The Boss Baby: Get That Baby! – TV Review

TL;DR –  Besides one or two interesting moments, it never makes use of its formula   

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

The Boss Baby: Get That Baby!. Image Credit; Netflix.

Review

Back in 2017 the was this odd animated film that landed in the world. Some despised it, and I found The Boss Baby to be well just fine. Since then, I have seen it pop up occasionally on Netflix where it has done well enough for a follow-up series. Today they take another step as they take on Netflix’s newest format the interactive episode.

So to set the scene, we open in on Staci (Alex Cazares) and Jimbo (Kevin Michael Richardson) as they introduce the audience to the employer training VR simulator. You are a baby, and they are trying to find which of the 16 jobs on offer you are the best fit for. You could work out in the field, in middle management, or be the titular Boss Baby (JP Karliak) themself.

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Star Trek: Lower Decks: Second Contact – TV Review

TL;DR – Super charming and a fun new direction for the franchise.

Rating: 4 out of 5.
Star Trek: Lower Decks: Second Contact. Image Credit: CBS Studios.

Review

We are currently living in the middle of a new golden age of Science Fiction on TV, and one of the significant drivers of that has been Star Trek. With Discovery and then Picard, you feel that they are starting to get their groove back. However, when I heard there was going to be a more light-hearted animated series coming out, I felt a bit of trepidation. However, after watching the first episode, I can see I had nothing to worry about.

To set the scene, we open in on the USS Cerritos in 2380 (which for those playing at home is two years after the return of the USS Voyager and twenty years before the start of Picard). The Cerritos is a Federation Vessel that specialises in second contact, which is the follow-up mission after first contact, not as much glory but still significant. Ensign D’Vana Tendi (Noël Wells) has just come on board from Outpost 79, and this is her first placement on a starship. Her orientation guide is Brad Boimler (Jack Quaid) a very straight-laced command track-captain seat hopeful Ensign. However, orientation is soon side-tracked as Ensign Beckett Mariner (Tawny Newsome) decides to take D’Vana on a more personalised tour. This gets put aside when they go down to the planet to help the Galardonian High Council with a subspace receiver while things down quite go to plan back on the ship.

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TV Review – Transformers: War For Cybertron Trilogy – Siege [Chapter One]

TL;DR – While presenting some new ideas and context for this Transformers world, I couldn’t help but walk away feeling hollow by the experience.  

Score – 3 out of 5 stars

Transformers: War For Cybertron Trilogy – Siege. Image Credit: Netflix.

When it comes to the little franchise that could, Transformers has always been the one ready to well transform itself and come back as something new. From the original Gen 1 to the hit and miss movies, and all the many animated shows in-between. No matter the case, it always has ready to put on a new coat of paint, or fathers and scales that one time, and now is no different. Today we will be looking at a show that takes us right back to the beginning with the War for Cybertron.

So to set the scene, we open amid a millennia-long civil war between the Decepticons led by Megatron (Jason Marnocha) and the Autobots led by Optimus Prime (Jake Foushee). Cybertron, once an ecumenopolis of shining lights is now rubble pocketed with the damage of the conflict. The Autobots however, have been on the losing side of this war, and now are struggling to survive. They need energon to escape on their Arc, but Megatron is planning something worse that may destroy them where they stand, and no one will be able to hide from it. Now we will be looking at the series as a whole, and as such there will be some [SPOILERS] ahead.  

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TV Review – Rick and Morty: Star Mort Rick Turn of the Jerri & Season 4

TL;DR – Rick and Morty ends its fourth season on an interesting if odd note.

Score – 4 out of 5 stars

Rick and Morty: Star Mort Rick Turn of the Jerri. Image Credit: Adult Swim.

Review

This has been a really interesting season with some stand out episodes like The Vat of Acid Episode and those that didn’t quite land like Childrick of Mort. However, now that we have reached the end of the season I wanted to take a moment to look back at both the final episode of the season with a title that you are sure a number of trademark lawyers were engaged to make sure they could use it, and also the season in general.

So to set the scene, back season three (goodness 2017 feels like a lifetime ago) in The ABC’s of Beth, Rick (Justin Roiland) and Beth’s (Sarah Chalke) relationship hit rock bottom and reached a point of no return. Rick offered Beth a choice where he could make a clone of her to live her life here while letting her go off on space adventures guilt free. Well fast forward to today and we discover that Rick did send Beth out on adventures and left a clone on Earth … maybe. Well that clone/or real Beth, it’s complicated, we’ll call her Space Beth to keep it simple, has been upsetting the New Galactic Federation. Which is about the time Space Beth discovered Rick put a bomb in her neck. So Space Beth comes back to Earth for some revenge, and maybe brings the whole Federation army with her. Now we will be looking at the episode/series as a whole and as such there will be some [SPOILERS] ahead.  

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TV Review – Rick and Morty: Promortyus

TL;DR – This is one of those episodes that is there to remind you that Rick and Morty or not good people at all

Score – 3 out of 5 stars

Rick and Morty: Promortyus. Image Credit: Netflix.

Review

If there has been one area of incongruity in within the greater Rick and Morty zeitgeist is has been how a lot of people idolise Rick (Justin Roiland) specifically when the show goes out of its way to show that he is not a good person and should not be idolized. Well, today we get another episode that reinforces this message.  

So to set the scene, we open with Rick and Morty (Justin Roiland) walking around a cave, but with weird face-hugging aliens … well over their faces as the name implies. There are walking with some damp slimy eggs when one of the tentacles of Morty’s alien catches on a stalagmite disgorging it and we discover that this is not a disguise they were being taken over. Two dead aliens, later they now need to escape, they just need to get through an entire civilization to do that. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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TV Review – Rick and Morty: Never Ricking Morty

TL;DR – One of the most Meta episodes of the show I have ever seen, and given that this is Rick and Morty that is saying something

Score – 4 out of 5 stars

Rick and Morty: Never Ricking Morty. Image Credit: Netflix.

 Well, today we dive back into the world of Rick and Morty, a show that I have loved (see my review for Season Three) but it is also a show that I have developed an odd relationship with. This is because (and I am sorry but I am about to drop the D-word) a lot of the discourse around the show and a certain vocal minority of fans have created an unpleasant environment at times. The first part of Season Four kind of came and went for me, but now we are getting the second half of the season weekly, I thought it would be a good time to give it another go.

So to set the scene, we open in as a weary traveller hops on a train and gets his tickets stamped. He pulls up to the bar to get a drink, but all he gets is a story about how someone wants to kill Rick Sanchez (Justin Roiland). Suffering from one vignette to the next he escapes only to run into another traveller with the same problem and that is when things get weird (which for this show is saying something). Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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TV Review – Ghost in the Shell: SAC_2045: Season 1

TL;DR – This is an ambitious return into the world of Ghost in the Shell that exceeds expectation in some areas but I am not sure the overarching story is going to work for everyone.

Score – 3.5 out of 5 stars

Ghost in the Shell: SAC_2045. Image Credit: Netflix.

Review

There are a couple of shows that serve as a gateway into the world of anime. One of the greats is Ghost in the Shell a grand cyber-punk post-human jaunt into the future. For a lot of people, it was the movie that was their first contact, but for me, it was the Ghost in the Shell SAC. It was this, bright bold explosion, exploring religion, philosophy, what it meant to be alive. Since then I have wondered if anyone could capture that again, and the less said about that movie the better. Well, today we get a chance to see as we dive back into the world of Major Motoko Kusanagi (Atsuko Tanaka/Mary Elizabeth McGlynn).      

In the time since the show and movie, the world has become a very different place. The G4, that is America, China, Russia, and the European Union, moved the world into an economical system called Sustainable War, which sounds about as bad as it. This is escalated by the Global Simultaneous Default when all the world’s financial system collapsed at the same time. Since Section 9 had been disbanded, most of the team joined in on the sustainable war effort as a mercenary team called Ghost. They worked their way up from South America and at the start of the series they are travelling through the ruins of Palm Springs. They are there to stop a raid on the gated section of Los Angeles but there is more going on than they first thought. Now we will be looking at the series as a whole and as such there will be some [SPOILERS] ahead.  

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Movie Review – Altered Carbon: Resleeved

TL;DR – It’s fine, nothing amazing but not a complete mess.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Altered Carbon: Resleeved. Image Credit: Netflix.

Review

I’ve been quite enjoying the jaunts into the world of Altered Carbon as of late. A world of switching bodies and switching cast members. A world of excesses and a world of death that is only real death half the time. I’ve watched both seasons, so when I heard there was an animated movie, well I had to give it a watch and well … it’s fine.

So after the events of the Second Season (I think, but I’m not entirely sure), we open on the planet Latimer. Here a young girl Holly (Brittany Cox/ Ayaka Asai) is running from her life through the upper streets as air cars and large holograms walk around her. She is being chased by two thugs, who are trying to catch her. Running into a club she is almost at a needle casting facility when a ninja slaughters the two thugs and turns on her. Things are bad but then Takeshi (Ray Chase/ Tatsuhisa Suzuki) arrives to save the day. Teaming up with local CTAC operator Gina (Elizabeth Maxwell/ Rina Satô) they get Holly to the safety of the Yakuza or as it turns out maybe into significantly more danger than she was before.

Now, this is an interesting film, in that we are usually a bit cagier about spoilers with films, but then it is also hard to talk about this film without getting into spoilers for both past seasons and a big reveal in this film. So with that in mind, there will be some big [SPOILERS] around character points going forward but not for the ending.

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TV Review – Star Trek Short Treks: Ephraim and Dot

TL;DR –  A love letter to the past and a beautiful story in its own right  

Score – 4.5 out of 5 stars

Star Trek Short Treks: Ephraim and Dot. Image Credit: CBS Studios.

Review

It has been a long time since Star Trek ventured into the realm of animation, indeed, The Animated Series to this day fits awkwardly into the Star Trek universe thanks to the question marks as to its canonicity. But today Star Trek takes some steps back unto this uncharted frontier with a Short Trek full of joy and beauty. 

So to set the scene, we open in on a documentary called The Tardigrade in Space as it explores the life of a humble tardigrade Ephraim flying through space looking for a place to lay her eggs. A place that is warm and safe, which is what she found right up until the moment the USS Enterprise appears out of warp and trashes the asteroid she had picked. But then a starship with a nice warm warp reactor would be the perfect place to lay her eggs, unfortunately, a DOT-7 maintenance droid called Dot has different ideas.

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Article – Why I Love Cowboy Bebop (カウボーイビバップ/Kaubōi Bibappu)

TL;DR – Its music, story, animation, worldbuilding, and characters that you really care for even though they are all broken in some way

Cowboy Bebop (カウボーイビバップ/Kaubōi Bibappu). Image Credit: Madman.

Article

A while back I took a moment to write about Why I loved Star Trek DS9 and since it was a great time of writing I have been meaning to get back at it again. I had a couple of choices but with the announcement that Netflix is producing a ten-episode live-action remake of Cowboy Bebop, well I got instantly dragged back in time to my high school days when the show rippled through my life with every beat of those conga drums, and well I instantly knew what to do next. Why Cowboy Bebop? Well, there are a lot of reasons, the music, story, animation, characters, but more than anything, it was the way it shaped how I viewed television and animation as a medium and got me more and more interested with how it is all made. It is also one of the go-to shows, as well as Samurai Champloo (サムライチャンプル), that I recommend whenever someone want to start exploring animation. So with that in mind let us dive into the neo-noir space-western from Shinichirō Watanabe (渡辺 信一郎) all about trying to escape the past and then realising that you can’t, and then also Ed, hello Ed.

In the Cowboy Bebop world, the human race has expanded out into the Solar System when the first Astral Gate (a faster than light transport system) exploded next to The Moon raining down Luna debris on Earth. The world had one choice escape or die on Earth and so they expanded out terraforming the Moons of Jupiter, Venus, creating the crater cities of Mars, and also Asteroid outposts across the Solar System like Tijuana (TJ). By 2071, because the human race is spread out across such a large region of space it has meant that enforcing law and order has become a challenge, so the powers at be implemented a bounty system and so Cowboys spread out chasing bounties and bringing back criminals to face justice … for a fee of course. This is where we meet our crew of the Bebop the ship they travel around the Solar System catching criminals while trying not to have to spend all its bounty on repairs.  

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