Sisu – Movie Review

TL;DR – An electric meditation on violence and the lengths people will go to survive.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A horse rides over the Lapland countryside.

Sisu Review

Violence can be used for many things in cinema. It can be shocking, used for humour, tell a moral, used to scare, or even offend. Recently, we have seen the popularisation of the reverse slasher film, where you rally behind those dishing out the violence. We can all rally behind John Wick as he takes down those who killed his dog, but can we translate that into a war setting? Well, this is what we are exploring today.

So to set the scene, in 1944, it was the closing months of WW2, and after Finland signed the Moscow Armistice, they were required to evict any Nazi presence from the country. The Nazis then start a scorched earth campaign as they retreat through Lapland to reach the Norwegian border. Aatami Korpi (Jorma Tommila) lives in the Lapland wilderness, mining for gold with his dog and horse as the only companions. After finding a rich gold reef, he returns to Helsinki to deposit it at the bank when he comes across Bruno Helldorf (Aksel Hennie) and his retreating SS platoon. This first group lets him pass, but carnage breaks loose when the second spots the gold.

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Movie Review – A Moment in the Reeds (2017)

TL;DR – A very contained film exploring relationships as they form in the intensity of a single moment.      

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

A Moment in the Reeds. Image Credit: Wild Beast Productions.

Review


Today I have been rained in, so with everything I was going to do put on hold, I thought I would take some time and explore some of the films available on-demand here in Australia. The first one I came across was a film out of Finland that explores a bond that is formed over a weekend working in the Finish countryside.

So to set the scene, Leevi (Janne Puustinen) is coming home to Finland after a long time away in Paris. He is home to get some research done on his thesis but whilst he is there he feels compelled to visit his father Jouko (Mika Melender), even though they have a strained relationship after the death of his mother. When he arrives at their summer cottage, Leevi discovers that his dad is renovating it, getting it ready to sell, and since he had no idea Leevi was coming he had hired someone from a job agency to help him. That is how Tareq (Boodi Kabbani) arrives at the cottage, and it is a good thing Leevi is there because Tareq is a Syrian refugee and he doesn’t speak Finish, and Jouko’s English is not that great so Leevi can act as a translator. However, things heat up when the two are left to their own devices and discover each other.

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