Do you know what I needed this week? I needed a bit of fun, you know what I think a lot of people need this week, a little fun, well, have I got news for you. It has been great over the last couple of years to see Pasifika Cinema go from strength to strength and today we get to look at another entry into the great canon.
So to set the scene, we open in on the great Baron To’a (John Tui) himself as he does a tour of his home and local cul–de–sac Kinlock Ave. He is the heart of the local community and he is most proud of his son Fritz (Lotima Pome’e). However, it cannot last and twenty years later when Fritz (Uli Latukefu) returns to help sell his house after his uncle Otto (Nathaniel Lees) stops returning his calls he finds that the sac is a very different place than what he remembered.
TL;DR – There is a kernel of a good idea here, and there are parts of it where you can see how it could have made a really good film, just maybe not the one we got
Score – 2.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
When you here that the premise of a film is that someone has bolted guns to Daniel Radcliffe’s hands and let him loose in the world. Well, that congers up a lot of images and expectations, indeed Daniel has been bouncing from one delightfully odd film to the next since his time in/as Harry Potter. At the very least, it is the kind of set up when you know before walking in that it is either going to be amazing or a dumpster fire but not in-between. Well trust me, I am just as surprised as you that I got it very wrong.
So to set the scene, Miles (Daniel Radcliffe) is your usual loner who lives a less than great life as a code monkey for a soul-sucking corporation. But at night, he finally comes alive as he trolls, well other trolls. One night, however, things take a turn as he discovers ‘Skizm’, which is kind of like Twitch but with murder, indeed we are introduced to the program with Nix (Samara Weaving) annihilating another contestant because two people start and only one comes out alive. Well, Miles starts trolling the chat and eventually gets noticed by the admin Riktor (Ned Dennehy) who smashes down his door, knocks him out, and performs a little surgery. Miles wakes up with a splitting headache … oh and two guns bolted to his hands.
A good Action sequence is something that is truly amazing to watch, as it can be as expansive as explosions crashing across the screen, or more intimate, like a duel between two people. This gives the best action scenes such a range and in 2019 we were given some truly amazing spectacles.
For me, the best action scenes are those that excel in every element, whether that be live actions, special effects, digital effects, or animation and bring every facet to shine. It is also the category that looks at some of the department’s people don’t often fully understand like stunt coordination or the 2nd unit.
So without further ado, these are the moments of action that awed us in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to see the reviews of each film.
TL;DR – An incredibly stylish and well-produced film that just didn’t quite nail the substance portion.
Score – 3 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Sometimes in life, you want to shut your brain off for a bit, sit down, and watch some explosions flare to life on your screen. The action flick is the king of this, especially if you pivot it in the direction of an action/comedy. However, today we are looking at a film that should be all this and more, but I walked away feeling that something was missing.
So to set the scene, we open in on a special ops team, which is having a very bad day, because everything is going very wrong, very, very, wrong. This is not your usual black ops team because while black ops teams are sometimes called ghosts, this team is for all intents and purposes are actually ghosts because the world thinks they are all dead. We have One (Ryan Reynolds) The Billionaire, Two (Mélanie Laurent) The CIA Spook, Three (Manuel Garcia-Rulfo) The Hit Man, Four (Ben Hardy) The Skywalker, Five (Adria Arjona) The Doctor, and Six (Dave Franco) The Driver. Their aim was to find information out about Rovach Alimov (Lior Raz) a dictator with the predilection for using chemical weapons against civilians.
TL;DR – From the action to the story and the music. First Contact captures a real moment in Science Fiction history and is still probably my favourite Star Trek film.
As the march of time continues forth, I was reminded that it has been twenty-three years since Star Trek: First Contact came out in cinemas. Goodness, 1996, such a long time ago, a time when I was not even in high school. However, in all the time since and before I don’t think any Star Trek film has had the same impact on me (though Wrath of Khan and Beyond come pretty close). As the time is right, and we all know how important time is, let’s dive into the joy that is Star Trek: First Contact.
So to set the scene, in Generations the USS Enterprise-D was destroyed by assailants and so a new ship the Sovereign-class USS Enterprise-E was commissioned with all our familiar faces making the transition. However, just with the Enterprise is in the middle of its shakedown cruise the worst possible news happens. The Borg are back. A large cube ship is on a trajectory with Earth but the Enterprise cannot help as Jean-Luc Picard (Patrick Stewart) was once assimilated by the Borg and Starfleet wants it away from the battle. But to hell with orders, which is good because this time the Borg is messing with the timeline and only the Enterprise can fix the damage before it is too late.
TL;DR – Was one of the more
interesting shows I have seen on Australian TV by being both a throwback to the
past and also something a little new
Score – 4 out of 5 stars
We took a look back at Les Norton’s
first episode You
Wouldn’t Be Dead For Quids, back when it first came out. Well, the
first season has just finished so I wanted to take a moment to look back at the
show and how well it did as a whole. A show about the 1980s, finding yourself
in over your head, and also just about the most aggressively Australian TV show
I have seen in a very long while.
So to set the scene, Les Norton (Alexander Bertrand) is a country boy from
Dirranbandi in south-west Queensland. He’s had to skip town after an incident where
a rival teammate was left fighting for his life with a head injury and he
needed to disappear before there was a riot. He needed to find some work to get
through his time in Sydney which is where he meets his guide and new friend
Billy Dunne (Hunter Page-Lochard) working as a doorman at a local club in Kings
Cross. The first 22 minutes of his shift is boring, but we come in at minute 23
and the fists start flying. The head of the club Price Galese (David Wenham)
likes what he sees and brings him into the fold and Les discovers a world
hidden out of sight, protected by the powerful, and who run on very different
rules where discretion is key.
TL;DR – This an interesting
spy series which is unfortunately held back a bit with inconsistent pacing and
the flow-on effects from that.
Score – 3 out of 5 stars
One of my goals this year has been to expand my global cinema intake from
places away from the traditional English speaking countries that I am used to.
I have not been as successful as I would have liked, but when a new Indian spy
thriller drops on Netflix you don’t look a gift horse in the mouth. Now I have
finished it, wow, is this series a lot, and I think it might also have lasting
So to set the scene, in Balochistan, Pakistan, a group of Indian deep-cover
spies are in a lude video internet café using it as a cover as they upload
important information back to New Delhi. However, before they can finish, they
are captured by the local Taliban. Before they can be executed the Pakistani
Intelligence forces intercede and save then, not to keep them alive, but to
kill them at the right time and place. Back in India, one of the chiefs in
India’s Intelligence bureau Sadiq (Rajit Kapur) feels that something is odd so
he seeks out Kabir Anand (Emraan Hashmi) code name Adonis but there is bad
blood between them over what happened last time in Pakistan. He instead sends Isha
(Sobhita Dhulipala) to retrieve him, however, Sadiq is murdered in his home and
Adonis is framed, and only he might be able to save the agents because there is
a mole in the Indian government and he does not know who they might be. Now
from here, we will be looking at the season as a whole so there will be [SPOILERS]