TL;DR – This is a show that
entrances you and then just when you think you have everything worked out it
shifts the game completely and you are left in awe with what just happened.
Score – 4.5 out of 5 stars
I have tried to keep up with all the new sci-fi shows dropping on Netflix, but
occasionally one of them slips through the cracks, and this week we are looking
at one of those with the brilliantly odd The
OA. When a friend highly suggested that I give it a watch I thought I would
get it an episode or two to see how it was and then at some point during Part 2
I looked up to see that it was 3 am and I truly wondered if I should watch the
two last episodes then and there, so that should give you an indication as to how
good the show is.
So to set the scene, we open with a rainy day as people drive over a bridge
when someone records a woman in white running across to the edge of the bridge
and then falling off into the water below. She survives, but won’t tell anybody
her name or where she is from. Meanwhile in a small town, in a housing estate
that was never finished, Nancy (Alice Krige) and Able (Scott Wilson) are going
about their day when someone sends them a link to something online and they
watch at their long lost daughter Prairie (Brit Marling) jump off a bridge.
They race to her hospital, retelling the story of how their daughter went
missing one day seven years ago, they race into her hospital bed where the
woman in front of them goes by The OA not Prairie and does not recognise who
just walked in, that is until she touches Nancy’s face. For you see when
Prairie was taken she was blind but now she can see. Now, from this point onwards, we will be looking
at Part 1 and Part 2 as a whole, so there will be [SPOILERS]
TL;DR – This series explores
the temptation and addiction that we can have with capturing the past. However,
while it introduces a lot of important themes, it does not really have the
space to digest them all.
Score – 3.5 out of 5 stars
If you could be young again for a day or so, would you take that opportunity,
would you try to fix some part of your life? However, what would you do to keep
staying young, would you hurt people, would you kill, what if going back meant
losing who you were? These are all really deep questions and I don’t know how I
myself would answer, but today we are looking at a show that posits these exact
questions and more.
TL;DR – This opener immediately drags you into a world of multiple factions that are all untrustworthy and makes you wonder who will you back?
Score – 4 out of 5 stars
There is this surreal moment that, I assume if you lived in Vancouver or cities like that you would be used to, when you see someone drive down a street in a film and then instantly realise that you have driven there before. You know those cane fields, the factories, you know that bridge, that university hall. It has happened before with places I have visited overseas, but never here in Australia, and never with Brisbane playing Brisbane.However as a critic, this is potentially dangerous territory, do I like the show because it is good or because I have a natural drive to see the local film industry do well. However, with Netflix’s new show Tidelands, I don’t think this is the case, and as I review all of the first season I think you will see immediately if this is a show that you should dive into or not.
TL;DR – Bloody, gory, and brutal, yet also funny, insightful, and emotional. It blends an interesting concept, with great acting, and fantastic cinematography to create a really compelling work of cinema.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
I walked into Upgrade not really knowing what to expect, I knew about some chip in some guys back and the death of his wife but nothing much else. What I was not expecting was to see a deeply emotional work of art, which does so much with its shoestring budget that I was shocked to see it only cost five million to make. It delves into the world of post-humanism that we are rapidly approaching as technology and biology blend together. But with all that at its heart is a story about a man losing everything he loves and trying to live in a world where nothing will bring the love of his life back.
TL;DR – Mystery Road is a mystery ‘who done it’ where every reveal has weight and you have to watch every episode just to see what happened next.
Score – 4.5 out of 5 stars
Australian TV is kind of going through a period of uncertainty, how does it adapt to a changing global marketplace where streaming services are the new norm, or to governments that do not feel like supporting the arts is a good thing any more. Indeed, when you look at the list of currently running drama series in Australia it is almost anaemic compared to even ten years ago. Within this world, it is an unfortunate reality that you have to make each chance count, and with today’s Mystery Road we have a show that does just that. Now before we move onto the review proper just a couple of points. Firstly, this is based off a series of films created by Ivan Sen that I have unfortunately not seen, however, if you are like me in this regard, don’t worry because anything you do need to know about them is told in the show so you are not missing out. As well as this, we will be looking at the series as a whole so there will be some [SPOILERS] ahead, but we will leave discussions about the final episode to a paragraph all to itself so you can skip that if you don’t want to find out the conclusion.
TL;DR – A surreal experience that plays on the power structures of the time, an important retelling of an Australian classic that everyone should watch.
Score – 5 out of 5 stars
“What happened to the girls at the Hanging Rock?” It is one of the most famous questions in Australian mythology. Was there foul play, did they run away, was it something out of this world? The book by Joan Lindsay and the fictional yet presented as the real account is one of the most important works of literature to out of this fair country, and it was turned into a very successful film in 1975. Well, that was over forty years ago and today we have a new take at adapting the classic book into a mini-series format. Today we take a look at the world at the turn of the twentieth century, a world of pomp and ceremony, and a world of oppression and conformity.
TL;DR – A competently produced National Treasure like film, that really hopes you don’t start thinking through the plot points too deeply.
Score – 2.5 out of 5 stars
I should start this review with a quick clarification, I have not seen any of the films in this series (The Da Vinci Code, Angels & Demons, and Inferno) nor have I read the source books, this is not because I have any dislike for books in general, indeed I have too many shelves full of them, but just honestly The Da Vinci Code never seemed to be that good. So with the third one of these films coming out and the ability to still get Tom Hanks and Ron Howard involved in something that feels like a straight to DVD release it did have me intrigued, have I misjudged this series? is there actually something here? So with this in mind, I decided to give it a watch with the worst case scenario I get something to write a rant about it. However, what I saw was not a bad film, but it’s not a good one either. Continue reading →