TL;DR – This is a show that
is bold, funny, weird, and heartwarming, one of the best Science Fiction
shows I have ever had the pleasure of watching.
Last year I had some time and sat down to write about my love for Star
Trek Deep Space Nine and the impact it had on my like and joy of film/TV.
Since then I have been looking for the next subject to write about and it never
quite worked out. However, with the announcement that Farscape is about to drop on Amazon and a whole new generation of
people will be able to understand what frell
means, well sometimes life lines it up
for you. With this in mind, today we will be exploring what makes Farscape so special
for me, and why you should check it out.
So to set the scene, John Crichton (Ben Browder) is an astronaut from Earth,
from a family of astronauts. He is testing a new slingshot engine on Farscape-1
hoping to use the Earth’s gravity to send astronauts across the Solar System.
Only on this test flight he accidentally stumbles across a wormhole that flings
him across the galaxy and into the middle of a war. On board the prison transport Moya, the prisoners Ka D’Argo (Anthony
Simcoe), Pa-u Zotoh Zhaan (Virginia Hey),
and Dominar Rygel XVI (Jonathan Hardy) have escaped and are trying to remove
its control collar. While captain Bialar Crais (Lani Tupu) is sending Prowler
fighter crafts to take the ship back before it could escape. The prisoners
detect John’s unusual ship and bring it on board not before John accidentally
crashed into one of the pursuing Prowlers sending it crashing into an asteroid
(it may have had Crais’ brother on-board). Everyone was able to get the control
collar off with thanks to Moya’s pilot Pilot (Lani Tupu) and she starbursts
away, dragging one the Prowlers with then containing Aeryn Sun (Claudia Black)
a Sebacean that looks very human. Aeryn is declared contaminated and has to go
on the run with the rest as they flee pursuit by an insane military commander while doing everything to find a way
TL;DR – This is both a beautiful episode and also a heartbreaking one, it also reveals all the
cards Discovery has been holding.
Score – 4.5 out of 5 stars
As this season has progressed so far, it has felt like there were a number of disparate threads running through, and it was
not entirely clear how, or if, they would all come together. Why is the Red
Angel jumping through time and space? Why did it lead them to the Sphere? Why
is it saving certain people? Why does Section 31 have so much power? What does
Spock (Ethan Peck) have to do with all this? Today some if not all those
questions are answered in a very interesting way.
So to set the scene, at the end of last week’s If
Memory Serves, the crew of the USS
Discovery had a choice to make. Do they hand Spock and Michael (Sonequa
Martin-Green) back to Section 31 and have them disassemble Spock’s mind, or
become fugitives and technically commit treason. There is only one real choice.
Well at the start of this week they are still on the run, but not without some
allies, as a single shuttlecraft glides over a darkened hull of a ship running
on low power. As the shuttle arrives Admiral Cornwell (Jayne Brook) steps out
to begin her integration of Spock to work out just what the heck is going on.
She has footage of Spock killing people, but her tests make it clear that he is
telling the truth. Something is wrong, and she is pretty sure where to start,
so it is time to give Section 31 a wakeup call. Now from here, we will be
looking at the episode as a whole, so there will be some [SPOILERS]
TL;DR – While it has all the components for a good film, it feels like it is spending more of its time imitating than driving its own course.
Score – 2.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
This is an interesting time for the action films, there are spaces where it is
showing brand new filmmaking techniques,
films that build tension as I have never
seen, or simply shots where you go, how did they get that? Unfortunately, today
I am not looking at a film like that, because today we review one of the most
paint-by-numbers films I have seen in a very long time.
So the set the scene, we open in Colombia where Pope (Oscar Isaac) works as an ‘independent
observer’ helping the local police take down one of the local drug cartels.
While there he becomes friendly with a local informant Yovanna (Adria Arjona)
who lets him know how to get to Gabriel Martin Lorez (Reynaldo Gallegos) the
local big bad. This is not a mission that he can pull off alone, nor does he
want to involve the locals because they might tip his hand. So instead, he goes
back to the States to recruit his old military Special Forces team. Redfly (Ben
Affleck) now sells condos … badly and can barely keep his head above water
after the divorce, Ironhead (Charlie Hunnam) spends all his time giving talks
to military trainees, and his brother Ben (Garrett Hedlund) is now an MMA fighter, and Catfish (Pedro Pascal) can
no longer fly planes after an incident. Together they go down to provide expert
reconnaissance, and maybe a bit more than just that.
TL;DR – This is an incredible, violent, and emotionally visceral film that will grab you in the first frame and not let go
Score – I honestly don’t know how to score this.
Post-Credit Scene – There is no post-credit scene
In a now previous life, I taught
international relations to university students. This is a large discipline and
one of the areas we looked at was terrorism, which happens to be one of the
most pressing security issues in the modern world, or not, it’s complicated.
All of this meant that when I walked into the theatre to review this film I
thought I had a pretty good handle on what I was about to see, as I was quite familiar
with the 2008 Mumbai Attacks, and well I could not have been more wrong.
So to set the scene, we open with a boat slowly making its way into one of the
many harbours on the Mumbai shoreline. On the boat are eight well-dressed young
men who could be there for work in the financial capital of India, but immediately
you know that is not the case. Each of them carries a large duffel bag and they
are listing to someone give them instructions, directing them to different
landmarks across the city. Meanwhile, across the city everyone else is just going
through their day as normal, Arjun (Dev Patel) is trying to get his dastaar perfect as he gets ready for work at
the Taj Hotel, Zahara (Nazanin Boniadi), her husband David (Armie Hammer), and
their nanny Sally (Tilda Cobham-Hervey) are arriving at the hotel after a long
flight and everyone is racing to get the room ready for her as her mother is a
VIP, and the hotel head chef Hemant (Anupam Kher) is just trying to work out
how to get everything done in such a short time. None of them knows the hell that is heading for them.
TL;DR – In today’s episode the shoe finally drops and
it is so much better for it.
Score – 4 out of 5 stars
It is starting to get to the pointy half
of the season and for the longest time, Star Trek Discovery has been holding their
cards close to their chest. Which has meant that the last couple of episodes
have been falling a little flat with me.
Well today, not only do they fix that, they give us a hint of what is to come
for the rest of the season, and I can say that I am very intrigued.
So to set the scene, and the end of last week’s Light
and Shadows, we discovered two very important things. The first is that
Spock (Ethan Peck) needs to go to Talos IV to get help and that Airiam (Hannah
Cheesman) had been infected by something from the probe, oh and also that
Section 31 can’t be trusted, but I think we knew that one already. Well as we
start today’s episode the Starfleet admirals give Section 31 some clear orders
in how they should recover Spock after Georgiou (Michelle Yeoh) outmaneuvers Leland (Alan van Sprang) showing
just how integrated Section 31 is at this point (well will get to that a bit
later). However, Pike (Anson Mount) is having none of that and knows a ruse
when he sees it. While all of this is happening Michael (Sonequa Martin-Green)
and Spock finally make it to Talos IV only to find it is not quite what they
thought it would be. Now
from here, we will be looking at the episode as a whole, so there will be some
TL;DR – A much more mature
episode that we have seen in the past looking at the fallout of war and what
that does to people
Score – 4 out of 5 stars
“War is hell” it is one of those phrases that gets thrown around all the time by people trying to sound profound, without a real understanding of what that phrase actually means. War means making difficult decisions, one that haunts you at night, ones where there is not clear right option, and ones where even if you are doing the right thing, it may have disastrous consequences. Today’s episode puts the crew in the middle of such a quandary where they have to weigh in the choice of saving a hero or protecting a peace.
So to set the scene, at the end of last week’s episode Identity Part 2, The Planetary Union barely fought off an invasion and only stopped it because the Krill, a mortal enemy, was convinced that there was a bigger threat at play. This week we start off with the news from Admiral Perry (Ted Danson) that after decades of trying the Krill are finally ready to start peace treaty negotiations. This is a big deal because the thought of peace after so many years of war is something everyone can feel. The Orville is sent to a neutral location to meet with a Krill ship to begin the opening prelude to maybe having a peace treaty. As they arrive, they give the Krill a bit of trust and approach with deflectors down only to discover that the Krill ship is firing on one of their own shuttles. The shuttle askes to land, and when it does the crew find Orrin (Mackenzie Astin) and his daughter Lana (Aily Kei) in the badly disabled ship with only basic survival rations left. The Krill demand that they return the man because he is a terrorist putting Ed (Seth MacFarlane) in a very difficult position. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is a film filled with wonderful characters, fantastic action, and some of the best banter in the Marvel Cinematic Universe.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is a mid and post-credit scene
It feels like it has been an eternity since Thanos snapped his fingers and
destroyed the world in Infinity
War. Since then we have been wondering wanting to know what happened,
however, in the closing seconds of the film Fury (Samuel L. Jackson) pulled out
a pager and sent out a signal calling
someone to help. Well, today we get to
see just who had that pager, and just who is behind the red and blue.
So to set the scene, we open with Vers (Brie Larson) asleep on the Kree homeworld. She rarely has a restful night’s
sleep because her dreams are punctuated with wars she cannot remember. Well, there is one way to get over a lack of
sleep and that is to wake up your commanding officer Yon-Rogg (Jude Law) and
have a good old-fashioned sparing session. Well as old fashioned as one can be
when you are on an alien planet, have no memories from before six years ago,
and oh you can shoot fire out of your hands. The
Kree are fighting a losing war against the Skrull, a race that can mimic anyone
down to their DNA, who infiltrate worlds and work their way up until they can
take them over from the inside out. After training,
she is finally brought to the Supreme Intelligence (Annette Bening) the AI that
runs the Kree Empire and given her first mission. With the rest of the
Starforce including Yon-Rogg, Korath (Djimon Hounsou) and Minn-Erva (Gemma Chan) they are to infiltrate a
planet that has just fallen to the Skrulls to extract an undercover agent as
Ronan (Lee Pace) provides cover fire with an orbital bombardment. Well, that’s the plan but plans rarely quite work out as nicely as we would like.