TL;DR – An intimate exploration of a crime as it unwinds across the days.
Post-Credit Scene – There is no post-credit scene
Disclosure – I was sent a screener of this film.
In The Land Of Lost Angels Review –
In my exploration of cinema outside of my traditional Anglosphere, today I have another first. I think my previous investigation of Mongolian Cinema began and ended with watching The Hu on YouTube. Today, I take the first steps to fix that by looking at this brooding work of cinema.
So to set the scene, we open in the dark of a Los Angeles night. Ankhaa (Tumursukh Erdenemunkh) is on the phone back home telling everyone not to worry because his new job pays well, but clearly, this is not quite the truth. Along with his friend Orgil (Iveel Mashbat), they go through the motions of setting something up, including purchasing a gun, much to Orgil’s surprise. You are not sure where this is going, right up until they grab Scott (Mike Cali) from his car and slap a ransom note to the window.