Category Archives: Got My Cry On

Kingdom of the Planet of the Apes – Movie Review

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TL;DR – While you can feel some tension in the script at times, this is still a solid entry into the franchise with characters you care about and a world you want to explore.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Noa rides through the ruins of the old world.

Kingdom of the Planet of the Apes Review –

Without a doubt, I have loved the Planet of the Apes reboot films. Rise of the Planet of the Apes was a great foundation, and Dawn of the Planet of the Apes was this sad meditation on the legacy of trauma, all before ending the trilogy with this grand biblical epic of War of the Planet of the Apes that hit the big 5 out of 5 stars. So, there was a bit of hesitance to come back to this world after such a long time and a new creative team, but thankfully, I had nothing to worry about.

So to set the scene, we open with the final funeral of Caeser, a leader who brought his people out of danger and into a new promised land but was unable to enter himself. Led by Maurice (Karin Konoval), it is a solemn event, but it is the start of something, and you see that in the world several generations later. It is here where Noa (Owen Teague) and his friends Soona (Lydia Peckham) and Anaya (Travis Jeffery) climb up through the ruins of the old world to find eagle eggs. They are a village of eagle trainers, and Noa’s dad, Koro (Neil Sandilands), is the leader who sings to the new eggs. However, when Noa sees an Echo (human), little does he know the carnage that is following in their wake and how his world is about to change forever.

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Turtles All the Way Down – Movie Review

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TL;DR – Come for the interesting exploration of mental health and the bond of teenagers in the face of tragedy. Stay tuned for the exciting trivia about Indianapolis.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Binge service that viewed this film.

Warning – Contains scenes that may cause distress.

Yellow microbes on a black banner.

Turtles All the Way Down Review –

Today, we look at a film in which I had some deep trepidation before pressing play. I generally like the author’s work and have read all of his other novels; however, when I sat down to read the Turtles book, I hit a wall. There was this moment early in the book when it went from being a fictional story to being too real and personal, and I had to put the book down. And I am sorry to say, I never picked it back up again. So today, what we have is almost a second attempt for me to find a new first impression and see if I can make it further into the work than last time. Well, I have a packet of Wagon Wheels in front of me and the house smells of roast potatoes, and there is no time like the present.  

So to set the scene, we open with Aza Holmes (Isabela Merced) lamenting or musing about how 50% of the human body mass is made up of microbial entities and what that means on a philosophical level with her therapist Dr. Kira Singh (Poorna Jagannathan). Aza has OCD, which relates to how she perceives the microbial world, both within and without. When she goes to have lunch with her best friend Daisy Ramirez (Cree), they discover that Aza’s old friend Davis Pickett’s (Felix Mallard) father has gone missing, and there is a $100,000 reward.

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Halo: Reach – TV Review

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TL;DR – The Halo series has done something I never thought it would or even could do. It made me care.

Rating: 4.5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

Warning – This episode contains scenes that may cause distress.

The fall of Reach.

Halo Review –

When I think back to the first season, sure, there were the significant changes everyone talked about, Master Chief (Pablo Schreiber) taking off his mask and all that. But that never bothered me because adaptation to a new medium necessitates making changes. After all, it is a new context. My biggest problem was that the story, while satisfactory, did not make me care all that much about the characters in the show. Well, if nothing else, Season Two has fixed that problem.  

So to set the scene, in last week’s Visegrad, we discovered that not only does The Covenant know where Reach is, and that the authorities know that The Covenant knows where Reach is, but they are already on the planet and their main invasion is imminent. Queue the explosions. Now from here, we will be looking at the episode, so there will be some [SPOILERS] ahead.

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The Holdovers – Movie Review

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Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A failed exam paper.

The Holdovers Review –

When you are watching a film, there are times when you have an experience where you become completely absorbed into the narrative. Taken back 50 years to a place you have never been before, to a place that you have no connection with, but you are taken there wholly. These cases are where the narrative, the direction, and the acting all come together for a perfect work. Today, we look at just such a film that focuses on three actors who give their all to the proceedings.

So to set the scene, it is coming to the end of the year in 1970 as we come to Barton Academy in New England. The term is coming to an end, and everyone is getting ready to go home to their families for Christmas, well, almost everyone. Every year, there is a handful of students who can’t make it back home for the break and stay over at the school, the titular holdovers. Paul Hunham (Paul Giamatti) teaches ancient civilizations and is hated by most of the students, does not want to be the one stuck with the holdovers but gets out manoeuvred by another staff member. Angus Tully (Dominic Sessa) wants to go home for the holidays, but his mother is spending it with her new husband, and Mary Lamb (Da’Vine Joy Randolph) lives on campus but is facing her first Christmas alone. They make an odd bunch as the snow comes in.     

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Joy Ride – Movie Review

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TL;DR – A film that is both crass, hilarious, and heartfelt, all in equal measure.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

The gang on a motorbike.

Joy Ride Review –

In the last run, before we do our best of 2023 lists, I wanted to try films that I knew I would enjoy and just missed, but also those that don’t fit into his category. There was a point in the year when it looked like everyone was putting out mature comedies again. Some were great, others not so much. So, I didn’t give much thought to Joy Ride during its short theatrical ride in Australia, and I think that might have been a mistake.

So to set the scene, it is 1998, and the Chen family has just moved into a new and very white neighbourhood called White Hills. But when Lolo Chen (Ashley Park) found Audrey Sullivan (Sherry Cola), there was an instant connection, a best friend connection that stayed with them all their lives, well up to this point. Audrey is going back to China for the first time, and she is taking Lolo with her as a translator. Lolo wants to see if they can find Audrey’s birth mother while they are there, but Audrey is just focused on her job because if she nails it, she will be moving out of White Hills. But throw in the complications of Lolo’s cousin Deadeye (Sabrina Wu), Audrey’s college roommate Kat Huang (Stephanie Hsu), and her business meeting with Chao (Ronny Chieng) happening in a club, and things soon start falling apart.  

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Musings on The Leftovers (or did Nora Lie?)

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TL;DR – In which I wax lyrical or ramble about the series The Leftovers and its exploration of faith and truth.

Warning – Contains scenes which may cause distress.

Disclosure – I paid for the Binge service that viewed this series.

Two men on a roof after an apocalypse that didn't happen.

The Leftovers Review –

Today, we will do something a little different than usual in that we will be less of a review and more of a retrospective on a series. Well, it’s not quite a retrospective, but more some musings that have been rumbling around in my head for months and that I better put down on paper somewhere so I can let them go rather than pondering on them all the time. With that in mind, we delve into the world of guilt, trauma, religion, faith, and crisis.

So to set the scene, three years before the start of the series on October 14th, 2011, two per cent of the world’s population vanished instantly. One hundred forty million people were gone in a moment of time, with no rhyme or reason as to why they were chosen. A child was screaming one second, gone the next. A family was eating breakfast one moment and gone the next. The person you were holding hands with during a science experiment, the person you were making love with, all gone. How do you move on after an event like this? Can you? Can society? Can the town of Mapleton and the Garvey family? Now from here, we will be looking at the whole series as a whole, so there will be [SPOILERS] ahead.

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Killers of the Flower Moon – Movie Review

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TL;DR – A stunning work of art that captivated me for its entire runtime.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no end-credit scene.

Disclosure – I paid to see this film.

The sisters take a photo.

Killers of the Flower Moon Review –

There are some films where you know where you will land when the credits roll, but others still sit with you and reverberate through your brain over the coming days. Today, we look at just such a film that powered through my soul, with performances that were almost once in a generation.

So to set the scene, The Osage Nation had been forced from their homelands by the United States, but as luck or fate would have it, they found oil and became wealthy in this new land. Like any mineral found in human history, there was a rush to the county for those looking for work and making it rich. One such person was Ernest Burkhart (Leonardo DiCaprio), who moved to the area to work with his uncle, William King Hale (Robert De Niro). Here, his uncle subtlety suggests that he marries a local Osage lady because there is a chance that oil headrights could end up with them, which he does with Mollie Kyle (Lily Gladstone). But what if you could help those progressions of headrights towards you with some targeted deaths?

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The Rooster – Movie Review

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TL;DR – A powerful meditation on the intersection of masculinity and loneliness.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Warning – This film contains scenes that may cause distress.

Gum trees creak overhead.

The Rooster Review –

Loneliness and masculinity are two intersecting topics that are important to explore, but I rarely see it done well. I think it is challenging to have honest conversations about this topic when we still live in a world where mental health is seen as a taboo topic. Whatever the case, I am glad that the film we are exploring today is taking the time to jump into this topic.

So to set the scene, we open with Dan (Phoenix Raei), who is tormented by the same dream every night. He lives alone in a forested rural region of Victoria and is one of the town’s only police officers. His is a quiet life, only punctuated by the struggle to feed the rooster each morning who only wants to attack Dan. However, this peaceful life is ripped asunder when his friend Steve’s (Rhys Mitchell) body is found. This is a fulcrum moment, leaving Dan unable to cope with the world. But as he tries to drink his sorrows away, he discovers a Hermit (Hugo Weaving) living alone in the forest who might be a kindred spirit with a ping-pong table.  

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Uproar – Movie Review

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TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review –

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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The Creator – Movie Review

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TL;DR – A phenomenal work of art that touches on all the emotions.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A smiling synth.

The Creator Review –

There are many ways you can get me into a cinema, and chief among them is bringing a new Science Fiction film into the world. A new movie not attached to any existing IP. Do you know how rare that is today? But then also have it be the first significant follow-up of Gareth Edwards after Rogue One. Well, you have already sold me, but sure, add a cherry on the top. However, even then, I was unprepared for the beauty and ugliness I was about to watch.

So to set the scene, in the near future, AI, robotics, and synths will be a part of every facet of society. That is until that same AI launched a nuclear missile attack on Los Angeles in 2055. Millions died, and much of the world banned AI, but not New Asia. Ten years after LA and the war across New Asia rages, America tries to destroy the robotic resistance. Amongst all of this, Joshua (John David Washington) and Maya (Gemma Chan) live in a house on the beach and are expecting their first child when an American raid reveals Joshua to be a double agent. It is a disaster for Joshua, but five years later, as the last threat to the looming spaceship USS Nomad is identified, he is given a choice: Help a team find this weapon and maybe save his love. But no one was expecting what they found in that lab.

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