Warfare – Movie Review

TL;DR – An emotionally charged film that uses every bullet strike to bring you into this world, whether you are ready for it or not.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that was used to view this film.

Looking down a sniper scope.

Warfare Review Introduction

After Alex Garland came out swinging with Civil War in 2024, I was interested to see what he would follow it up with next. Unfortunately, I just was not able to get to a screening when it had its theatrical release, but before I put my best films of 2025 list together, I knew I had to make sure I crossed this one off the pile of shame.  

So, to set the scene, on November 19th, 2006, in Ramadi, Iraq, a Navy SEAL platoon took up sniper watch to support operations in the area. Two platoons take up position in an Iraqi family’s house to provide overwatch. Watching. Waiting. People peeking and probing their defences. All preparing themselves for that first shot or explosion.  

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The Many Saints of Newark (The Many Saints of Newark: A Sopranos Story) – Movie Review

TL;DR – A film punctuated by some fantastic moments, but nevertheless left me feeling more frustrated than anything else.     

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Warning – This film depicts scenes of abuse.

The Many Saints of Newark. Image Credit: Warner Bros. Pictures.

The Many Saints of Newark Review

When you are trying to follow up on one of the most successful properties created, a critical darling and well-loved by the public to boot, a lot of weight gets put on every decision. We have seen in recent years all sorts of properties fall under that weight, and I wondered going in if the legacy of The Sopranos would be too great a burden. Well, the answer is yes, but also no.

So to set the scene, it is 1967, and the mafia is making a lot of money out in New Jersey, running number games across the state, especially in Newark. Our narrator Christopher Moltisanti (Michael Imperioli), introduces us to the two leading players in the story. His father Dickie (Alessandro Nivola) who has taken a young Tony Soprano (William Ludwig) to pick up Dickie’s father, “Hollywood Dick” (Ray Liotta) and his new wife Giuseppina (Michela De Rossi). But the good times of the 1960s are about to come crashing down around them, and not everyone is going to make it out alive.

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