The Heartbreak Club (Sobat Ambyar) – Movie Review

TL;DR – A fascinating film of love, loss, and coffee.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is a post-credit scene

The Heartbreak Club (Sobat Ambyar). Image Credit: Netflix.

The Heartbreak Club Review

I have been recently part of a project that had me working on many regions of the world. One of the areas that we focused on was Indonesia, and I realised that I had not seen any of Indonesia’s cinema while I knew a lot about the country. In 2021, I wanted to change that, and today we have the first entry in that with The Heartbreak Club.   

So to set the scene, Jatmiko ‘Jat’ (Bhisma Mulia) was at the concert of Lord Didi (Didi Kempot) singing along. However, he becomes overwhelmed by the music and the emotion of his life. We go back in time one month and see Jat and his friend Kopet ‘Pet’ (Erick Estrada) run a coffee shop that no one goes to. When one day Saras ‘Ras’ (Denira Wiraguna) walks in, and their world changes forever as the crazy comes in her wake.  

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Emma – Movie Review

TL;DR – Charmingly silly, yet deeply compelling    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography, Stunning Costumes, Most Fun, Exquisite Musical Score & Fascinating Worldbuilding

Emma. Image Credit: Universal.

Emma Review

It has been said of me lately that I have been rather a bit dismissive of the old works of writers like Jane Austen. Well, in my attempt to catch up on some of the films I missed in 2020, I thought it would be the perfect time to remedy this, a little.

In England’s Regency-era, a local matchmaker has made her latest match in the rural countryside village of Highbury. Emma Woodhouse (Anya Taylor-Joy) has set up her governess Miss Taylor (Gemma Whelan) and local widower Mr Weston (Rupert Graves). She loves the game, and her latest intrigue is Harriet Smith (Mia Goth) who brings her into a confrontation with George Knightley (Johnny Flynn), a friend and yet sometimes rival.

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Ever After: A Cinderella Story is the best Cinderella (1998) – Exploring the Past

TL;DR – A joy to watch from start to finish. 

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Ever After: A Cinderella Story. Image Credit: 20th Century Studios.

Ever After Review

There are a lot of films that landing when you were growing up, that no matter what, will always charm and excite. For a child of the 1990s, it is those films like 10 Things I Hate About You that hit you in your core no matter how many times you have watched them. Well, today we get to look at one of those films that does it better than many others, which can take you back in time with a single first trumpet swell.

So to set the scene, we open in the 19th century, when the Grande Dame (Jeanne Moreau) invited The Brother’s Grim to her bedside. She loves their collection of folk tales … well all that is bar one, The Little Cinder Girl. Noticing a painting on the wall, one of the brothers asks about its providence, which lets the Grande Dame tell the story of her great-great-grandmother Danielle de Barbarac (Drew Barrymore). As a young girl Danielle (Anna Maguire) lived in a grand manor house her father Auguste (Jeroen Krabbé). One day in his travels he brings home a new wife the Baroness Rodmilla de Ghent (Anjelica Huston) and her two daughters. It is another happy time, until when leaving on a trip to Avignon, Auguste has a heart attack at the gates of the property, leaving Danielle very much alone. 

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Romance on the Menu – Movie Review

TL;DR – There are moments when this film comes together. Unfortunately, those moments are few and far between.    

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Romance on the Menu. Image Credit: Netflix.

Romance on the Menu Review

Do long lost relatives ever give you a call to adventure in their wills, no you neither? Well, it does seem to be a ubiquitous plot point in films. Today we explore a movie that as fate would have it has that very set up, that takes our protagonist from the hustle and bustle of New York to the calm of Australia.

So to set the scene, Caroline (Cindy Busby) works as a professional chef running a kitchen of a fine dining restaurant. The one day she took off they had a food critic come and blast the food, so she spends all her time trying to make up for that. Caroline does not have any time for love because she is too busy. However, out of the blue, Caroline receives a letter from Australia, her late aunt had left Caroline her old café in Lemon Myrtle Cove. When Caroline arrives to look over the café to get it ready to sell, she makes a fool of herself in front of Simon Cook (Tim Ross) who is both her landlord and also the cook of The Seagull Café, and yes our love interest. Well, Caroline’s plan of finishing the sale as quickly as possible is put in jeopardy when no one will renovate the café to let her sell it, so she has to take drastic measures to keep to her timeline.     

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Movie Review – Liza, Liza, Skies Are Grey

TL;DR – A film that takes an interesting premise and then does nothing of note with it.     

Score – 1.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Liza, Liza, Skies Are Grey. Image Credit: Vision Films.

Review

Today we look at a film trying to be a snapshot of a time and a place, which unfortunately fails on both accounts. Which is a real shame because there is a lot of potential in the direction the film was heading in that just never eventuates. Because of this, our review will be more of a constructive look at some of the ways it went wrong so you can avoid these traps in the future.    

So to set the scene, in 1966, the world is on the precipice of global failure with two nuclear powers on the brink of calamity and the draft for the Vietnam War accelerating. Liza (Mikey Madison) is just finishing up the school year when she runs into the new trumpet player Brett (Sean H. Scully). They lament on the state of the world, and of their mutual issues with their guardians. When Brett, let’s Liza know that he is moving across the country after the summer, they decide to take a trip up the Californian coast while they still can.        

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Movie Review – MILF

TL;DR – It lives up to its title in interesting ways    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

MILF. Image Credit: Netflix.

Review

In my time reviewing films I have seen a lot of movies about older men trying to recapture their youth by chasing after young women, and those few moments that the reverse is true they always seem to be directed by men. Well, today we review a film directed by a woman with that perspective clearly intact. Though before I dive in, I should preface this with this is a film that very much lives up to its title, and I am pretty sure everyone knows what MILF is, if you don’t then this is probably not the film for you and also maybe don’t google that.

So to set the scene, three friends are on their way to the coast to have a holiday of sorts from their jobs in Paris. Cécile (Virginie Ledoyen) is there to get her holiday house ready for sale after the death of her husband and her friends Sonia (Marie-Josée Croze) and Elise (Axelle Laffont) have come for support. Well while out on the bay going for a sail they come across several young men like Julian (Matthias Dandois) and Paul (Waël Sersoub) out on the water, and things take a turn when an unintended butt dial leaves everyone single and guilt-free.

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Movie Review – Ali & Alia (علي وعليا)

TL;DR – A difficult film to watch at times but an interesting look at power, addiction, family, and abuse.    

Score – 3 out of 5 stars

Post-Credit Scene – There is a mid and post-credit scene

Warning – Depicts scenes of abuse

Ali & Alia. Image Credit: Number One Films.

Review

I had realised that my drive to experience more of world cinema has taken a back seat for a while, so today I decided to change that. More than just change that, I thought it would be best to dive into a cinema I haven’t really explored before. As if on cue, Ali & Alia appeared and well one does not look providence in the face and then blink.   

So to set the scene, we open flying through a town until we land in a football field where two sides are drawn together in opposition. On one side is Ali (Khalifa Albahri) and on the other is Aboud (Mayed al Ali). What is the fight about, well we jump back a little time and we see the start of it all. One day as Ali is escorting Alia (Neven Madi) to the local clothes shop when he is accosted by a bunch of layabouts. Instead of standing up for himself, he says nothing. This upsets Alia because he is not acting like a man. This rebuke starts a spiral in Ali’s life that affects everyone around him.

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Movie Review – Portrait of a Lady on Fire (Portrait de la Jeune Fille en Feu)

TL;DR – A beautiful yet deeply sad film that never quite escape its emotional weight      
Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Portrait of a Lady on Fire (Portrait de la Jeune Fille en Feu). Image Credit: Madman films.

Review

Several films came out around Christmas that I wanted to see but I could not make it work because my new job didn’t start till the end of January. Well thankfully a lot of them are now making their way to video on demand (at a reasonable price unlike some other films) so I get to jump back in and fill in those gaps. The first film in that group is full of mood and tension and 18th century France.

So to set the scene, in the 18th century of the coast of Brittany, France a woman takes the long trip across the ocean in a rowboat. Marianne (Noémie Merlant) is a painter and has been hired The Countess (Valeria Golino) to paint her daughter Héloïse (Adèle Haenel). The painting is to be sent as a part of Héloïse’s wedding present, an arranged marriage to a noble in Milan. However, there is a catch, because Héloïse sent the last portrait painter off in disperse with an unfinished work hanging in the house, Marianne has to paint Héloïse in secret without her knowing. 

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Movie Review – Alive

TL;DR – A short film that explores the important bond between people    

Score – 4 out of 5 stars

Alive. Image Credit: Distribution with Glasses.

Review

When it comes to films, if it can get to that core emotional note and thus resonate on that deep level, well that will always hit that much harder for me as a viewer. This is because if the emotions work, then so much more of the film will flow from there. Today we explore a short film that knows this and focuses in on it as the core of the film.  

So to set the scene, Viktoria (Eva Johansson) lives her life in a wheelchair and needs around the clock support to live her life. During the day, her assistant Ida (Madeleine Martin) was walking through the park when they run into Ida’s boyfriend Björn (Joel Ödmann). Later that day, Viktoria admits that she feels alone. So Ida sets her up with a Tinder profile to find someone.

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Movie Review – Maska

TL;DR – A nice story that does tread some well-worn ground    

Score – 3 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Maska. Image Credit: Netflix.

Review

So to set the scene, we open in on Rumi Irani (Prit Kamani) who is living in his late father’s shadow. Like all things, he is fated to take over the family business which in this case is the Café Rustom an Irani café in Mumbai. His mother Diana (Manisha Koirala) cannot wait till he can take over the café and breathe new life into it. However, one night Rumi won the Mr Firozsha Baag and in it, he discovered his dream, he wants to become an actor. Of course, it does not hurt when he discovers that at his acting lessons not only is this his passion but one of his classmates Mallika Chopra (Nikita Dutta) might be his soul mate.

One of the things I like about Maska is how is it is about breaking out of the bubbles of our life. I once heard that tradition is just peer pressure from dead people and in this film that is both a metaphorical point and also a literal one as he sees an apparition of his father Rustom (Javed Jaffrey). It is about balancing the expectations of your past with the realities of the future.

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