Kalki 2898 AD – Movie Review

TL;DR – This is a film that had moments of dire boredom but also had me sitting on the edge of my chair. I wish we got more of the latter than the first.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film

The Complex hovering over everyone.

Kalki 2898 AD Review

Back when RRR came out two years ago, I realised that I needed to watch more Telugu Language films, and I have been found wanting on that front. Well, if I am going to dive back in, a substantial mythological/Science Fiction romp is 100% right up my alley. Today, we are going to come into this movie with a slight outsider perspective with all its strengths and weaknesses.

So to set the scene, back in the ages past, in 3102 BC, two groups, the Kauravas and the Pandavas, fought for the throne. But when Ashwathamma (Amitabh Bachchan) attempts to kill an innocent, lord Krishna (Krishnakumar/ Arjun Das) curses him to walk the world as an immortal, being never able to die until Vishnu’s last avatar returns. Thousands of years later, in 2892 AD, the world was scorched, and the only city left was Kasi, which lived under the shadow of The Complex, a vast megastructure in the sky. It is a brutal world where everyone is trying to make enough units to get into The Complex while they act with impunity, killing anyone and stealing all the women able to bear children. Bhairava (Prabhas) is a bounty hunter in this world, but when he captures a fleeing Luke (Harshith Malgireddy), little does he know the new trajectory his life will now be on and the dangers he might have incited.

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RRR – Movie Review

TL;DR – This is a film that is a slow burn right up to the point that it goes from 0 to 1000km in a second and does not stop for its entire runtime.    

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid to watch this film

RRR. Image Credit: DVV Entertainment.

RRR Review

In 2020, I started dipping my toes into the mammoth that is Indian Cinema. However, as the pandemic erupted, that was one area that slipped away. Now that things are sort of coming back to normal, it is time to begin this chapter again, and what a film to start on.

So to set the scene, in Adilabad forest, the Governor of India Scott Buxton (Ray Stevenson) has been out hunting. In contrast, his wife Catherine Buxton (Alison Doody) has the whole village on a show for her entertainment. As the village looks on, the young Malli (Twinkle Sharma) sings while painting on her hand. The governor throws Malli’s mother (Ahmareen Anjum) some coins that she things were for the song, but they were to buy her daughter. The tribe is distraught at the crime and calls on their protector Komaram Bheem (N. T. Rama Rao Jr.), to travel to Delhi and rip it apart to get the girl back. Hearing that Bheem is on the way and not knowing who they are, the colonial police force gets Alluri Sitarama Raju (Ram Charan) to hunt him down before he can succeed.    

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