TL;DR – A mockumentary that tries to walk the line between entertaining and informative and often fails even before it stops its narrative to do an ad for Netflix halfway through.
Rating: 2.5 out of 5.
Post-Credit Scene – There is a mid and post-credit scene
Death to 2020 Review –
I don’t think it is a controversial statement to say that 2020 has been a crap year on many fronts. It was so bad that I forgot some of the bad things that happened only to be reminded of them tonight. When a documentary film titled Death to 2020 comes along … well you have my attention, even when you find out it is a mockumentary that could still be good if executed well. However, I am not sure this one stuck the landing.
Death to 2020 starts in an interesting place because it is a documentary presented by actors playing roles. Right from the start, there is an interesting juxtaposition between reality and fiction as Laurence Fishburne’s calm tones narrate the coming calamity. This kind of set up gives you a lot of potential because it removes you slightly from the material, giving you avenues for comedy and introspection. However, that is a tricky line to walk, and frankly, this film slipped off that edge on multiple occasions.
TL;DR – The Seatbelts are doing live versions of classic Cowboy bebop songs and they slap
I don’t think it will be a surprise to anyone to say that I have been finding the last few months to be quite difficult. Indeed, I think it has been hard for most people and it is only increasing as the days, weeks, and months go on. I have been trying to find something to spark my joy, and while binge-watching old shows like The Nanny and Scrubs has helped, and having a watch list that might be 90% Bon Appétit videos is just the nature of the times. Nothing has really brought that smile to my world, well nothing until now.
At the end of last year, I talked a lot about how much I loved Cowboy Bebop, an anime out of Japan that might be many of my generation’s first introduction into that art style but it is still something resonates in my heart today. One of the core components of that series that may even outlast the show is its music. It was a show that deeply wove its music into the tapestry of the show, nothing was just dumped in as filler. At the core of this musical work was composer and instrumentalist Yoko Kanno and her band the Seatbelts which has gone by シートベルツ, Shītoberutsu, Seat Belts or SEATBELTS depending on which version of the soundtrack you got. It was the smashing together of so many genres of music from jazz to pop to rock to even country and all in-between that stuck in my mind for decades.
Well in the age of COVID and Zoom meetings, shudders Zoom meetings, there has been one ray of joy, as the SEATBELTS came back together perform songs from the soundtrack and it is just a sheer delight and everyone can listen to it here.