TL;DR – A beautiful look at how the pain of the past can define us even when we don’t know that it is happening.
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene

Review –
Walking into this film I didn’t know what to expect, I knew it stared Antonio
Banderas, but not a whole lot else. Indeed, I think that was the same for a lot
of the people sitting around me, with one person mentioning that they “hoped it was more glory than pain.”
However, as the film went on it became clear that this was a film about how
pain and glory can find themselves intertwined.
So to set the scene, Salvador Mallo (Antonio Banderas) was once a famous film
writer/director in Madrid, but these days he spends most of his time in his
house alone with his painting and his thoughts. Over the years his body has
slowly been causing him more and more pain culminating in major back surgery
that he has never really gotten over. Being a filmmaker was everything to him
and now when he can’t physically do it anymore he has lost his purpose for
life. One day he is contacted by a local cinema who has remastered Sabor one of his earlier films and they
have asked him and the lead actor Alberto Crespo (Asier Etxeandia) to come to
host a Q&A. The only problem is that Salvador has not spoken to Alberto in
30 years. But more than that, this event starts dredging up the past in all its
beauty and dysfunction.