Daughter – Movie Review

TL;DR – An unrelenting exploration of the subversion of the family unit.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was sent a screener of this film

Warning – contains scenes that may cause distress.

A ritual.

Daughter Review

Some films pique your interest because of the genre or the narrative framework. Some still come from a casting choice that you must see how it plays out. This week we are looking at a film that hits all of these as we delve into a dark world.

So to set the scene, we open on a dirt road as a lady runs for her life as a pickup truck driven by two people in gas masks chases her down. Later a woman (Vivien Ngô) wakes up shackled to the floor with Father (Casper Van Dien) looming over her. She is to be called Sister and will soon be introduced to Mother (Elyse Dinh) and Brother (Ian Alexander). She will not be hurt … as long as she behaves because Brother is exceptional, and she needs to help him avoid the sickness out in the world.

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Fall – Movie Review

TL;DR – Captures that tension of being isolated from the world with rescues just being out of reach at all times.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to view this film.

The tower from afar.

Fall Review

As we get closer to the end of the year, there has been one film that I have been avoiding. I have a deep fear of heights, and seeing an epic tale of survival (maybe) half a km up in the air on the big screen was a bit of a stretch. But on the small screen, where I can pause and walk away, well, it is now time to give it a go.   

So to set the scene, on a sheer cliff face, two married climbers Becky (Grace Caroline Currey) and Dan (Mason Gooding), make their way up the side of the mountain with their friend Hunter (Virginia Gardner). But just when they are going to make it to the top, Dan gets spooked by a bat and falls off the mountain. He tries to swing back when his anchor gives way, and he falls to his death. Fifty-one weeks later, Becky has cut herself off from the world and is at the bottom of a deep bottle pushing everyone, including her father, James Connor (Jeffrey Dean Morgan), away. Trying to help her friend get out of their funk, Hunter gets Becky to come out and climb a decommissioned 2,000-foot (610 m) B67 TV tower in the middle of the desert. The accent went well, but coming down is always the most challenging part.      

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Don’t Worry Darling – Movie Review

TL;DR – While it nails the style, and the cast is giving their all, there is a lack of substance.

Rating: 3 out of 5.

Disclosure – I was invited to a press screening of this film

Warning – Some scenes may cause distress.

Cars drive out to the headquarters.

Don’t Worry Darling Review

I am not sure any film has quite had as rough a publicity tour as Don’t Worry Darling for quite a while. It felt that every week there was some new drama going on behind the scenes, real or imagined. While this could have derailed the film for me, I quite liked the first trailer, I enjoyed Olivia Wilde’s first directorial work with Booksmart, and look Florence Pugh, and Chris Pine always give great performances. Which meant I was intrigued to see just how this would all play out.

So to set the scene, we open in The Victory Project, a company town in the middle of the desert where all the women stay home manning the house while their husbands go to a mysterious headquarters working on secret new materials. In a perfect house filled with every modern convenience, Alice Chambers (Florence Pugh) gets breakfast ready for her husband Jack (Harry Styles) and watches with the neighbourhood as all the men leave for work simultaneously. She spends her days cleaning the house, making dinner, rehearsing ballet, and drinking with her best friend and neighbour Bunny (Olivia Wilde). The couple enjoys being young and fun, days drinking with friends, and nights partying with the neighbours. Things are going well for both of them. But as they chat at a party held by the boss Jack Chambers (Chris Pine) and his wife Shelly (Gemma Chan), their former friend Margaret (KiKi Layne) questions everything, and soon it has Alice wondering too.  

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The Black Phone – Movie Review

TL;DR – While The Black Phone made me deeply uncomfortable for its entire runtime, it also engaged me at every moment. Ethan is terrifying as the unhinged Grabber, and the young cast stepped up to the plate when needed.   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Warning – This film depicts scenes of abuse.

The grabber stands with black balloons.

The Black Phone Review

Horror is one of those genres that I occasionally dip my toes in, but not one that I have ever done a deep dive in enough to be a true aficionado. I think part of that is probably a bit of self-care on my part, and the other is that some people get super into Horror, which is sometimes a bit intimidating. That has made me a bit more choosy about which horror films I see, moving more towards suspense than slasher. However, if there is one company that you know will put out a solid horror film, it is Blumhouse, and today’s film is not an exception.    

So to set the scene, in 1978, in the North of Denver, a young Finney (Mason Thames) is pitching to Bruce (Tristan Pravong) in a little league game. He scores two strikes, but Bruce hits it for a home run on the final ball. Finn is a bit dejected, but Bruce commends him on his swing, telling him that ‘he almost got him’. Having won the match, Bruce rode high as he went home, right up until a black van pulled out in front of him, and he was never seen again. Sometime later, as Finn and his sister Gwen (Madeleine McGraw) walk to school, they see missing photos of Bruce and wonder if he will ever be found as the Grabber (Ethan Hawke) has taken more kids and no one can seem to stop him.

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Old – Movie Review

TL;DR – A film that is equal parts engaging and unsettling      

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was sent a screener of this film

Old. Image Credit: Universal Pictures.

Old Review

If there is one filmmaker who knows Hollywood’s very heights and depths, it’s M. Night Shyamalan. But no matter if his films work or not, they are always impeccable shot and are at least trying to be more than the sum of their parts. So when you hear that he is diving back into the horror world or at least the supernatural world, well, it makes you want to see at least what he has made.     

So to set the scene, we open in on a family as they make their way by coach to the Anamika Resort on some tropical island. While the parents, Guy (Gael García Bernal) and Priscilla (Vicky Krieps), put on a good show for their kids Maddox (Alexa Swinton) and Trent (Nolan River). This was, in fact, the last holiday before the parents separate, so they are trying to make it a good memory. While at the resort, the manager suggests that they all go to a private beach that they are only opening for select guests, all you have to do is walk through a small canyon, and you are there. It is a beautiful day at the beach, right up until a body floats ashore.

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Movie Review – Follow Me (No Escape)

TL;DR – Out of all the things I expected to fell when I sat down to watch this movie, dull was not one of them, but here we are.     

Score – 1.5 out of 5 stars

Post-Credit Scene – There is are some mid-credit scenes

Follow Me. Image Credit: Studio Canal.

Follow Me (No Escape) Review

I have to be upfront before we get started. Today was a bit of a milestone because it was the first time since March (when we looked at The Legend of Baron To’a) that I have been able to go to a regular showing of a film in a cinema. So I may have gone into this film with some unconscious higher expectations than I probably should have. However, all that said and done did I pick a good choice from my first film in a long time? Unfortunately, the answer to that would be a hard no.

So to set the scene, Cole (Keegan Allen) is a stream/influencer/online personality/ etc. who can get tens of thousands of people tuning in when he goes live. He is always about finding extreme situations to film for that #Content. Well, when his friend and fellow streamer Dash (George Janko) lets him know of this super exclusive escape room set up by this cashed-up Russian Alexei (Ronen Rubinstein) he jumps at the opportunity. Well, a couple of months later and Cole, Dash, Cole’s girlfriend Erin (Holland Roden), and their friends Thomas (Denzel Whitaker) & Maya (Tia Valentine) find themselves on a first-class flight to Russia. With no idea what will be waiting for them when they arrive.

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Awards – Tension That Kept You On the Edge Of Your Seat!

Tension is one of the most difficult facets of filmmaking to pull off because it requires the script, direction, acting, and editing to all work in tandem to evoke the perfect pace. If just one part of that group misses then the most important part of the film falls apart.

In 2019 we continued to see some excellent use of tension used to build mystery or to be the harbinger of the coming dread, or even the ticking clock of inevitability.   

So without further ado, these are the moments of tension that kept us on the edge of our seats in 2019. Be warned that there may be some slight spoilers ahead for the films in question and you can click on the banners to be taken to the full reviews.

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Movie Review – The Invisible Man (2020 film)

TL;DR – A film filled with amazing acting, and technical brilliance, however it was one of the most difficult films I have reviewed due to the issues of abuse that it explores.

Score – I am honestly not sure what to score to give this film

Post-Credit Scene – There is no post-credit scene that I saw

Warning – Depicts scenes of abuse

Awards

Nominated: Explosive Action, Best Australian Film & All The Tension
Winner: All The Tension

The Invisible Man (2020 film). Image Credit: Universal Pictures.

Review

A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. However, while watching the film, I found myself feeling very conflicted with the subject material. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not.  

So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing. The moment she grabs her hidden go bag you immediately understand why she is leaving. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.

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Movie Review – The Lighthouse

TL;DR – One of the weirdest films I have ever watched and I don’t know if that is a good or bad thing, maybe both?

Score – I honestly don’t know out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Lighthouse. Image Credit: Universal.

Review

Quite often a film will come across your desk that has elements of oddness to it, sometimes that oddness is a sprinkling of seasoning over the finished production, sometimes that oddness is a core component of the meal. However, I have never seen a film that had its oddness so baked into the film that it permeated every aspect of the filmmaking from start to finish. Well, that changes today with The Lighthouse.

So to set the scene, Ephraim Winslow (Robert Pattinson) has arrived by small boat onto a desolate island in the middle of the Atlantic. He is to be an assistant wickie or lighthouse keeper under Thomas Wake (Willem Dafoe). They have to work four hard long weeks isolated on the small island, but then they get to go home with decent pay. The work is hard and the close quarters start to come to bare on the two men, made worse when the winds turn and the waves crash and the island becomes isolated from everything and everyone. Now because of the nature of this film it hard to really discus it on any level without spoiling the film a little bit, so be cautious of that as you read on.

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Movie Review – La Influencia (The Influence)

TL;DR – A visually compelling horror film that does not quite have the story depth to back it up    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

La Influencia (The Influence). Image Credit: Netflix.

Review

If you could bottle creepy? In what form would it take. There would be the bumps in the night, the flickering lights, the things of the past that you had thought forgotten, occult rituals in the night, little girls with more knowledge than they should have, creepy crawlies the sound of a ventilator and heart monitor beeping in the distance. Well if that is what it takes then La Influencia is that and more.   

So to set the scene, Sara (Maggie Civantos), her husband Mikel (Alain Hernández), and daughter Nora (Claudia Placer) are on their way back to Sara’s family home. Sara has not been back in years after a falling out with the mother Victoria (Emma Suárez). After the death of her husband, Victoria delved into the world of the occult and brought her family with her. Now she is just an old lady strapped to a ventilator after having a stroke. But as Nora becomes closer and closer to her comatose grandmother, things start to go wrong around town.

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