TL;DR – A film that captivates you in the first frame and never lets you go throughout the runtime.    

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

The Dry Review –

The murder-mystery who-done-it genre is one that can captivate me as we see the mystery unfold or frustrate me as the film throws in silly narrative choices to pad out the run time. Today we get to look at a movie that does the first as it brings you into this world and does not let you go until the end.

So to set the scene, we open with long pans over a dry and parched landscape full of dust and brown. When in the background we can hear a baby crying, we see it in its crib, but something is amiss and as the camera pans out there is blood everywhere. A couple of weeks later we are in Melbourne where we discover there has been a murder-suicide with a father killing his wife and son but leaving the baby behind. Aaron Falk (Eric Bana) is now an investigator for the Federal Police, but he grew up in the town and knew the husband Luke (Martin Dingle Wall) as they were childhood friends. A letter compels him to return for the funeral, but coming back to town is harder for Aaron because of his past and the suspicious death of one of his friends that caused him and his family to flee all those years ago.