Tag Archives: Space Opera

Masters of the Universe (He-Man and the Masters of the Universe) (2026) – Movie Review

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TL;DR – Well, never have I been so happy to be wrong. This film was a blast from beginning to end.

Rating: 4.5 out of 5.

Post-Credit Scene – There are post-credit scenes.

Disclosure – I was invited to a press screening of this film.

He-Man finds his power.

Masters of the Universe Review Introduction

Before we dive into the review proper, I think it is right to be a bit honest up front. I did not have high hopes for this film. It had been in production hell for an age and a half, the casting felt like a mess, it was hitting at a nostalgia that didn’t feel like it really existed, and it had a multitude of writing credits that made anyone concerned. Then there was the Jared Leto-sized elephant in the room. I was expecting a complete and utter disaster. Well, I need to go eat some humble pie, not because I like pie, I do, but because this was the most fun I have had in a cinema in an age.


So, to set the scene, Adam Glenn (Nicholas Galitzine) struggles a lot in Oklahoma City because people can never quite get close to him. Because sooner or later, he needs to tell them that when he was a child (Artie Wilkinson-Hunt), he was the Prince of Eternia, surrounded by magic, wonders, history, and the love of the people. But all of that changed one day when Skeletor (Jared Leto) attacked with his goons and captured his parents, King Randor (James Purefoy) and Queen Marlena (Charlotte Riley). They would have taken the young Adam to, in their search for the Sword of Power. However, the Sorceress (Morena Baccarin) saved him by sending him to Earth to keep the sword safe, but he lost it in transit. As you can imagine, that kind of story does not get you a second date and probably get you an awkward phone call cutting the night short. But things change when one day he gets a message that someone has finally found his sword, and Adam has a chance to return home.

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The Mandalorian and Grogu (Star Wars: The Mandalorian and Grogu) – Movie Review

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TL;DR – A generally solid, if only occasionally ambitious Star Wars film, but can’t quite escape the feeling that they took a season of television and smashed it into a film.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Grogu and The Mandalorian look over a sand dune.

The Mandalorian and Grogu Review Introduction

Today, we have an interesting film, as it has so many competing factors needed for it to work as a film. The Mandalorian and Grogu have to be a conclusion to a whole range of Disney+ television series, it has to be a tent-pole production bringing the cinematic glam back to the Star Wars Universe, and it has to be a good film in its own right. That is a lot of different tasks, all with their own baggage being brought to the table. Add to this a rapidly changing cinematic landscape in general, Disney+’s hit-and-miss aspect to its stories, and their profound inability to confront the toxic aspect of their own community. So yes, I’m concerned. But let’s see if they’ve managed to stick the landing.
 
So, to set the scene, since retiring from pulling bounties for more despicable people, The Mandalorian Din Djarin (Pedro Pascal/Brendan Wayne/Lateef Crowder) and his apprentice Grogu (Himself) have begun working bounties for the New Republic. Capturing those of the Imperial Remnant before they can cause more harm. But Colonel Ward gives Din Djarin a new mission deep in the territory of the Hutts. He needs to rescue Rotta the Hutt (Jeremy Allen White), but that might mean making deals with the exact people he has tried to stop working for.

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Star Trek: Starfleet Academy – Rubincon [S1E10] & Season 1 – TV Review

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TL;DR – The season finale sticks the landing by finding a very Star Trek way to resolve its big issue and also continue the saga of the Talaxian Furfly.

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ service that airs this series.

All the cadets taking their seats on the bridge.

Star Trek: Starfleet Academy – Rubincon Review Introduction –

Well, we did it, another new series of Star Trek has finished its maiden season, and what a time it was. We have big swings that didn’t always work, but at least they were not safe. They took moments to touch on major lingering threads from the past, and also had a running side plot about a Talaxian Furfly that made for entertaining viewing. But as we have reached the end, we will first take a look to see if the season finale stuck the landing and then look at the season as a whole. Okay, lets dive into Rubincon not Rubicon as all of my grammar software wants to change it to.   

So, to set the scene, things are not looking good for the USS Athena and its crew; it lost its drive and academy sections, and now they are stuck as the only ship on the safe side of the new border created by Nus Braka (Paul Giamatti). He has fenced the new Federation in, and if his mines go off, not only will the Federation be forever isolated, but all the systems near it will be destroyed, killing hundreds of billions of sentient creatures. While Anisha Mir (Tatiana Maslany) wants to kill Nahla Ake (Holly Hunter) for what she did to her family, their duel has to wait because Nus will find them, and sooner rather than later. Now, from here, we will be looking at the episode and season as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Starfleet Academy – Vox in Excelso [S1E4] – TV Review

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TL;DR – Starfleet Academy finally fixes the issue of Klingons on multiple fronts and earns the classic Jerry Goldsmith theme.

Rating: 4.5 out of 5.

Disclosure – I paid for the Paramount+ service that airs this series.

The USS Athena.

Star Trek: Starfleet Academy – Vox in Excelso Review –

Okay, today, before we dive into the review, I need to warn you that we are going to get deep into the lore and into some of the behind-the-scenes machinations of the series. I would not usually get as inside-baseball as this in the reviews; however, it is clear that this episode is very much based in that space.

So, to set the scene, the USS Athena has taken the Starfleet Academy out on their first away mission to chart a nebula. While it is meant to be a learning opportunity, it is to some extent. The trip is marked in tragedy when it is discovered that a refugee ship carrying remnants of the last 8 Klingon houses has crashed, and some of those onboard were Jay-Den’s (Karim Diané) family. Now he is thrust into a spotlight he does not want nor is appropriate, but he still has to navigate it anyway. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Starfleet Academy – Beta Test [S1E2] – TV Review

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TL;DR – I think this episode shows the potential best and also the possible worst for the series moving forward.

Rating: 3.5 out of 5.

Disclosure – I paid for the Paramount+ service that airs this series.

The Cadets in a line.

Star Trek: Starfleet Academy – Beta Test Review

Apparently, it is tradition in the year of the Lord 2026, when you drop a weekly series order, you need to drop two episodes, which usually feel like they could have been one movie-length episode, but weren’t because of weird Hollywood economy reasons. Star Trek: Starfleet Academy is no stranger to this phenomenon, but to give it its credit, this did feel like a whole new episode in its own right.  

So, to set the scene, Caleb Mir (Sandro Rosta) is trying to acclimatise to a world defined by rules, order, and, strangely for him, safety. Meanwhile, Captain Nahla Ake (Holly Hunter) is championing student learning wherever she can. One opportunity is being given to Admiral Charles Vance (Oded Fehr) because, for the first time since The Burn, the Betazed delegation is coming out of their psionic barrier that was put up around their territory. This could be a big win for the Federation to get Betazed to return to the fold, but it was the Federation that abandoned them during The Burn, and memories can be long. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Foundation: Season 3 – TV Review

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TL;DR – This season has started to diverge considerably from the source material, and among its bombast and stunning visuals are some creeping worries.

Rating: 3.5 out of 5.

Disclosure – I paid for the Apple TV+ service to view this episode.

Looking at a sun.

Foundation Introduction –

When I first started watching the third season of Foundation with A Song for the End of Everything, I was concerned they would be trying to force all of The Mule’s story into this one season. While they avoided that particular pitfall, the season still shows signs of strain as it pushes further from Asimov’s framework, as you can start to feel the show beginning to wobble a bit and potentially head towards disaster as we move farther away from the source material.

So, to set the scene, it has been 152 years since the Second Crisis, and while the Empire continues to collapse, the Foundation grows, expanding further out of the outer reach. Now both the Empire and The Foundation are fighting to control Kalgan, a pleasure planet, and the key to controlling The Middle Band. But there may be a third player out there, ready to tear everything up. For after much prediction, or perhaps, not enough prediction, The Mule (Pilou Asbæk) is on the move, and both sides should fear him because with him comes calamity, and the galaxy is not prepared for what he is about to wreak. Now, from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.    

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Star Trek: Strange New Worlds – What is Starfleet? [S3E7] – TV Review

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TL;DR – An experiment that has its frustrating points but is made better with one of the best performances in Star Trek history.

Rating: 3.5 out of 5.

Disclosure – I paid for the Paramount+ streaming service that viewed this episode. 

In Accordance with the United Federation of Planets " Freedom of Information Act" This documentary includes security footage that has been declassified by Starfleet Command in the spirt of Transparency"

Star Trek: Strange New Worlds Introduction –

One of the lingering plot points that has been bubbling away since Wedding Bell Blues is that Beto Ortegas (Mynor Luken) is going to film a documentary. What kind of documentary he’d make has been debated. In a world where ‘following orders’ faces growing scrutiny, it feels like a timely reminder.    

So, to set the scene, the USS Enterprise has been tasked by Starfleet to lend aid to the Lutani, a people that had been previously hostile-adjacent to the Federation, but who are now under attack from the nearby Kasar people trying to lay claim to their home system and all its resources. Millions have died. However, there is a quandary with The Enterprise’s orders; they have to deliver ‘supplies’, obviously weapons, but also help escort the Jikaru, which is an ethical time bomb waiting to go off. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Foundation: The Shape of Time [S3E6] – TV Review

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TL;DR – A calamity of events comes crashing together like a wave hitting a cliff wall.

Rating: 3.5 out of 5.

Disclosure – I paid for the Apple TV+ service that used to view this episode.

Hari's shrine opens again.

Foundation Introduction –

When I first started watching the third season of Foundation with A Song for the End of Everything, I was concerned they would be trying to force all of The Mule’s story into this one season. I still have those concerns, but as the season leans into a more schlocky vibe, I have been more intrigued to see where they go.  

So, to set the scene, calamity is erupting across the galaxy, much stemming from the work of The Mule (Pilou Asbæk). He has put the plans of the Foundation, Second Foundation, Traders, and Empire into chaos, and could have put the human race on the path to its extinction. But the one person that The Mule is obsessed with is now in sight, which is not good news for that person, Gaal Dornick (Lou Llobell). Even worse news for Gaal is that she has picked up an unwanted visitor on her ship, Demerzel (Laura Birn), the last robot left in the galaxy, and she is not happy. Now, from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.    

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Star Trek: Strange New Worlds – The Sehlat Who Ate Its Tail [S3E6] – TV Review

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TL;DR – A fascinating exploration of leadership and command when time is running out and your back is against the wall.

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ streaming service that viewed this episode. 

The USS Farragut in orbit of Helicon Gamma.

Star Trek: Strange New Worlds Introduction –

Today’s episode gets to the heart of the very premise of Star Trek: Strange New Worlds. When you have a prequel so connected to the very origin of Star Trek, you always knew the direction the show was heading towards, the endpoint. But to get there, you need to lock some key features in, and today is just one such time.

So, to set the scene, the USS Farragut is off surveying an uninhabited planet called Helicon Gamma. It was a standard, almost dull mission for Second-In-Command Commander James T. Kirk (Paul Wesley). Until a gravitational beam tears the planet apart and heavily damages the ship. The USS Enterprise was able to arrive and help, only to discover the thing that was destroying the planet had returned and swallowed the Enterprise whole. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Strange New Worlds – Through the Lens of Time [S3E5] – TV Review

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TL;DR – This is one of those episodes that, structurally, I should love, but is filled with these moments that pull you out of the narrative.

Rating: 3 out of 5.

Disclosure – I paid for the Paramount+ streaming service that viewed this episode. 

The away team down on the planet.

Star Trek: Strange New Worlds Introduction –

Today, we are looking at a bit of a frustrating episode of Star Trek, because it is filled with incredible highs and, unfortunately, deep lows. It is one of those contrasts that can derail an episode, which is what happened here to an extent. It is filled to the brim with all these classical elements that make it shine, but which crash against serial elements that pull it all apart.  

So, to set the scene, the USS Enterprise have been invited by the M’Kroon to the planet Vadia IX. The M’Kroon are a very wary people and have politely declined Federation involvement in the past. But Roger Korby (Cillian O’Sullivan) has found a magnetic anomaly in one of their most sacred locations. After much work from Nurse Chapel (Jess Bush) and Christopher Pike (Anson Mount), the M’Kroon have allowed a small landing party to explore the site. Only to discover there may be more to this place than meets the eye. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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