Foundation: A Song for the End of Everything – TV Review

TL;DR – A solid introduction that promises a lot, but is more about the vibes than detail.

Rating: 3.5 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this episode.

Exposition in a garden.

Foundation Review

Well, it is time to jump back into the world of Foundation, a series I am fascinated by for how it adapts a classical work for a modern audience. The original series is one of its time, and it chopped and changed as Isaac Asimov charted a more serialised work. But this new adaptation has found ways to run through that narrative to give it a connection. Some of these have worked, and others have been failures. As we shift into the next phase of the series, it will be interesting to see where we land.   

So to set the scene, it has been 152 years since the Second Crisis, and while The Empire continues to collapse, The Foundation grows, expanding further out of the outer reach. Now both the Empire and The Foundation are fighting to control Kalgan, a pleasure planet, and the key to controlling The Middle Band. But there may be a third player out there, ready to tear everything up. For after much prediction, or perhaps, not enough prediction, The Mule (Pilou Asbæk) is on the move, and both sides should fear him. Now, from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.    

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Poker Face: Season 1– TV Review

TL;DR – This was a delightful romp across America where we solved a murder each week in almost the same way, and I was captivated for the whole run.

Rating: 4 out of 5.

Disclosure – I paid for the Stan service that viewed this series.

Charlie sees something off.

Poker Face Review

At times, the modern TV landscape is perpetually stuck in a state of cognitive dissonance. People tend to use the word ‘old-fashioned’ in a pejorative sense as if it has nothing of value to give us. We do this while living in perpetual nostalgia cycles that are morphing into nostalgia spirals. But if there is ever an artist that lives in the overlap between those two extremes, it is Rian Johnson, and I was fascinated to see where this show would go every week.   

So to set the scene, we open in a casino as the maids try to get the rooms ready for the next occupants, or at least clean for the day, when a maid sees something horrifying on a laptop. Something that needs to be reported. So Natalie (Dascha Polanco) tells her boss (Benjamin Bratt), who tells the head of the casino, Frost (Adrien Brody). But instead of protecting her, they did the unthinkable. The only problem is that working in the Casino, Charlie Cale (Natasha Lyonne) has the impeccable talent of always knowing when someone is lying. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.

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