The Residence: Season 1 – TV Review

TL;DR – This was a delightful time as we pulled apart the motives of all the many people in the White House who possibly wanted a man to die.

Rating: 4 out of 5.

Disclosure – I paid for the Netflix service that viewed this show.

The White House.

The Residence Review

Many genres rise and fall as time goes on, and unless you live in the British countryside, one example of that is the humble Murder Mystery. There are times when we can’t get enough of them, and then there can be a desert with none in sight. They are also one of the oldest genres in the industry, and you have to wonder if there is space for anything new? Well, today, we get a delightful new entry that shows it can.  

So, to set the scene, it is just a typical day at The White House as everyone prepares for a state dinner with Australia who the Americans are currently on poor terms with. There is chaos in the kitchens, disasters in the seating plans, and some unfortunate kangaroo placements. However, all of that changes when a piercing screen from Nan Cox (Jane Curtin) echoes through the halls of power. For the chief usher, A.B. Winter (Giancarlo Esposito), is dead under somewhat mysterious circumstances. Anyone dying in the White House would be a calamitous event, but murder? That is unheard of. And while everyone fights to find out who actually has jurisdiction in this case, Larry Dokes (Isiah Whitlock Jr.), the Chief of Police at the MPD, calls upon the one person that he knows can take on such a challenge, Cordelia Cupp (Uzo Aduba), a consulting detective. Now, from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead. 

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Wolf Man – Movie Review

TL;DR – It is a film that starts out like a sprint, but it may have forgotten it was not that kind of race towards the end.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A truck hangs horizontally, held up by some trees.

Wolf Man Review

Well, not that long ago, Universal attempted to re-create a shared universe for all those classical monster films that they still held the rights for, and well, the Dark Universe was so successful that you won’t find it on our Cinematic Universes page. However, in the wake of that, they still had all these monsters lying around, and someone might as well do something with them, which is how we got Leigh Whannell’s fantastic The Invisible Man, a film that lived rent-free in my brain for an age. Well, it is now time to see if lightning can strike twice.   

So, to set the scene, Blake (Zac Chandler) has had an estranged relationship with his father (Sam Jaeger) and the place he grew up in the deep rural forests of Oregon, and he got out as soon as he could. Now living with a Wife, Charlotte (Julia Garner), and daughter, Ginger (Matilda Firth), Blake (Christopher Abbott) has everything he wanted but is still struggling. Much of this comes from the legacy of his father, who went out into the woods one day and never returned. Well, the government has finally declared him dead, so Blake can take his family back to his family home to pack everything up and close that chapter of his life with maybe a quiet stay in the mountains to reconnect everyone. This is the plan right until something furry jumps out on the road in the dark, and the family find themselves perched sideways on some trees with a monster about.    

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