Neighbours (Neighbours: A New Chapter) – S41 Ep. 8904 – TV Review

TL;DR – This was a fascinating jolt of nostalgia, but I am not sure it has the sticking power to be more than that.  

Rating: 3.5 out of 5.

Disclosure – I watched this on 10 Play.

Neighbours Review

If there is an Australian that has made it big overseas, there is a more than reasonable chance that they spent some time on Neighbours [or Home and Away, but we are not talking about that today]. Guy Pearce, Luke Hemsworth, Cleopatra Coleman, Russell Crowe, Ben Mendelsohn, Liam Hemsworth, Margot Robbie, Natalie Imbruglia, Jesse Spencer, Dichen Lachman, Alan Dale, Daniel MacPherson, and Kylie Minogue, just to name few. So, it was a bit sad when the show came to a somewhat sudden stop last year. In the way that seeing an old cornerstone come to an end, you’ll understand when they finally put Simpsons to rest. But a year later, life has sprung back to Ramsey Street, and it is time to see if this is a rebirth or a lumbering zombie.

So to set the scene, it has been two years since we last checked in to the gang on Ramsey Street, a small cul-de-sac in the suburb of Erinsborough, Melbourne. When we last left the street, everyone was putting on a wedding. Well, time is nothing but a circle because as we meet everyone again, we discover them all getting ready for the next nuptials. Karl (Alan Fletcher) and Susan Kennedy (Jackie Woodburne) are letting their old friend Harold Bishop (Ian Smith) crash at their house. But if there is one thing that sums up Ramsey Street, the more it stays the same, the more it changes as a new family moves in and a mysterious woman, Reece Sinclair (Mischa Barton), arrives at the local hotel. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.  

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The Dry – Movie Review

TL;DR – A film that captivates you in the first frame and never lets you go throughout the runtime.    

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

The Dry. Image Credit: Roadshow Films.

The Dry Review

The murder-mystery who-done-it genre is one that can captivate me as we see the mystery unfold or frustrate me as the film throws in silly narrative choices to pad out the run time. Today we get to look at a movie that does the first as it brings you into this world and does not let you go until the end.

So to set the scene, we open with long pans over a dry and parched landscape full of dust and brown. When in the background we can hear a baby crying, we see it in its crib, but something is amiss and as the camera pans out there is blood everywhere. A couple of weeks later we are in Melbourne where we discover there has been a murder-suicide with a father killing his wife and son but leaving the baby behind. Aaron Falk (Eric Bana) is now an investigator for the Federal Police, but he grew up in the town and knew the husband Luke (Martin Dingle Wall) as they were childhood friends. A letter compels him to return for the funeral, but coming back to town is harder for Aaron because of his past and the suspicious death of one of his friends that caused him and his family to flee all those years ago.   

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