Tag Archives: Horror

Big Baby – Movie Review

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TL;DR – Unfortunately, this film fails at almost every level.

Rating: 1 out of 5.

Disclosure – I was sent a screener of this film.

Big Baby stands illuminated in green light.

Big Baby Review Introduction

Today, I am reviewing a very odd film, one that seems openly hostile toward film critics, whether their criticism is made in good faith or not. Thus, do I critique a film about film criticism or not? All of this is made harder by the fact that Big Baby was a real slog to get through.  
 
So, to set the scene, we open as Adam Lewis (Brandon Scott) is ripped to shreds by dudes on the internet, rocked by the thoughts that even though he is successful enough to be earning a comfortable living for his work, he may never win an Oscar. Adam stays up late, drunk, trying to write a new film. He dreams of a Big Baby (Adam Marcinowski) slashing his way through his house. This might be his new muse, or it could be a monster waiting to strike?

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Ready or Not 2: Here I Come – Movie Review

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TL;DR – While it does not nail its universe-upscaling, it is still an entertaining, bloody action comedy.

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ subscription used to watch this film.

Warning – Contains scenes which may cause distress.

All the representatives of the families.

Ready or Not 2: Here I Come Review Introduction

Ready or Not was one of those films I entirely slept on, which was a mistake. It was one of those few films that completely understood the power and limits of dark comedy. It was a riot of gory fun, but one of those films that I was surprised it got a sequel, but it did, and this time I am not sleeping on it.  

So, to set the scene, we start right after the end of Ready or Not as Grace (Samara Weaving) is rushed to hospital suffering from shock and blood loss. What she doesn’t know is that by winning the game of Hide and Seek, she has triggered a rare clause in the agreement that binds all the powerful families together. Now, ultimate power is up for grabs, and every family wants a bite of the apple. Grace was hoping to go home, but when her estranged sister Faith (Kathryn Newton) arrives at the hospital, none of them was ready to be kidnapped, dragged to the hotel of Chester Danforth (David Cronenberg), and forced to hide again, handcuffed together.

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We Bury the Dead – Movie Review

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Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix subscription used to watch this film.

A zombie opens its eye.

We Bury the Dead Review Introduction

Today’s offering has been bubbling around in the Australian cinematic landscape for quite a bit before it got its theatrical release earlier this year. Unfortunately, while there were no well-timed screenings near me at the time, it has now made its way onto streaming, and this is the perfect time for me to give it a watch.  

So, to set the scene, one day an accidental detonation of an experimental weapon off the coast of Tasmania destroyed the capital city of Hobart. However, an EMP wave stretched further, destroying the brains of all living creatures on the island. It is a catastrophe of epic proportions, and a whole mobilisation effort has been activated to help identify and recover the bodies of the 500,000-odd dead. However, now and again, some of the dead wake up, and they are no longer themselves. Ava Newman (Daisy Ridley) is one of the volunteers, hoping to find out what happened to her husband, who was at a conference on the south of the island. Those who do reanimate are completely docile and not a problem, or so the Army says.

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The End of Oak Street – Movie Review

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TL;DR – This 80s homage film triumphs on one important facet: Anne Hathaway fighting dinosaurs.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A dog looks up to see a weird light.

The End of Oak Street Review Introduction

Now, if you know me, I make absolutely no apologies that I am a dinosaur fiend when it comes to media. Give me your Jurassic Parks, your Dinotopias, heck, you want to add dinosaurs to Star Trek, I am here for it. But if you are going to add dinosaurs to a film, they can’t just be a token addition; they need to mean something, and thankfully that is not an issue today.

So, to set the scene, in 1982 there is a quintessential suburb in America called Flowervale that does all the stereotypical things. They have block parties, the kids ride around on their bikes, and neighbours get upset with dogs pooping in their yards. On Oak Street in this suburb lives the Platt family: wife Denise (Anne Hathaway), husband Greg (Ewan McGregor), daughter Audrey (Maisy Stella), and son Brian (Christian Convery). They are the perfect nuclear family on the surface, but in private the cracks in Denise and Greg’s relationship are threatening to become a gorge. But all of that changes one night when the lights start to flicker, everyone’s ears pop, and odd noises start coming from the forest. That’s when the screams start.

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28 Years Later: The Bone Temple – Movie Review

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TL;DR – An incredibly confronting film that made me regret eating dinner but reveals a wealth of thematic depth beneath the gore.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime subscription used to watch this film.

Warning – Contains scenes that may cause distress.

The Bone Temple at dusk.

28 Years Later: The Bone Temple Review Introduction

Today we’re looking at an unusual sequel. After decades of waiting for 28 Years Later, The Bone Temple arrived so quickly afterwards that some audiences may have assumed it was the same film. I tried to watch it in cinemas, but the scheduling never worked out. But now it’s out on streaming, it’s time to give it a watch.

So, to set the scene, we open in the moments after the end of 28 Years Later with Spike (Alfie Williams) having to fight for his life in front of Jimmy (Jack O’Connell) and his cult of Jimmies. Meanwhile, around the Bone Temple, Dr Kelson (Ralph Fiennes) has made some odd discoveries about Sampson (Chi Lewis-Parry) that the alpha might indeed be his friend, or more importantly, the real person might still be in there. There is a bit of assumed knowledge going into this film, as it does expect that you have watched the previous film.

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The Last House – Movie Review

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TL;DR – This is a film that is trying something, but it is working in a space where other contemporaries have excelled.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix subscription used to watch this film.

Water filling in the cracks of shattered glass.

The Last House Review Introduction

Today we are looking at something that is becoming increasingly rare in modern cinema: a genuinely original film. Not adapted, not spun off, and not based on a toy from 50 years ago. Given how uncommon these projects have become, I knew I had to give The Last House a watch.

So, to set the scene, one Sunday morning a surprise rainstorm appeared on the horizon. It felt like a normal day, but then the internet failed. But even stranger was the fact that none of the doors or windows would open. That’s okay, because you can break windows, right? No, the glass cracks but doesn’t break. Now, you and everyone you know are stuck in their houses, with only the food you happened to have inside.

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Star Trek: Strange New Worlds – The Griffin Incident [S4E2] – TV Review

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TL;DR – This is an episode that leans hard into horror.

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

Warning – Contains scenes which may cause distress.

The USS Griffin hanging quiet in space.

Star Trek: Strange New Worlds Review Introduction

Throughout the history of Star Trek: Strange New Worlds, it has had the habit of dipping into different genres for a surprise episode. See, for example, the musical episode Subspace Rhapsody. But there is one genre that they have danced around but never dived into: supernatural horror. Well, today is the day it commits.  

So, to set the scene, Spock (Ethan Peck), La’An (Christina Chong), and Kirk (Paul Wesley) are all hitching a lift home with each other from the Future Federation Leader’s conference. When they pick up an odd distress call coming from an asteroid field. Of the many things they were expecting, nothing prepared them for the USS Griffin, a ship lost for nine years, light-years away from its current location. They beam aboard, and for some reason the ship has power when it should have lost it years ago, but things take a turn when they have only one hour to find out what happened to the ship before it all shuts down. Even more so when someone lurks in the hallways with them. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Obsession – Movie Review

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TL;DR – Ew, ew, ew, ew, my dude, what the actual #$%@

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes which may cause distress.

One Wish Willows.

Obsession Review Introduction

It has been a gangbuster year for the YouTube creative to big screen director, starting with Markiplier in Iron Lung, then Kane Parsons in Backrooms, and now we get to finish off the trifecta with Curry Barker’s Obsession. However, now that I’ve seen it, I’m not sure I would have chosen to, knowing what I know now.

So, to set the scene, Bear (Michael Johnston) is a bit of a nervous person who has worked with Nikki (Inde Navarrette) and has a major crush on her. He has been coached by his friends Ian (Cooper Tomlinson) and Sarah (Megan Lawless), but he can’t bring himself to take the next step. When walking through a crystal store one day, he comes across a One Wish Willows that gives you one wish, and one wish only. After a truly embarrassing exchange, Bear decides to give the stupid wish a chance, because it is not like it really works …….  

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Backrooms (2026) – Movie Review

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TL;DR – This is a film built almost entirely on its vibe, and that is exactly why it works. Every small detail has been crafted to leave the hairs standing up on the back of your neck for the entire runtime.

Rating: 4 out of 5.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Cap’n Clark’s Ottoman Empire.

Backrooms Review Introduction

If you have ever dabbled in the online spaces, then you have probably come across the internet phenomenon that is the Backrooms. A slightly too illuminated or not illuminated enough office block that goes on for eternity, where things are just not quite right. It has the distinct visual style of being both familiar and also profoundly off-putting. Well, this has been bouncing around the World Wide Web for a decade or so, and one of the creators in the space has taken the jump to the big screen, so let’s take a look.   

So, to set the scene, in the 1990s, Clark (Chiwetel Ejiofor) is a generally frustrated seller of tired house furniture. He wanted to be an architect, but for many reasons, he could never make that work. The Cap’n Clark’s Ottoman Empire is bleeding him dry with all these electricity bills, which Clark knows are wrong because he might be currently living in the store after his wife kicked him out. He has been working through this with his therapist, Dr Mary Kline (Renate Reinsve), but nothing seems to stick. But then, one night, when he was sleeping in the store, he heard some odd electric noises from the basement. Going to investigate, nothing seems out of the ordinary until something caught the corner of his eye. An echo, a strip, a remembrance of a door that should not be there. It is an odd office-like space with yellow carpets and inconsistent fluorescent lighting. However, the deeper Clark goes, the weirder it gets.       

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Apex – Movie Review

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TL;DR – An interesting, if very convoluted, survival-horror film.

Rating: 3 out of 5.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes which may cause distress.

Sasha hiding in the water.

Apex Review Introduction

As horror still comes in leaps and bounds in 2026, there has been an uptick in the survival-horror space. Today’s film is absolutely playing in that space as it pits two of Hollywood’s biggest stars in a fight across the Australian landscape. And well look, as far as pitches for a film go, that is a solid one.  

So, to set the scene, deep in the grand mountains of the Troll Way of Norway, Sasha (Charlize Theron) and Tommy (Taron Egerton) are making their ascent to the summit. They are the sort of people who find it exhilarating to sleep on the side of a cliff. When the weather turns, they decide, with some reluctance, to head back down, but it is too late, and in the calamity, Tommy does not make it. Months later, Sasha is trying to move on from the tragedy in Australia, out where the terrain is tough, and the satellite signal is poor. Stopping off for supplies, a local, Ben (Taron Egerton), recommends a secluded camping spot, not as secluded as advertised. But worse, as Sasha goes deeper into the bush, she quickly realises that help might not be friendly, and there is something sinister hiding in the bush, something that will give her to the end of a song to run, and then the hunt is on.      

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