TL;DR – One of the most faithful musical adaptations that I have ever seen, but that brings all the musical’s strengths and weaknesses.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Wicked Review –

Today, we are looking at what might be the most convoluted production history in this site’s history. We are reviewing a Movie [Wicked] adaptation of a Musical [Wicked], which is an adaptation of a Novel [Wicked: The Life and Times of the Wicked Witch of the West], which is a reinterpretation of another Novel [The Wonderful Wizard of Oz], which in itself is most well known for its Movie Adaptation [The Wizard of Oz] whose design legacy can be seen our feature today. There have even been several more attempts to work in this space in recent years, with Oz the Great and Powerful and even Agatha All Along earlier this year. It could be a crowded or iconic market position, but does it make the most of its situation? That is what we will look at today.

So, to set the scene, Elphaba Thropp (Cynthia Erivo) has not had an easy life ever since she came into this world covered in a dark shade of green. She was thought of as some kind of curse by her own family and lived almost in isolation with Midwife (Sharon D. Clarke), her bear nurse. Growing up, she always had these moments where she acted out with magic, but she could never control the bursts. But her life is changed when one of those magical bursts happens as she is escorting her sister Nessarose (Marissa Bode) to Shiz University, and she is spotted by Madame Morrible (Michelle Yeoh) expert in all things magic. The only problem is that there are no rooms for her at the university unless Galinda Upland (Ariana Grande-Butera) shares her private suite.