TL;DR – A wild film with commitment in the subtext, the literal text, and also a promise to the audience.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Hit Man Review –

There has been a lot of talk about who is going to be the next leading man in Hollywood. Indeed, I think the last person to claim that honestly might have been Tom Cruise, maybe Robby Downer Jr., but then the question is always who is going to fill that role in the near future. When it came to raw power, we have seen that Glen Powell has that in spades, but does he have the range? Well, that is the question I think we will get an answer about today.   
So to set the scene, Gary Johnson (Glen Powell) is the epitome of a mild-mannered professor. Who spends the day teaching psychology and philosophy and nights feeding his cats. Oh, and he just shop happens to have a side hustle working undercover for the New Orleans Police Department. Traditionally, he stayed in the van working on all the tech stuff he installed. Still, one day, when the undercover officer Jasper (Austin Amelio) was not able to make it, his boss Claude (Retta) was out of options. In a moment, Gary was a hitman for hire. At least, that is what he pretends to be.