However, in this last entry into our Best of 2021 awards, we crown our winner of the Best Film of 2021.
All films are subjective, so our list might look completely different from yours. Also, we didn’t get to see every movie this year, which means we will be only drawing our Top 15 from the 69 films we did get to see, which you can see a list of HERE. You can also click on the titles to go to the full review.
It was also a very odd year for cinema, with many films being postponed or released in non-traditional means. There were also many staggered releases, so we may have films here that were released in 2020 for you but 2021 for us, and there may be some omissions here because we won’t get those films until 2022.
Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2021.
Cinematography is an art form that can be as bold as a gong crashing after a moment of silence, or as subtle as the tide coming in. It elevates a film to the heights of accolade or turns a movie into a frustrating mess when it misfires.
While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.
So without further ado, these are the moments of cinematography that took our breaths away in 2021. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners/titles to be taken to the full reviews.
It was a fantastic year for Australian Cinema, with each film I saw knocking it out of the park. There were intimate documentaries, films that held up a mirror to society, and those that brought the action to a new level.
This list will be looking more at the locally made Australian productions/co-productions and not just films filmed in Australia.
So without further ado, these are the best Australian Cinema in 2021. Be warned that there will be significant spoilers ahead for the films in question. Also, click on the banner/titles to go to the full reviews.
TL;DR – A film that captivates you in the first frame and never lets you go throughout the runtime.
Rating: 4.5 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid to see this film.
The Dry Review –
The murder-mystery who-done-it genre is one that can captivate me as we see the mystery unfold or frustrate me as the film throws in silly narrative choices to pad out the run time. Today we get to look at a movie that does the first as it brings you into this world and does not let you go until the end.
So to set the scene, we open with long pans over a dry and parched landscape full of dust and brown. When in the background we can hear a baby crying, we see it in its crib, but something is amiss and as the camera pans out there is blood everywhere. A couple of weeks later we are in Melbourne where we discover there has been a murder-suicide with a father killing his wife and son but leaving the baby behind. Aaron Falk (Eric Bana) is now an investigator for the Federal Police, but he grew up in the town and knew the husband Luke (Martin Dingle Wall) as they were childhood friends. A letter compels him to return for the funeral, but coming back to town is harder for Aaron because of his past and the suspicious death of one of his friends that caused him and his family to flee all those years ago.