Madame Web – Movie Review

TL;DR – It is a film that shows that you can have a great cast and an exciting scenario, but that will still not lead to a coherent narrative that has an impact.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Everyone sees the Spider-Person attacking them for the first time.

Madame Web Review

Some of the best work that is happening in the superhero genre is coming out of Sony’s Spider-Man adjacent Marvel Universe. Unfortunately, that strength is found almost entirely in its animated division, and maybe Venom, if I have had a drink or two. Unfortunately, last year’s Morbius showed us that it is also the source of some of the worst films happening in this space. While we don’t reach those depths this week, we do get a movie that was screaming with potential but ended up being wholly lacklustre.

So to set the scene, in 1973, deep in the forests of Peru, a heavily pregnant Constance Webb (Kerry Bishé) and her security partner Ezekiel Sims (Tahar Rahim) are looking for a spider whose venom is meant to have potent healing properties. Constance finds the spider but is betrayed by Webb and left for dead. A local tribe rescues her, but they can only save the life of her newborn. In the present of 2003, Cassandra ‘Cassie’ Webb (Dakota Johnson) is now a paramedic, but when a near-death experience rocks her world, there might be more than just some trauma unlocked.

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The High Note – Movie Review

TL;DR – A completely charming film from start to finish    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

The High Note. image Credit: Universal.

Review

Films about the music industry are tricky to pull off because they demand you have genuine emotion in a world of fake glitz and glamour. Indeed the best films in this genre either focus on a newcomer trying to break in or pulling back the curtain to reveal the reality of the industry. Today we look at a film that has elements of that outside story, but it takes a risk by centring it on the heart of the industry with all its glitz, glamour, and biases.

So to set the scene, Mags/Maggie/Margret (Dakota Johnson) works as a personal assistant to the great Grace Davis (Tracee Ellis Ross). Grace was a musical icon in her day, but these days she spends her time touring and releasing ‘best of’ albums. Maggie has been her PA for three years, but she wants to take her carrier to the next level and has secretly been remixing Grace’s new live album in her free time. This comes to a head when Grace’s manager Jack Robertson (Ice Cube) finally convinces Grace to get someone to produce the album and Maggie has to decide if she is going to stay quiet or speak up and take her chance.

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Movie Review – Bad Times at the El Royale

TL;DR – A really strong ensemble piece that works like a puzzle getting reveal one piece at a time, which you will enjoy depending on how long you are willing to let the premise of the film take its time to get going.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Bad Times at the El Royale. Image Credit: 20th Century Fox

Review

I am always a sucker for a good ensemble film, where you have a group of actors working together to make a better whole of a film. Indeed having a look at my Top 10 Films of All Time (see here) all of them fall on the spectrum of being ensemble films. However, Bad Times at the El Royale is not just an ensemble film, it is also a puzzle where we get to see parts of the story revealed one at a time, and they are all trapped there as a storm rolls in, and there are different motivations and, well I think you know that this is a film for me. However, it might not be a film for everyone, with that in mind let’s dive into the world of the late 1960s and one fateful night.

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