The Alto Knights – Movie Review

TL;DR – An interesting experiment that looks back on America’s past, anchored by Robert De Niro’s dual performances. Compelling right up to the point it starts meandering everywhere.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Robert De Niro playing two different mobsters.

The Alto Knights Review

When it comes to mobster films set in and around New York, there are few names as crucial as Robert De Niro. So, when you hear that he is taking not just one lead in a new mob film but pulling double duty as both of the main antagonists, based on a real event, well, that is a scenario that calls for attention.   

So, to set the scene, it is 1957 on the streets of New York City where professional gambler Frank Costello (Robert De Niro) has just arrived home after a charity dinner and is waiting for the lift up to his penthouse apartment when he hears his name called out from behind, and Vincent Gigante (Cosmo Jarvis) promptly shoots him in the head. Frank survives, but he is the boss of bosses, who would put a hit out on him. Well, a rival did not just betray him but the one person he once called a friend, Vito Genovese (Robert De Niro).   

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Movie Review – Searching

TL;DR – A film that is both revolutionary filmmaking, but also deeply centred on the question of what would you do if you lost everything

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Searching. Image Credit: Sony

Review

Films can be revolutionary for a number of reasons, maybe they have a new actor that blows the world away, maybe they are looking at a subject that no one dared venture before, or maybe they revolutionise filmmaking in some way. With Searching, we have the later because this is a film that is shot entirely from the perspective of a computer screen. We see the YouTube video, the webcam, the documents as if we were living in the screen and peering out in the world. It is both disorientating but also oddly comfortable as it has all the tactile notions of the world we live in. With that in mind, today we are going to see if this is a film that is just a gimmick, or if it is using this new technique to tell a story.

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