Tag Archives: BeBe Bettencourt

Spiderhead – Movie Review

Posted on by
Reply

TL;DR – A bunch of ideas that never coalesced into a whole     

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix account that viewed this film

Miles Teller rides on a boat blindfolded while two goons sit on either side.

Spiderhead Review –

Finding the tone is one of the most challenging parts of making a film, from the script to the filming to the edit. It is said a movie is made three times, and in that creation, a feeling can be discovered or a story lost. This week we look at a film that is trying to do many things, but in the mix, it never finds itself.

So to set the scene, in a remote location, accessible only but seaplane is the Spiderhead Penitentiary and Research Centre. Inside, the man in charge of the facility, Steve Abnesti (Chris Hemsworth), runs experiments on the inmates [with their sort of consent], and if they commit, they will get time off their sentences. One of the inmates, Jeff (Miles Teller), gets to go on field trips to test the compounds but coming off the high can impact his speech and cognition, impacting his attempts to flirt with Lizzy (Jurnee Smollett). But you can’t help but ask: the question in the background: Is everything what it seems?

Continue reading →

The Dry – Movie Review

Posted on by
11

TL;DR – A film that captivates you in the first frame and never lets you go throughout the runtime.    

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

The Dry. Image Credit: Roadshow Films.

The Dry Review –

The murder-mystery who-done-it genre is one that can captivate me as we see the mystery unfold or frustrate me as the film throws in silly narrative choices to pad out the run time. Today we get to look at a movie that does the first as it brings you into this world and does not let you go until the end.

So to set the scene, we open with long pans over a dry and parched landscape full of dust and brown. When in the background we can hear a baby crying, we see it in its crib, but something is amiss and as the camera pans out there is blood everywhere. A couple of weeks later we are in Melbourne where we discover there has been a murder-suicide with a father killing his wife and son but leaving the baby behind. Aaron Falk (Eric Bana) is now an investigator for the Federal Police, but he grew up in the town and knew the husband Luke (Martin Dingle Wall) as they were childhood friends. A letter compels him to return for the funeral, but coming back to town is harder for Aaron because of his past and the suspicious death of one of his friends that caused him and his family to flee all those years ago.   

Continue reading →