TL;DR – Here we explore the many wonderful women that make up the world of The Expanse.
The Women of The Expanse Article –
We are living in the age of prestige television and among that rise has been a Golden Age for Science Fiction on TV. In that rise, The Expanse has been one major standout and has some of the most rounded and best characters on TV at the moment. Today we are going to explore a facet of The Expanse that has been one of its best factors which is its representation of women. While there have been some great female characters across modern science fiction, in The Expanse we get so many examples throughout the series that it is a prominent part of why the show works as well as it does.
Just one note before we dive in, The Expanse is both a TV series and (first) a series of novels. While the TV series has been a faithful adaptation of the books, there are some character differences between the two. So for the sake of clarity, we will be focusing on the representation in the TV show, this also helps in regards to where we fall with Spoilers. With this in mind, at the time of writing four seasons of the TV show have been released covering Leviathan Wakes, Caliban’s War, Abaddon’s Gate, and Cibola Burn. With that, we will be focusing on those stories, but as Season Five (Nemesis Games) is coming soon, we may make some allusions to content there.
TL;DR – With the new season starting in a few weeks we catch you up on everything you need to know about Season 3 of Star Trek Discovery (Timeline, plot points, and outstanding questions oh my)
Star Trek Discovery: Season 3 Primer –
It is not long until the next season of Star Trek Discovery comes out, and with its big jump and all the new Star Trek and Sci-Fi, we are getting you might need a catch up as to where we are and where we are going. In this primer, we will sum up the critical story posts that led to where we are, give an overview of where all this fits in the timeline, and look at the outstanding questions coming into Season Three.
TL;DR – This is a film that raised a lot of interesting ideas, but never gives the time to provide them with all the justice they need to work within the story.
Rating: 3 out of 5.
Post-Credit Scene – There is no post-credit scene
LX 2048 Review –
As we move into the future, the digital and real worlds are blending more and more together. Add the fact that it looks like VR finally stuck the landing this time and the future is bright or maybe not. As that line gets fuzzier, what does that mean for human connection? This impasse is the question that the film we are looking at today is asking.
So to set the scene, in the distant future, the world of the digital and the ‘in real’ have blended thanks to a world where the daytime has become toxic thanks to the Sun’s radiation. Indeed even the briefest exposure to the Sun can create instant and painful sunburn. We meet Adam Bird (James D’Arcy), who is getting the news you don’t want to hear, his heart is failing, and there is nothing anyone can do about it. Adam is one of the few people who go out in the day to a physical place to work and also kind of like to live in the real world. His desire to be in the real (among other issues) is why he is now separated from his family in his moment of need, because he does not want to die, or worse become a clone.
TL;DR – Super charming and a fun new direction for the franchise.
Rating: 4 out of 5.
We are currently living in the middle of a new golden age of Science Fiction on TV, and one of the significant drivers of that has been Star Trek. With Discovery and then Picard, you feel that they are starting to get their groove back. However, when I heard there was going to be a more light-hearted animated series coming out, I felt a bit of trepidation. However, after watching the first episode, I can see I had nothing to worry about.
To set the scene, we open in on the USS Cerritos in 2380 (which for those playing at home is two years after the return of the USS Voyager and twenty years before the start of Picard). The Cerritos is a Federation Vessel that specialises in second contact, which is the follow-up mission after first contact, not as much glory but still significant. Ensign D’Vana Tendi (Noël Wells) has just come on board from Outpost 79, and this is her first placement on a starship. Her orientation guide is Brad Boimler (Jack Quaid) a very straight-laced command track-captain seat hopeful Ensign. However, orientation is soon side-tracked as Ensign Beckett Mariner (Tawny Newsome) decides to take D’Vana on a more personalised tour. This gets put aside when they go down to the planet to help the Galardonian High Council with a subspace receiver while things down quite go to plan back on the ship.
TL;DR – Not every part of the final episode landed, but the promise is so much more
Score – 4 out of 5 stars
Review – It is time to come to the end and the first season of Star Trek Picard has drawn to a close, it was a show full of warmth and promise but also a hint of sadness. Like someone taking one last look at the old neighbourhood before moving one. With this in mind, I approached the final episode with a little hesitation and now I have seen it that felling was not entirely unmerited. Well then, let’s dive in and have a look at the final episode before having a look at the entire season.
So to set the scene, at the end of Et in Arcadia Ego, Part 1 we were in a very perilous place with everything about to unravel. Picard (Patrick Stewart) had been taken hostage by the synths that had finally discovered the meaning behind the Zhat Vash prophecy and were using the death of one of their own as a pretence to steam straight ahead to the destruction of all organic life. On the Borg Cube, Seven (Jeri Ryan) and Elnor (Evan Evagora) chat not realising that they have an uninvited guest in the form of Narek (Harry Treadaway). But there might be one ray of hope because Agnes (Alison Pill) might not be who she says she is. Now we will be looking at the episode and the season as a whole, so there may be some [SPOILERS] ahead.
TL;DR – A documentary about one of my favourite shows of all time, please and thank-you
Score – 4.5 out of 5 stars
Post-Credit Scene – There is a mid and end-credit scene that you need to stay for
I have made many allusions in the past to just how much I love Star Trek: Deep Space Nine and to this day it is still my favourite installation in the Star Trek franchise. So when I heard that there was going to be a documentary made about it, I was excited, when it was coming out in Australian cinemas I was going to be there, and then that one weekend my life fell apart. Well, things are mostly better now, as long as I don’t read the news and stay home, which was the perfect time to catch up with something I missed and always wanted to watch.
So to set the scene, back in the 1990s the producers behind the very popular Star Trek series decided to do something a little different, instead of being in a ship that warps away at the end of each episode, the set the show on a space station. A station that is permanently positioned in the newly independent Bajor system, abandoned by the Cardassians after decades of ruin. It was an ambitious show, it was a controversial show, and it was and is still my favourite.
TL;DR – It is the beginning of the end, and I don’t think I am ready
Score – 4 out of 5 stars
Oh wow, I can’t believe that we are already at the penultimate of Star Trek Picard. It is a show that feels like it was always with us, and also one that has gone in a blink of an eye. Well, today we get all out horses into line because the apocalypse is upon us and someone better stop it.
So to set the scene, at the end of last week’s Broken Pieces, the crew of La Sirena was about to do something monumentally stupid and that was to jump into the Borg’s transwarp network to get to Coppelius before the Romulans can blow it out of the sky. Well, this week we open with them doing just that, only they didn’t know that Narek (Harry Treadaway) was following them, oh and Seven of Nine (Jeri Ryan) has her own Borg cube now. Now we will be looking at the episode as a whole so you better believe that there will be [SPOILERS] ahead.
TL;DR – It continues the story gallantly, but the second outing is more restrained and does not fix the problems of the first season.
Score – 3.5 out of 5 stars
A couple of years ago, there was this odd TV series on Netflix that I described as “if Westworld and Blade Runner had a baby with Ghost in the Shell as the midwife.” It was odd, it was out there, and even though it had some limitations it kept powering through. Well, I have finally caught up with the second season and I have to say it is more of the say, which is both good and bad.
So to set the scene, we open in a dive bar on some desolate system out in the deep black. On the stage is a singer (Jihae) singing a haunting song when a synth that had just needle cast in-system. Trepp (Simone Missick) is a bounty hunter, and a good one at that, and she is looking for one Takeshi “Tak” Kovacs. But in what sleeve is he in? Possibly only the malfunctioning AI Poe (Chris Conner) behind the bar knows? Well, Trepp buts a bullet in his back and brings him to her employer Horace Axley (Michael Shanks). All Tak has to do is protect Axley and he gets to keep this new body (Anthony Mackie). But more importantly, he knows where he can find Quellcrist “Quell” Falconer (Renée Elise Goldsberry), the person he has been searching for all these years. It’s a good bargain, right up until the moment he needle casts in and finds Axley dead on the ground, and all of Harlan’s World is out for his blood. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.
TL;DR – A really great continuation of the first season showing the strengths of this new interpretation at every turn
Score – 4 out of 5 stars
We are currently living through a second Golden Age for Science Fiction on TV and one of the first really cool examples of that was a new Lost in Space landing on our screens a couple of years ago. It was energetic, delightful, but also had some thematic weight behind it. Well, Season Two is upon us, so it’s time to see how well it did.
So to set the scene, at the end of Season One, the family Robinson, that is Maureen (Molly Parker), John (Toby Stephens), Will (Maxwell Jenkins), Judy (Taylor Russell), and Penny (Mina Sundwall) along with Don West (Ignacio Serricchio) and Dr Smith (Parker Posey) got launched through a warp portal by Robot (Brian Steele) to protect them. This leads them to land on a planet that is habitable, bar all the methane in the atmosphere. The warp drained most of the Jupiter 2’s power meaning they can breathe and stay warm but not a whole lot else. All of this changes when Maureen notices that there is a patch of lightning in the distance that comes so regularly that you can schedule it, and maybe a lighting jolt is just what the Jupiter 2 needs. Now as we go on there will be some [SPOILERS] as we will be looking at the season as a whole, so just be warned if you have not seen it yet.
TL;DR – We have a crew, repeat we have a crew, this is not a drill
Score – 4.5 out of 5 stars
For the first three episodes of the season Remembrance, Maps and Legends, and The End is the Beginning, it felt like we were setting the scene, getting our call to adventure, our call to the stars, we were building the world, and in one word bringing it all together. But now we are in space, and it is simply pure joy.
So to set the scene, we start back in time in a fateful time where Picard (Patrick Stewart) on Vashti when he was happy. He was starting to move people out of Romulus, making friends, establishing real progress, however, then the synthetics attacked Mars and everything went to hell. In the present, the crew of the La Sirena have come together on their task, only now that they are in the Beta Quadrant, Picard has another calling, to meet some friends from the past and write some past wrongs. Now we will be looking at the episode as a whole so there will be [SPOILERS] ahead.