Tag Archives: Television

Star Trek: Strange New Worlds – Orders of Magnitude [S4E8] – TV Review

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TL;DR – This week I feel as if we have seen a touch of the endgame of the season, as we suddenly have what might be the first normal episode of the season.  

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

The USS Enterprise over a planet.

Star Trek: Strange New Worlds Review Introduction

Today we are looking at a very odd episode, because if we removed it from all the context around it, then we get a solid episode of Star Trek: Strange New Worlds. However, once we bring in all the context available, it starts becoming odder, as it feels almost more like a reaction to an uneven season. If nothing else, it does make an interesting episode to mark Star Trek’s 60th Birthday.

So, to set the scene, the USS Enterprise has been patrolling one of the major trade routes of the Federation when a weak SOS has called Pike (Anson Mount), Una (Rebecca Romijn), Chapel (Jess Bush), Uhura (Celia Rose Gooding), and A’Sha (Bianca Nugara) down to some crystalline caves. This puts them out of communication when Admiral Simon Reeger (Joe Morton) arrives by shuttle. He is a hero of the Federation-Klingon War and is chasing an echo of a ship that committed the Vaardan massacre. There is not enough time to wait for Pike to get back, so Reeger takes command of the Enterprise and makes Kirk (Paul Wesley) his number one. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Strange New Worlds – Like Chronitons Through the Hourglass [S4E7] – TV Review

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TL;DR – While it didn’t land everything it set out to do, you could not help but get caught up in the drama somewhat.

Rating: 3.5 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

End Credit Scene – There is an end-credit scene.

An old timey tv production monitors.

Star Trek: Strange New Worlds Review Introduction

As this season of Strange New Worlds has progressed, I am finding myself agreeing with Seán Ferrick from TrekCulture in wondering what is the vibe for this season? This has been a series that always has had its statement episodes; this season has been nothing but that. It has led to a dramatically inconsistent season, of which we see another example today.

So, to set the scene, Pike (Anson Mount) wakes up in sickbay with a bandage wrapped around his head. He had been in a terrible shuttle accident. Something is very wrong: his memory is fuzzy, M’Benga (Babs Olusanmokun) keeps talking off into the distance, the lights are too bright, everyone is speaking with dramatic pauses, and was that a musical cue in the background that Pike can hear? Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Strange New Worlds – Off-Hour [S4E6] – TV Review

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TL;DR – For me, this is an episode that failed most narrative levels.  

Rating: 1.5 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

The USS Enterprise with a countdown chronometer.

Star Trek: Strange New Worlds Review Introduction

Well, when I sat down to watch last week’s Level-Five Transporter Accident, I didn’t know I was sitting down to watch what was apparently the most divisive episode since Janeway and Paris had salamander kids. This week we shift to a more serious episode as our homage voyage among the stars ends up in 24-Land.  

So, to set the scene, the Alpha shift is looking forward to the end of the week and for Beta shift to take over. Everything is going fine until everyone spots a slight navigation oddity. But before anyone has time to process it, the USS Enterprise is rammed by a slipstream wormhole and yanked into its wake. Ripped from their heading, badly damaged, separated crew, and slowly shutting down. Worse, if they don’t find a way to stop, the ship will be ripped apart at the subatomic level. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Strange New Worlds – Level-Five Transporter Accident [S4E5] – TV Review

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TL;DR – They are puppets.

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

Credit: Puppets by Jim Henson’s Creature Shop.

Star Trek: Strange New Worlds Review Introduction

It feels like Season Four of Star Trek: Strange New Worlds is on a mission to see how many different films they can create their own version of. For example, last week’s Casablanca homage with The Case of the Chiaroscuro. But of all the inspirations, I was not expecting The Muppet Show.   

So, to set the scene, Scottie (Martin Quinn) hopes to set a new record for the longest transport as the USS Enterprise makes a slow trip to Vulcan while on pirate patrol. Scottie needs Spock’s (Ethan Peck) help, but he is struggling to centre himself. Everything was going well until the puppet Scottie was using caused a feedback surge, and soon the cast is teleporting away. When Spock arrives back on the ship, he can’t find anyone until he notices something felt move, because all the crew have been turned into puppets. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Strange New Worlds – The Case of the Chiaroscuro [S4E4] – TV Review

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TL;DR – This could have been a very silly episode of Star Trek, but there was some real heart and design that helped elevate the story.

Rating: 4.5 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

End Credit – There is a mid-credit scene

Star Trek: Strange New Worlds Review Introduction

It feels like this season of Star Trek: Strange New Worlds has been all about the curveballs, and today’s entry is no exception. It uses sci-fi technobabble to explain why a whole episode is broadcast in black and white. But as silly as this sounds, it is a choice that I can’t help but love seeing played out.

So, to set the scene, the USS Enterprise is on a secret mission near the border of Klingon Space. The Angelo-1 probe lost power and slipped past the border near the Mat’Aaran system, which could reignite a war if found. Una (Rebecca Romijn), Uhura (Celia Rose Gooding), and M’Benga (Babs Olusanmokun) have slipped across the border in a shuttle hidden because the local sun puts out energy that affects visual receptors and makes things hard to spot on scanners. But that scanner issue can cut both ways, and the shuttle is forced to hide on Mat’Aar XII, an occupied Klingon planet, to avoid a D7 battle cruiser. The crew must blend in with the local population until a window of escape can be found. But Una discovers that she might be wrapped into the fabric of this world more than she expects. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Reacher: City of Brotherly Love [S4E1] – TV Review

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TL;DR – Reacher has a nasty habit of being in the wrong place at the wrong time.

Rating: 4 out of 5.

Disclosure – I paid for the Amazon Prime subscription that viewed this series.

Warning – Contains scenes which may cause distress.

The Philadelphia skyline.

Reacher Review Introduction

I was captivated by Reacher in its first two seasons. Season One was a breath of fresh air in a very stale genre, and Season Two escalated that to new heights. However, I came off Season Three with a real concern that the wind might be going out of this franchise. Well, today, we will dive into the first episode of the new season to see if it can buck off the languishing legacy of last season and forge new ground.

So, to set the scene, it is 2:18 am in Philadelphia, the city of brotherly love. Reacher (Alan Ritchson) is taking one of the last trains for the night when he notices a woman in clear distress, her hands hidden in a bag. Fearing the inevitable disaster, he tries to talk the lady down from the coming disaster. But when he lies to say he is a cop, hoping that will stop the escalation, it has the opposite result. Reacher feels like he failed the woman in her hour of need, but worse, every department in the federal government is now very interested in a suicide on an early morning train. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Ride or Die: Season One – TV Review

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TL;DR – A solid, engaging romp that felt like it would have been better in a more contained version.  

Rating: 3.5 out of 5.

Disclosure – I paid for the Amazon Prime service used to view this series.

A wanted leaflet for our two main cast.

Ride or Die Review Introduction

I have been wanting something new in the spy genre for a while now to scratch that subterfuge action itch I have been having in a world where we still don’t know who the new Bond is. But while I am happy to dive into something old, I am also always ready for something new, and today we look at the latter.

So, to set the scene, Debbie (Octavia Spencer) is an American who married a British politician and has been content to follow that world, building up power bases for her husband behind the scenes, while also enjoying her love of aggressive antique hunting. Her best friend is Judith (Hannah Waddingham), who is an assassin, but not that Debbie knows that. They enjoy a world that includes not making fun of the lady in book club with the awful new haircut, well at least not her face. But all of that slightly falls apart when Judith is tasked with taking out Billy Donovan (Ed Skrein) and accidentally walks into an Albanian mob deal that includes David (Jamie Parker), Debbie’s husband. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead. 

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Ted Lasso: Home [S4E1] – TV Review

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TL;DR – A Kansas City detour to set up the season.

Rating: 3.5 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this episode.

Ted Lasso Assistant Manager.

Ted Lasso Review Introduction

Well, it is time for some more Ted Lasso. Now, I am on the record as being very fond of the series, even the weird episodes of Season One, Season Two, and Season Three. But I, like many, thought we were doneski, so colour me shocked when Season Four appeared from the ether. But given the time and the landscape, can it recapture that joy? That is what we are looking at today.

So to set the scene, Ted (Jason Sudeikis) has spent the last few years being the best day he can be to his son Henry (Grant Feely). But instead of coaching football or soccer, Ted is an assistant manager at a local supermarket. But then one day a surprise arrives in town. Rebecca Welton (Hannah Waddingham), Leslie Higgins (Jeremy Swift), and Keeley Jones (Juno Temple) have arrived with a mission. They want Ted to come back and coach their new women’s football team. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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Scrubs: Season 10 – TV Review

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TL;DR – It found its charm at times, but whether it was the short episode order or the passage of time, I just came away feeling a bit hollow about it all.

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ service that aired this episode.

The Hospital entrance.

Scrubs Review –

I came into the first episode of this new spin-off, My Return, with a touch of trepidation. Could a show like Scrubs find that same formula among the cast that worked for almost all its runtime? Can a show both reinvent itself for a modern audience without losing that pull of nostalgia and vibe that made it good in the first place? These are the questions I asked myself this season.  


So, to set the scene, it has been a long time since JD (Zach Braff) worked at Sacred Heart hospital [which was not torn down, I do not know how that rumour got started]. However, while he spends his days being a concierge doctor for the wealthy, it is not exactly a stimulating profession. But as fate would have it, today he is back at his old stomping grounds, because one of his patients got admitted. It is a place of joy with old friends, Turk (Donald Faison) and Carla (Judy Reyes), old mentors, Dr Cox (John C. McGinley), and more recent ex-wives, Elliot (Sarah Chalke). But when JD gets an offer he can’t refuse, his life is about to do a complete U-turn. Now, from here, we will be looking at the season, so there will be [SPOILERS] ahead.

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Malcolm in the Middle: Life’s Still Unfair – Season One – TV Review

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TL;DR – While it had some truly wild moments, it always felt that this was a show that had its predecessor dragging behind it like an anchor, and it likely would have worked better if they had cut that cord free more than they ended up doing.

Rating: 3 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

The family on a video call.

Malcolm in the Middle: Life’s Still Unfair Review Introduction

I’m going to come out right from the start and say that I am old enough to have enjoyed the show when it originally aired, but beyond the odd episode here and there, I have not seen the show since its original run. I remember enjoying it when it was on, but then I never found the drive, nor was it easily accessible to rewatch it where I live. Coming into this, I had a lot of nostalgia, but also significant distance from the show, and I’m not sure whether that helped or hurt my viewing experience.

So, to set the scene, A lot has happened to Malcolm (Frankie Muniz) in the years since the show aired. He went off to college, had a daughter, Leah (Keeley Karsten), founded a charity, and has gone mostly non-contact with his family. He keeps up the presence, but then always has a reason as to why he is busy. Well, try as he might to avoid it, his parents, Hal (Bryan Cranston) and Lois (Jane Kaczmarek), are about to have their 40th Wedding Anniversary, and they want all the kids back to celebrate it, come hell or high water. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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