Well, there are many aspects of Australian life I just don’t get, and one of those is the veneration of Ned Kelly. But then it does have the distinction of being the subject of the first feature film ever made. Today we look at a movie that explores the life of Ned Kelly, the true story of the bushranger … well maybe not the whole truth …or even a little bit of it.
So to set the scene, in 1867 Australia, and a young Ned Kelly (Orlando Schwerdt) is trying to find his place in a rural world with no education and a mother Ellen (Essie Davis) with an ‘interesting’ view of raising children. She sells the boy to Harry Power (Russell Crowe) a bushranger who introduces the boy to the violent world, including shooting Sergeant O’Neill (Charlie Hunnam) a member of the constabulary. After spending time in jail and away from his family Ned (George MacKay) returns home and gets brought back into the world he once escaped.
When I walked in to see Babyteeth, I had no idea I was walking into. Sure, from the wigs I assumed it had something to do with cancer, it also had Ben Mendelsohn, so at the very least I was going to be entertained by that. However, nothing could prepare me for the emotional roller coaster that I would be taken on from start to finish.
So to set the scene, Milla (Eliza Scanlen) is preparing for her last day at school for a while as soon she would be starting chemotherapy as her cancer had returned. While she is waiting to get on the train, someone crashes into her from behind. Moses (Toby Wallace) had just been kicked out of home due to his drug addiction. They run off to get her hair cut, and Milla brings him home to meet her parents Henry (Ben Mendelsohn) and Anna (Essie Davis). It goes about as well as you expect it would.
I do feel that I have to preface my review with the note that moments in this film are painful to watch. So difficult that you want to turn away from the screen because the pain is too raw to bear. I say this because I feel people are going to come away with very different feelings about this film, and I wanted to give a little forewarning before we dived into the review proper.