Eddington – Movie Review

TL;DR – While the cast is giving their all, the production quality is there. Unfortunately,  what we get is a film that is weird but not interesting, a satire that does not have the strength to interrogate the themes it is working in, and a third act that dulled me to the point I desperately wanted it to be over and done with.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – This film contains scenes that may cause distress.

Joaquin Phoenix and Pedro Pascal stand off against each other.

Eddington Introduction

Today, we are looking at a film that could be best described as controversial. It is a black comedy, satirising the current political situation in the United States, which in itself would be a fascinating exploration. But add in the guiding hand of vanguard Indy director/writer Ari Aster, and you should have something intriguing. Unfortunately, for me, the word ‘should’ is the operative word in the last sentence.   
 
So, to set the scene, in the Colorado town of Eddington, people are struggling with the new lockdown laws as COVID-19 runs through the country. It is only May 2020, so we are fumbling around trying to see what would work. In this space, we have Joe Cross (Joaquin Phoenix), Eddington’s sheriff, who may have only got the job because he married Louise (Emma Stone), the daughter of the last sheriff. He struggles with many ailments and is struggling with the COVID-19 restrictions put in place by local mayor Ted Garcia (Pedro Pascal). After several confrontations, Cross decides to contest the current mayoral elections, which is where everything descends into chaos.

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Silo: Solo Review – The Battle of Flexibility vs. Rigidness

TL;DR – Today’s episode is all about the tension between flexibility and rigidness, and it was a fascinating discussion.

Rating: 4 out of 5.
Eyes peer out behind a door.

Silo Review

In the first two episodes of the season, The Engineer & Order, we got to catch up on what was happening in both of the Silos. Now that we have our grounding, it is time to start propelling the narrative forward. Well, that is what we will explore today.

So, to set the scene, back in The Engineer, Juliette (Rebecca Ferguson) managed to survive cleaning and walked through a valley of corpses to the next Silo over. In it, after much exploration, she finds the one person left alive in Silo 17 called Solo (Steve Zahn). The only problem is that Juliette discovers that the fracture point for Silo 17 was when someone didn’t clean, and that caused the rebellion and deaths. And then it dawns on her, this is what she just did to Silo 18. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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Silo: Order – TV Review

TL;DR – We get to see a society on the brink of collapse, where years of lies have come home to roost

Rating: 4 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this series.

Juliette Lives Graffiti.

Silo Review

While the opening episode, The Engineer, was all about what happened to Juliette, I wondered if we were just going to keep following their story. However, the casting list showed me that we were still going to stay linked to the Silo from the first season in some capacity. Well, today, we see just what those links will be.

So, to set the scene, after being set up by Bernard Holland (Tim Robbins) and Robert Sims (Common), Juliette Nichols (Rebecca Ferguson) was forced to go outside and ‘clean’ in the season finale. However, she does not clean and just walks away, breaking centuries of tradition. Also, Nichols was well-liked in many sectors of Silo, and people were upset and asking questions. The whole Silo is on the cusp of rebellion. Everyone just saw Juliette walk over that hill, and everyone, especially those down below, wanted to know what that meant. Is it safe? Can they all leave? What else is management lying about? Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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