Andor (Star Wars: Andor): Jedha, Kyber, Erso – TV Review

TL;DR – A bittersweet symphony of hope and coming sadness.

Rating: 5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

Warning – Contains scenes that may cause distress.

Two X-Wings flank Cassian on the way back in to Yarvin.

Andor Review

Well, we are here, it is the end of it all, yet we find ourselves in an interesting place. Unlike most series finales, Andor doesn’t need to stick the landing because the third act of Rogue One has already done that for them. This puts it in an interesting space where you can ask: how do you definitely end something that already has another ending? Well, that is what we will look at today.   

So, to set the scene, much like last week, we start our episode moments after Who Else Knows? ends. Cassian (Diego Luna) and Melshi (Duncan Pow) have made it to where Kleya (Elizabeth Dulau) is hiding out. Unfortunately for them, the Empire is also tracking them, and Supervisor Heert (Jacob James Beswick) is but one floor away and closing in fast. Comms are down, so K-2SO (Alan Tudyk) can’t send a warning of the coming doom, as Stormtroopers start making their way down the hallway to the room where they are hiding. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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Kneecap – Movie Review

TL;DR – Sex, drugs, and rap, with a dash of politics, violence, and only one reference to the Pope

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film

Arlo flips the bird at a government helicopter.

Kneecap Review

Today, I start the process of catching up on all the films of 2024 that I missed on the first release, and the first one off the bat is a film out of Northern Ireland or the North of Ireland, depending on your perspective. I was drawn to this film because it is about the Irish language, which should be a part of my heritage, given my ancestry, but it is a gap that I want to explore today.

So, to set the scene, in the tumultuous world of Northern Ireland, contestation of politics can be everywhere, even in language. It is here where so-called ceasefire babies grew up. In this world lives Naoise “Móglaí Bap” Ó Cairealláin (Naoise “Móglaí Bap” Ó Cairealláin), Liam Óg “Mo Chara” Ó Hannaidh (Liam Óg “Mo Chara” Ó Hannaidh), and JJ “DJ Próvaí” Ó Dochartaigh (JJ “DJ Próvaí” Ó Dochartaigh). They are dealing with a multitude of issues, like Naoise’s father, Arlo (Michael Fassbender), living undercover after faking his death. In the shadows of the Irish Language Act debate, the three find themselves coming together for a drug-filled night of music-making. Where they discover a way to bring the Irish language to a new generation.

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