TL;DR – There could have been a good film here, but it gets lost in the mess of two competing ideas.
Rating: 2.5 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid for the Stan service that viewed this film
Poker Face Review –
One of the things about reviewing films that can be frustrating is when you get a movie where you can see promise in there, but the final product just falls flat. You feel for the filmmakers because they were so close to finding something unique, but you must review what you get at the end of the day. Well, on that front, let’s look at Poker Face.
So to set the scene, we open in on a bunch of kids playing cards, jumping off cliffs, running from bullies, and being there for each other. Many years later, the leader of the group, Jake (Russell Crowe), is visiting a local shaman (Jack Thompson) in the bush and asking his lawyer Sam McIntyre (Daniel MacPherson), to arrange some trust accounts and an extraordinary evening. Soon Michael Nankervis (Liam Hemsworth), Alex Harris (Aden Young), and Paul Muccino (Steve Bastoni) are all racing up the coast in sports cars to make it to Jake’s luxury oceanside holiday house. The childhood friends will play a high-stakes poker game, but secrets are about to escape.
TL;DR – While it was missing some of the substance of the last film, I found Thor: Love and Thunder to be a fun romp through the galaxy.
Rating: 4 out of 5.
Post-Credit Scene – There is a mid and a post-credit scene
Disclosure – I paid to see this film.
Thor: Love and Thunder Review –
I don’t think I have made it any secret that I found Thor: Ragnarok one of the best films in the MCU, and indeed a film that I will always sit down and watch when it is on. But I thought this would be a one-off because of some unwritten rule that stops solo films after three outings. Well, call me surprised when it was announced that we were getting Thor 4 because that was probably the best news out of this somewhat fractured start of Phase 4.
So to set the scene, we open in on a parched land as Gorr (Christian Bale) and his daughter Love (India Hemsworth) walk one step at a time, praying for deliverance from their god Rapu (Jonny Brugh). But there is none to be found as Love dies from exposure. Gorr is beside himself when he hears voices in the wind and stumbles into an oasis, where Rapu is having a glorious feast and does not give a hoot about Gorr or his daughter. In that moment of horrific destruction of faith, the Necrosword appears in his hand, and he slays the god and begins a campaign to exterminate all the gods. Meanwhile, Thor (Chris Hemsworth) has been hanging out with the Guardians of the Galaxy, trying to find his place in the world. When Lady Sif (Jaimie Alexander) calls out, Thor comes to her aid and discovers that a mad man has their next target, New Asgard.
Well, there are many aspects of Australian life I just don’t get, and one of those is the veneration of Ned Kelly. But then it does have the distinction of being the subject of the first feature film ever made. Today we look at a movie that explores the life of Ned Kelly, the true story of the bushranger … well maybe not the whole truth …or even a little bit of it.
So to set the scene, in 1867 Australia, and a young Ned Kelly (Orlando Schwerdt) is trying to find his place in a rural world with no education and a mother Ellen (Essie Davis) with an ‘interesting’ view of raising children. She sells the boy to Harry Power (Russell Crowe) a bushranger who introduces the boy to the violent world, including shooting Sergeant O’Neill (Charlie Hunnam) a member of the constabulary. After spending time in jail and away from his family Ned (George MacKay) returns home and gets brought back into the world he once escaped.
TL;DR – This is at times a very difficult film to watch, but it is an important film because abuse is abuse and that is what this is.
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene
There are many reasons you can make a film, okay well other than making a profit, it is a business after all. It can be to entertain, it can be to inform, it can be to titillate, it could be to scare, or even to keep the kids entertained for 90 minutes so the parents can clean the house. However, sometimes a film exists to shine a light on a subject people might not know about, but they should. Today with Boy Erased we are looking a just such a film as explores the Pray the Gay Away industry in the United States and the dangerous harm it does to people.
TL;DR – This is a good start for the Dark Universe and I really enjoyed it, but there were just a couple of things that needed to be worked on that held it back a bit
Score – 3.5 out of 5 stars
P.S. – There is NO end credit scene
Now from the start, I have to say I do have a lot of love for the 1999 Brendan Fraser Mummy film, I mean I even like its only follow up The Mummy Returns because they were wonderful camp fun with a horror veneer. Indeed I will always remember the first time I saw The Mummy as a kid, it was at a friend’s place and there was a whole lot of people crowded around the TV and VCR and someone was passing around cups of tea when the mummy awoke and it scared them so much tea went everywhere. So whether I like it or not, I’m going to bring those memories and that nostalgic feeling with me when I go see The Mummy because it has to hold up to the ones that came before and for the most part I think that it does. So today we will breaking down how well The Mummy does as a standalone film, how well it does as the starting point for the Dark Universe, and also look at some areas where the film needed improvement.