different genres and tones. The Captain America films have always felt like they fit into this more grounded spy world, and this week we get to see it spin off soar in the same territory.  

So to set the scene, at the end of last week’s episode, The Star-Spangled Banner, Bucky (Sebastian Stan) and Sam (Anthony Mackie) had reached a dead end. They have tried to track down the new terrorist organisation, but with no luck. Well, when you reach rock bottom, it is time to scrape that barrel and visit an old antagonist, Zemo (Daniel Brühl). He knows all about Hydra and its hidden places, so this would be a good idea … right? Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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Voyagers – Movie Review

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TL;DR – While it is clearly treading across old ground, I still found the narrative and the cast to be compelling throughout.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Voyagers. Image Credit: Universal Pictures.

Voyagers Review –

When you are talking about scenarios that immediately capture your attention, humans escaping Earth to try and colonise another planet to make sure humanity survives is one of those that immediately catches my attention. When it is done well, you are drawn into this world of desperation and struggles of leaving behind what you love for the unknown, but you lose the humanity for spectacle when it is done poorly. Today we look at a film that kind of swings between these poles in parts, but never the less left an impact on me.

So to set the scene, in 2063, the climate on Earth is steadily worsening as the planet warms, leading to the genuine suggestion that humanity might not survive as a species. However, in this moment of darkness, scientists find what they believe to be a habitable planet. The only problem is that it will take over 80 years to reach it with the current technology. This means that those who leave on the trip will likely not be alive when it arrives, and indeed it will probably be their grandchildren, the third generation, that will survive. Given the danger and pressure to get a scouting ship out as soon as possible, they decide to grow a purpose crew that has never seen the big open world so they won’t miss it during the long ride. However, that means they are just children, so Richard Alling (Colin Farrell), their teacher decides to join them on the one way trip into the dark to help prepare them for those moments when it all goes wrong.     

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