TL;DR – A truly brilliant work of cinema that works on a character, action, and story level.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
When you hear that a film has won the Palme d’Or at the Cannes Film Festival you immediately take notice. Because even though the voters at Cannes don’t always get it right, they always at least pick a film that is interesting. Well today not only do we get a film that is interesting, but we also get a film that made me feel multiple different emotions throughout its run time, and made an entire cinema audible gasp more than once, like the whole cinema. Well, Parasite is a more than just interesting film. Now in this review, we are going to avoid saying too much about the ending, but just, in general, this is a film that is best seen with as little information as possible.
So to set the scene, we open in on the Kim family: father Ki-taek (Song Kang-ho), mother Choong-sook (Jang Hye-jin), son Ki-woo (Choi Woo-shik), and daughter Ki-jung (Park So-dam). They live in a semi-basement flat in the poorer part of Seoul trying to make a living from whatever odd jobs they can find, like folding pizza boxes into shape. Then one day one of Ki-woo’s old army friends who is now in university comes to visit. He lets Ki-woo know of a job as an English tutor to a rich family that would pay very well. The only problem is that Ki-woo never went to university, even though he is qualified for the job, so he gets his sister Ki-jung to fake him up some university records and shows up at the Park family house. Mr Park (Lee Sun-kyun) is a successful businessman who runs a company and spends a lot of time away from the house, so he leaves his wife Yeon-kyo (Cho Yeo-jeong) in charge of hiring and she is apparently a bit dim. Well, when she watching his lesson with her daughter Da-hye (Jung Ji-so) she mentions that they are looking for an art tutor for their son Da-song (Jung Hyun-joon) and Ki-woo knows just what to do.